Marching Band - Level 2 - Digital Download SKU: A0.1307702 By Between 9&7 Band. By Calvin Richardson, Clarence Allen, Daryl L Simmons, Gregg John Pagani, Kenneth Copeland, Kenneth Edmonds, and Marvin Smith. Arranged by E.T. Rawles, III and Albert Davis, Jr. Pop. Score and Parts. 24 pages. E.T. Rawles, III #896965. Published by E.T. Rawles, III (A0.1307702).

Piano Solo - Level 4 - Digital Download SKU: A0.1030247 Composed by Devin Talluto. Contemporary,Holiday,Love. Score. 6 pages. Devin Talluto #6137653. Published by Devin Talluto (A0.1030247). This is a song written from the heart, made to connect ones feelings towards missing a loved one. I wrote this to connect and cope with the feeling and the slower it’s played the more heartwarming it can become. Don’t play just to play. Connect with the music and make it the beautiful song it was written to be.

Jazz Combo - Level 4 - Digital Download SKU: A0.970747 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5330633. Published by Michael M. Strand (A0.970747). By Mike Strand, ASCAP This is a lead sheet with lyrics, chords and guitar fret boards, for a jazz ensemble, large or small, with singer or solo instrument.  Thus, it is the basis for a variety of arrangements, contra facts, and improvisations. The audio sample is a jazz quartet:  An iReal Pro swing accompaniment combined with my tune from Finale PrintMusic.Wait It Out (Alternate Version), and Wait It Out (Rock Version) are also for sale on this web site.  The alternate version is also a swing -- same tune with different harmonization. The March 2020 Covid-19 influenza scare is the subject of Wait It Out.  The lyrics express an individual’s efforts to cope with being isolated, away from friends – social distancing to discourage the spread of the flu. I wrote this tune in the Locrian mode, which conveys a sad, surreal mood associated with self-isolation.  The coda brightens the mood with a change to Ionian (major) mode.Here are the lyrics:Wait It Out1.  I’m not having fun home alone. I’m chewing my nails to the bone. I don’t pretend to comprehend. I’ll just wait it out to the end. 2. Well, I just want to sit, drink and eat, But going on line is a treat. And I know this much, we’ll stay in touch! Waiting this out to the end. Coda Sending warm wishes to you, my friend! We’ll wait this thing out to the end!

Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!

Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB

Choral Choir,Choral,SSA Chorus - Level 5 - Digital Download SKU: A0.1428359 Composed by Paul Ayres. A Cappella,Contest,Festival. 8 pages. T.U.X. People's Music #1009145. Published by T.U.X. People's Music (A0.1428359). A kaleidoscope of melodies and harmonies bring this visceral poem to life – a powerful and unique work for upper voice ensemble.

Piano Solo - Level 4 - Digital Download SKU: A0.1120576 By Luis Eduardo Bermúdez Acosta. By Luis Eduardo Bermúdez Acosta. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #721822. Published by Juan Carlos Cortés Aguirre (A0.1120576). Transcripción para Piano Solo por: Juan Carlos Cortés A. Obra que data del año 1939, dedicada al popular sector de la ciudad de Cartagena de Indias denominado como Chambacú. Grabado con la voz de la célebre cantante de San Bernardo, Cundinamarca y criada en Icononzo, Tolima: Matilde Díaz y acompañado por la orquesta del propio compositor. Cumbiamba: Cumbia es apocope (Pérdida de una o varias letras al final de una palabra) de cumbiamba, este término tiene relación con la voz antillana cumbancha que en Cuba se significa jolgorio o parranda, ambas se deriva de la voz negra cumbe, baile negro de la Guinea continental española o kumba palabra que según el antropólogo Fernando Ortiz significa hacer ruido. La Cumbia tiene su dominio en todo la costa norte de Colombia, partiendo de Cartagena, donde se supone tiene su nacimiento aunque en El Banco, Plato, Mompox y Cienaga, también reclaman ese derecho. Esta danza tradicional se extendió por todo el departamento de Bolívar para seguir a Sucre, Córdoba, Cesar, Atlántico y Magdalena. Generalmente se confunde cumbia con cumbiamba pero en la practica son dos cosas diferentes, ya que cumbiamba se refiere al festival o lugar donde se baila, no solo cumbia; si no otros ritmos como bullerengue, mapalé, porro, etc. También se le llama cumbiamba a las comparsas que bailan cumbia en los carnavales de Barranquilla. En el Magdalena también se le dice así a la reunión de bailadores de cumbia, en tanto es la tonada musical y coreográfica, aire típico predominante en todo el litoral atlántico. Cumbia Tradicional del Caribe Colombiano inscrita en la Lista Representativa de Patrimonio Cultural de la Nación (2022).

Chamber Orchestra - Level 3 - Digital Download SKU: A0.900878 Composed by Mark Bisson. Contemporary,Film/TV. Score and parts. 39 pages. Mark Bisson #3258187. Published by Mark Bisson (A0.900878). Film music for small orchestra in the style of a Star Trek theme (the influences of Jerry Goldsmith, Aaron Copeland and W. Snuffy Walden are present). It is in a brass-friendly key but the string parts are fairly easy. The trumpet parts are high, though, so confident and experienced players will be needed. T Although I retain the publishing and licensing rights to the music you are free to perform it in any way you wish. I would appreciate that any copying or sharing of the files or music is kept within the one institution. video clip: https://www.youtube.com/watch?v=ktth6id_SKg&feature=youtu.be.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1048578 Composed by Lee Mitchell. 20th Century,Contest,Festival,Folk. Score and parts. 9 pages. T.U.X. People's Music #652979. Published by T.U.X. People's Music (A0.1048578). Extracted from The Eloquent Earth, Hymn for Strings combines unexpected harmonic shifts from previous movements with lighter textures, presenting a melody line and homophonic textures to contrast the previous movements while maintaining the scope and style of the full cycle.

Concert Band - Level 2 - Digital Download SKU: A0.1431972 Composed by Josephine Lang. Arranged by Josh Trentadue. Classical,Contest,Festival,March. 61 pages. T.U.X. People's Music #1012450. Published by T.U.X. People's Music (A0.1431972). Dramatic in scope, this adaptation of a celebratory march is a perfect introduction for your students to the music of Josephine Lang, and a great opener or closer for any concert program!

Concert Band - Level 2 - Digital Download SKU: A0.1432033 Composed by Josephine Lang. Arranged by Josh Trentadue. Contest,Festival,March. 69 pages. T.U.X. People's Music #1012513. Published by T.U.X. People's Music (A0.1432033). Dramatic in scope, this adaptation of a celebratory march is a perfect introduction for your students to the music of Josephine Lang, and a great opener or closer for any concert program!

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1142414 Composed by Lee Mitchell. Arranged by Josh Trentadue. Chamber,Classical,Contemporary,Contest,Festival,Instructional. 9 pages. T.U.X. People's Music #742786. Published by T.U.X. People's Music (A0.1142414). Extracted from The Eloquent Earth, Hymn for Saxophones combines unexpected harmonic shifts from previous movements with lighter textures, presenting a melody line and homophonic textures to contrast the previous movements while maintaining the scope and style of the full cycle.

String Orchestra - Level 2 - Digital Download SKU: A0.1434020 Composed by Josephine Lang. Arranged by Josh Trentadue. Classical,Contest,Festival,March. 33 pages. T.U.X. People's Music #1014274. Published by T.U.X. People's Music (A0.1434020). Dramatic in scope, this adaptation of a celebratory march is a perfect introduction for your students to the music of Josephine Lang, and a great opener or closer for any concert program!

Chorus - Digital Download SKU: AX.00-PO-0003442 Gonna Get Over You - SSATB, a cappella. Composed by Sam Farrar and Sara Bareilles. Arranged by Bryan Sharpe. Choral. 22 pages. Alfred Music - Digital Sheet Music #00-PO-0003442. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003442). UPC: 038081491073.Sara Bareilles doesn't let lost love get her down in this charming single from the album Kaleidoscope Heart. Tight harmonies and a non-stop rhythmic pulse make this pop a cappella arrangement a winner. Recording provided by Kettering High School's Eleventh Hour, directed by Brody McDonald.A cappella.

Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.