Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1284321 Composed by Luis Enrique Téllez. 21st Century,A Cappella,Multicultural,World. Octavo. 5 pages. Luis Enrique Téllez #875492. Published by Luis Enrique Téllez (A0.1284321). Choral work for mixed chorus a capella on a poem by José Asunción Silva (Colombia S.XIX) composed in waltz tempo. Tells the stoy of a person who goes into an old and ruined monastery and finds a skull. The protagonist imagines that it is the skull of a monk and creates his own story about this caracter who was perhaps a person dedicated to serving God and doing good.This composition was written in México. Is dedicated to the Brahms Choir of Colombia and its conductor, Gabriel Rodríguez Zuluaga. It was premiered by the same composer in 2017 in Manizales, Colombia.

Concert Band - Level 3 - Digital Download SKU: A0.1433072 Composed by Rusty Toots. Classical,Comedy,Contemporary. 38 pages. Russell Ward #1013501. Published by Russell Ward (A0.1433072). It's a Saturday morning.  After a busy and hectic week, you have nothing scheduled. Your wife and kids are happily occupied with things that don't involve you. Time to mentally check out, retreat to the man cave and find something to do that doesn't involve anything other than what is physically in front of you. On the radio in the background, there are some old blokes musing laconically about football.   You don't really know what you'll be doing, but it will involve tools and not giving a flip about anything else for a little while. You may even need to make a trip to the hardware store at some stage... who knows? Tooling-a-Round is the first movement of what is (planned to be) a multi-movement work for concert band, depicting the cherished role of backyard shed in the life of a typical suburban middle-aged family man.  Quavers are to be played rhythmically swung, with articulations observed whole-heatedly to highlight the playful and irreverent mood throughout - staccato markings in particular are to be exaggerated.   The sound of real tools should be used in the percussion parts where indicated (e.g. saw, file, hammer, toolbox, circular saw, power drill etc.) with rhythms to be approximated in order to give the impression of a project getting underway as the piece progresses and the protagonist meanders from one task to the next.This piece is dedicated to busy fathers who work hard to preserve their capacity to create, play and explore.

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 35 pages. Maria Thompson Corley #864733. Published by Maria Thompson Corley (A0.1272508). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. Please note that the YouTube version for clarinet is slightly different than the one with violin, to accommodate the differences in range.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.618027 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 13 pages. Exultet Music #2005703. Published by Exultet Music (A0.618027). Contemporary Christian / Praise and Worship type hymn of self-examination that sings about it's all the little things that we could be doing and how we treat our neighbor, but sometimes we don't.  The comments we make that really we shouldn't, etc. and how all of this and more must make God cry.   Appropriate and accessible for any church or concert setting.  Scored for Solo, SATB, Cello, and Piano.  A rehearsal and an accompaniment track are also available.CCLI Song Number: 7119078Video Review: https://www.youtube.com/watch?v=mcyqny0mj0E.

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.

Choral Choir (5-Part) - Level 2 - Digital Download SKU: A0.1217531 Composed by A. Routhier/C Lavallee. Arranged by Bill ORANGE Lyons. A Cappella,Jazz,Patriotic,Traditional. Octavo. 6 pages. Bill ORANGE Lyons #814082. Published by Bill ORANGE Lyons (A0.1217531). So, why would an American arrange O Canada? Well, for one, it's one of best anthems around. Truth be told, I used to direct a choir I founded (called the Orange Korale) and we were doing the Star-Spangled Banner for various MLB teams and knew eventually we'd need to sing the Canadian Anthem and finally had that chance for the Toronto team while playing here in the states and they loved it, and I think you will too.Wanting to keep it simple, I did not incorporate any French verse(s) so I hope you'll simply enjoy this simple but beautiful piece. Although it states written for SAATB, there is one place where the alto splits but only for a few notes. It is an easy arrangement but one that should be pleasing to all who hear it. This is a very easy chart to perform. Just tell them it was arranged by someone in one of the 'southern' provinces. I won't tell if you don't. :-).

Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 46 pages. Aere R Greenway #864730. Published by Aere R Greenway (A0.1272505). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy.  So I set about orchestrating his sonata for piano, opus 5, as a symphony.  I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally.  And this is a composition from his youth (1854).  In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo.  I haven't needed to create anything.  It's all Brahms, coming through.  Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony.  And you get to hear its third movement now.  As with the tradition of Beethoven, the 3rd movement is a scherzo.  You can think of it (at least in the beginning, and end), as the waltz of the gargoyles.  Enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.

Piano Solo - Level 3 - Digital Download SKU: A0.1042294 Composed by Frank Zappa. Arranged by Andrew Pattinson. Classical,Contemporary. Score. 1 pages. Andrew Pattinson #647109. Published by Andrew Pattinson (A0.1042294). Although titled Waltz for Guitar, Frank Zappa first wrote it at the Piano. This is the original piano score version from1958. Zappa Quote: This is a 12-tone crab canon written when I was 18. There's actually another version for two guitars, so it's a double crab canon. I don't know where it is though. I'd been doing 12-tone music for quite some time before I did this, but it was the first time I'd tried to write something for the guitar. I couldn't play it, and I never got to hear it until I got the Synclavier. And because it's printed on the Synclavier, that also means I got to push the button and listen to it..

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).

Guitar - Level 2 - Digital Download SKU: A0.1124793 By Irish Traditional. By Anon. Arranged by Brian Streckfus. Celtic,Country,Folk,Irish,Multicultural,Standards,World. Chords/Lyrics. 3 pages. Brian Streckfus #725564. Published by Brian Streckfus (A0.1124793). I include two versions! The first being my arrangements with many changes, and the second version is a more blank version. That way, these arrangements are more all-inclusive for every purpose and skill level.1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Guitar Chord Charts and Chord Nomenclature4. Less stereotypical chords that take into consideration voice leading and making the main melody the forefront.5. Fingerings and letter names added to aid in sight-reading6. Grace notes addedWhat makes these versions great is that they work well no matter how many members. Completely solo guitar you can use the vocal melody to make the song more sophisticated and make the song more recognizable. Then, the larger the group you play in, the more you can focus on playing the background chords. The background chords a great for those who want to train their singing, as even the chord diagrams constantly emphasize the main melody.Edit: A better name for the G major chord in measure six is B minor. Though, G is ok since it is sort of implied.If you want me to make a small revision, I don't mind doing it for free just as long as it isn't time consuming. Please feel free to reach out to me!https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.

Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.

Cello,Choir,Piano,Voice - Digital Download SKU: A0.1051671 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Full Performance. Duration 206. Exultet Music #3469. Published by Exultet Music (A0.1051671). Contemporary Christian / Praise and Worship type hymn of self-examination that sings about it's all the little things that we could be doing and how we treat our neighbor, but sometimes we don't.  The comments we make that really we shouldn't, etc. and how all of this and more must make God cry.   Appropriate and accessible for any church or concert setting.  Scored for Solo, SATB, Cello, and Piano.  Video Review: https://www.youtube.com/watch?v=mcyqny0mj0E

Cello,Piano - Digital Download SKU: A0.1051670 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Accompaniment. Duration 207. Exultet Music #3467. Published by Exultet Music (A0.1051670). Contemporary Christian / Praise and Worship type hymn of self-examination that sings about it's all the little things that we could be doing and how we treat our neighbor, but sometimes we don't.  The comments we make that really we shouldn't, etc. and how all of this and more must make God cry.   Appropriate and accessible for any church or concert setting.  Scored for Solo, SATB, Cello, and Piano.  Video Review: https://www.youtube.com/watch?v=mcyqny0mj0E