Bass Guitar,Drums,Electric Guitar,Piano Accompaniment - Level 2 - Digital Download

SKU: A0.1364062

By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Film/TV,Musical/Show,Singer/Songwriter,Wedding. 114 pages. Michael Gene Drake #948363. Published by Michael Gene Drake (A0.1364062).

“Don’t You Ever Leave Me� From My CD
“Savor the Moment�

I like to see the shine in your hair. I like to hear the whisper of you,

I like the fragrance of your perfume, ‘cause it reminds me of the times that we shared.

Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,

For another.

And when we’re together, the birds like to sing,

And when we’re together, we laugh play and cry,

And when we’re together, nothing shines like us,

And when we’re together, our dreams come alive. 

Don’t you ever leave me, Don’t you ever leave me,

Don’t you ever leave me, for another.

Don’t you ever leave me, Don’t you ever leave me,

Don’t you ever leave me, for another.

Even though we’re far apart, my heart knows that you will be all mine.

Oh, it feels so good, Oh it feels just right,

Oh, you’re all I need, to warm the lonely night.

Oh, it feels so good, Oh it feels just right,

Oh, you’re all I need, to warm the lonely night.

I like to see the shine in your hair. I like to hear the whisper of you,

I like the fragrance of your perfume, ‘cause it re-minds me of the times that we shared.

Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,
For another.

Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,

For another.

Don’t you ever leave me, Don’t you ever leave me, Don’t you ever leave me,

For another.

michaeldrakemusic@outlook.com  www.drakemusic.com.

Piano Solo - Level 2 - Digital Download

SKU: A0.835098

Composed by Cody Weinmann. 20th Century,Concert,Contemporary,Instructional. Score. 5 pages. Cody Weinmann #3384745. Published by Cody Weinmann (A0.835098).

Here is Dreams Don't End originally for piano. This is the piano version of this piece. There is an orchestral version coming out soon. If you want a jaw-dropping piece that will cause tear-jerking reactions at concerts, recitals, and even in student piano study, buy this piece! It has a little Romantic era flavor going on which will keep people listening. Think of Rachmaninoff's piano concerto or some of the later work by Beethoven and you'll be home. It is for early intermediate piano players at the earliest.

Choral Choir (SA) - Level 3 - Digital Download

SKU: A0.1015744

By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Charles Gribben. Oldies. Octavo. 6 pages. Charles Gribben #4885347. Published by Charles Gribben (A0.1015744).

This Arrangement is suitable for a small two part choir.

It shouldn't be too difficult to learn and is suitable for amateur singers as well as professionals.

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016211_BTC1

Baritone T.C.. Composed by Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Vince Gassi. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016211_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016211_BTC1).

UPC: 038081417301.

This medium swing arrangement of the dreamy Ellington tune will cook at just about any tempo (though the recommended tempo is 108 BPM). The chart features a written tenor sax solo and a lot of interplay between the brass and saxes. It even has a 4-bar stop-time section for a rhythmic contrast. The Duke would be pleased that you're playing one of his songs on your next concert program.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1104138

Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).

      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,� published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds.

Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.� One announced, “You can’t play in our yard.� The reply of the other forms the familiar chorus:

I don't want to play in your yard, I don't like you any more,

You'll be sorry when you see me sliding down our cellar door,

You can't holler down our rain-barrel, you can't climb our apple tree,

I don't want to play in your yard, if you won't be good to me.

      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.� But “in sweet dreams of childhood� we still remember the controversy of the yard.

      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary� then transitions to ¾ for the remainder of the piece.

      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.

      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).

Violin Duet Violin - Level 3 - Digital Download

SKU: A0.1138938

By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Jose Welligton Sousa de Castro. Film/TV,Multicultural,Pop,Wedding,World. 7 pages. Jose Welligton Sousa de Castro #739233. Published by Jose Welligton Sousa de Castro (A0.1138938).

Wildest Dreams soundtrack from the Netflix series Bridgerton, arranged for Violin Duet in the key of E.
Experience the beauty and grace of Bridgerton's music with our exclusive arrangement of Wildest Dreams for Violin Duet in the key of E. This sheet music is perfect for musicians of all levels, from beginners to advanced players, looking to expand their repertoire. The clear notation and easy-to-read layout make it accessible for violinists at any stage of their musical journey. The arrangement has been expertly crafted to capture the essence of the original soundtrack, bringing out the full potential of this beautiful melody. Whether you're performing at a wedding or other special event, or simply practicing in the comfort of your own home, this sheet music is the perfect addition to your violin library. Don't miss out on the opportunity to impress your audience and elevate your playing with this stunning arrangement of Wildest Dreams from Bridgerton.

Choral Choir,Choral (SATB) - Level 4 - Digital Download

SKU: A0.1267134

By Peggy Lee. By Joe McCoy. Arranged by Michael Thomas Coull. 20th Century,Blues,Contemporary,Jazz,Standards. 10 pages. MTC Publishing #859768. Published by MTC Publishing (A0.1267134).

Why Don't You Do Right (Get Me Some Money, Too) - Choral Arrangement for SATB and Piano arranged by Michael Thomas Coull

Why Don't You Do Right (Get Me Some Money Too!) was originally recorded as Weed Smoker's Dream and is an American blues and jazz-influenced pop song written by ‘Kansas Joe’ McCoy and Herb Morand in 1936.  Both men are given composer credits on the original 78 record label, although Morand’s name is misspelled. 

In 1936, the Harlem Hamfats recorded the Weed Smoker’s Dream.  Band member Joe McCoy later rewrote the song, refining both the composition and lyrics.  The new tune, titled Why Don't You Do Right (Get Me Some Money Too!), was recorded by Lil Green in 1941, with guitar by William ‘Big Bill’ Broonzy.  The minor key twelve-bar blues song, with a few chord substitutions, proved popular and quickly became a jazz standard. 

With its roots in blues music, the song originally dealt with a marijuana smoker reminiscing about lost financial opportunities.  After it was rewritten, it took on the perspective of the female partner, chastising her man for his irresponsible ways:  ‘Why don't you do right, like some other men do?  Get out of here and get me some money too!’

A wonderful bluesy arrangement for full SATB choir with piano accompaniment, not just fun for the choir to sing, but also one the audience will really enjoy too.

Percussion Ensemble - Level 3 - Digital Download

SKU: A0.991820

By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Bradley R Meholick. Dance,Pop. Score and parts. 43 pages. Bradley R Meholick #3449965. Published by Bradley R Meholick (A0.991820).

Have some fun with your percussion ensemble with this 2016 Justin Timberlake from the Dreamcast motion picture TROLLS.  This arrangement is perfect for percussion ensembles at either the middle or secondary level as it's varied level parts makes this showy sounding arrangement very accessible to groups with students at different performance levels.  An advancing mallet player can enjoy learning a familiar song while working their 4 mallet technique while those newer to the mallets can work with a part that stays on the popular melody.  

C Instrument - Level 4 - Digital Download

SKU: A0.508964

Composed by Irving Kahal and Sammy Fain. Arranged by John Fries. Broadway,Jazz,Musical/Show,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #120075. Published by John Fries (A0.508964).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. I Can Dream, Can't I, is a popular song written by Sammy Fain with lyrics by Irving Kahal that was published in 1937. It was included in a flop musical, Right This Way. Tommy Dorsey released a hit recording of it the same year, but it was in the postwar years that the song gained its greatest success. In 1975, the Carpenters recorded the song and included it on their album, Horizon.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1201341

By 100 Strings And Joni (bonus Tracks). By Irving Kahal and Sammy Fain. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 2 pages. John Fries #799995. Published by John Fries (A0.1201341).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John.  I Can Dream, Can't I, is a popular song written by Sammy Fain with lyrics by Irving Kahal that was published in 1937. It was included in a flop musical, Right This Way. Tommy Dorsey released a hit recording of it the same year, but it was in the postwar years that the song gained its greatest success. In 1975, the Carpenters recorded the song and included it on their album, Horizon.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download

SKU: A0.1283696

By The Mamas And The Papas. By Fabian Andre, Gus Kahn, and Wilbur Schwandt. Arranged by Kayleigh Huelin. Pop,Standards. 15 pages. Kayleigh Huelin #874891. Published by Kayleigh Huelin (A0.1283696).

'Dream A Little Dream Of Me' is a lovely pop song, made famous by the Mamas and the Papas. A versatile standard, it sounds great in a variety of styles and tempos - it is a fantastic song that goes down well in both casual and more formal settings. Arranged for S(A)AT(A)B(T) quartet.

Like this? Why not check out my website for more saxophone arrangements: www.khuelinmusic.co.uk.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1291729

By 100 Strings And Joni (bonus Tracks). By Irving Kahal and Sammy Fain. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #882338. Published by DAVID LEE GINGRAS (A0.1291729).

I Can Dream, Can't I?, is a popular song written by Sammy Fain with lyrics by Irving Kahal that was published in 1937. It was included in a flop musical, Right This Way. Tommy Dorsey released a hit recording of it the same year, but it was in the postwar years that the song gained its greatest success. The best-known version was recorded by the Andrews Sisters and Gordon Jenkins Chorus and Orchestra on July 15, 1949. This version features a root-based chord blocking that John and I have used in a number of our arrangements and was developed from the original 1937 sheet music. We also added some pretty cool left-hand fills to keep things moving along smoothly. We hope you like what we've done with this grand old tune!

Concert Band - Digital Download

SKU: AX.00-PC-0001515_WPTBETC

(wp) E-flat Tuba T.C.. Composed by Dana Wilson. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001515_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001515_WPTBETC).

ISBN 9780739050941. UPC: 038081318110.

This work was commissioned in honor of the 75th birthday of the wonderful conductor Frank Battisti. It is based entirely on the musical pitches extracted from his name (FFrAAnk BABAttisti), forming the musical motive F A B A. In order to recognize the arc of his life and career, Day Dreams traces a metaphorical day. The movement titles all come from Thoreau's Walden---a place very close to where Frank spent a good part of his life. The work begins with a dramatic sunrise. The second movement represents morning (or youth), and juxtaposes two extremely contrasting and seemingly irreconcilable types of material, typical of that stage of life. The third movement explores the afternoon (adulthood), a period of sophisticated balancing of life's many forces. The final movement is a sunset, with each individual player saying goodbye.