Digital Download SKU: A0.1065162 Composed by James Gilbert. Jazz,Pop,Rock. Full Performance. Duration 229. James Gilbert Music #1768951. Published by James Gilbert Music (A0.1065162). Audio Recording From our Album I Won't Give Up Click here to see all of our titles available on SMP If you purchase a copy, please offer a review. You can follow us on the following social media sites: YouTube for music software tutorials and more Twitter: @MusicByJames or click here Facebook: Like Us on Facebook We'd love to hear from you, visit JamesGilbertMusic.com and drop us a note.

Piano Solo - Level 4 - Digital Download SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. Blaze Scheuerman #651896. Published by Blaze Scheuerman (A0.1047338). The Doomsday Clock is a piece that primarily shows anxiety and being overwhelmed. I composed this piece my senior year of high school. At the time I could feel the impending deadline of college piano auditions approaching, and this coupled with a hand injury caused me to be very stressed out and feel that I was unable to put in the time needed to practice and prepare. I chose the name “Doomsday Clock� as I felt that the event that was slowly creeping closer was actually going to be the destruction of my dreams. The intro starts up bleak as the main character feels lost and afraid. The baseline hints at something to come that keeps inching closer and closer. Then at measure 8 it hits him, the thing to come is inevitable and can’t be stopped. He tries to reason with it, but it does not budge. This forces him to go into a mad scuffle in order to keep up and be ahead, as seen in measure 13. What then proceeds is a series of highs and lows, such as in measure 24 where the main character is terrified of what is to come and in measure 33 where he begins to believe he can do it. The piece then modulates to C major, where the main character feels that he is ahead and going to be successful. But every time he states a confident line, it seems to deteriorate or break down. Eventually he leads back into the mad scuffle and reaches his lowest point in measure 74. Here he feels lost and is about to give up when something encourages him to keep on going. It manifests a childlike voice reminding him of why he started this journey in the first place, and it convinces him to not give up and instead keep on going (seen in the Eb major section in the style of the intro). He eventually reaches the end and makes it, almost collapsing at the finish.

Choral Choir (SA) - Level 1 - Digital Download SKU: A0.956038 Composed by Teresa O'Connell (BMI). Instructional,Pop,Standards. Octavo. 7 pages. Teresa O'Connell (BMI) #5715349. Published by Teresa O'Connell (BMI) (A0.956038). Try for Unison Voices encourages your students to never give up and always do their best. Easy to learn and fun to sing, Try is best performed with the awesome Digital Backing Track by seanpack.com found on sheetmusicplus.com (item # S0.771459).  Empower your students with meaningful lyric and a fun, funky beat.  Everybody's telling me what I want will never be. I could never give up on me! But they don't know the plans I've made, the dreams I've dreamed. I'm gonna do great things!  I'll take just one small step at a time. I can always see the possibilities. You can't ever deny...no way, no one will ever stop me. I know I can do it if I Try.

Concert Band - Level 2 - Digital Download SKU: A0.1469467 Composed by John Mason Neale, Thomas Helmore. Arranged by Lorenzo Bocci. Christmas. 65 pages. Lorenzo Bocci #1047497. Published by Lorenzo Bocci (A0.1469467). GOOD KING WENCESLASfor Concert Band (with Fanfare Band parts) - Grade 2 - Digital Download - More Christmas SongsComposed by John Mason Neale, Thomas Helmore. Arranged by Lorenzo Bocci. Christmas. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 2'10''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe 1, 2, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, 3, Euphonium, Bass, Double Bass, Mallet Percussion (Glockenspiel, Tubolar Bells), Timpani, Percussion 1 (Snare Drum), Percussion 2 (Triangle, Bass Drum, Cymbals).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, Bb Trombone 1, 2, 3 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Good King Wenceslas is a Christmas carol that tells a story of a Bohemian king who goes on a journey, braving harsh winter weather, to give alms to a poor peasant on the Feast of Stephen (December 26, the Second Day of Christmas). During the journey, his page is about to give up the struggle against the cold weather, but is enabled to continue by following the king's footprints, step for step, through the deep snow. The legend is based on the life of the Saint Wenceslaus I, Duke of Bohemia (907–935), who was not a king in his lifetime but had that status conferred on him after his death. In 1853, English hymnwriter John Mason Neale wrote the lyrics in collaboration with his music editor Thomas Helmore to fit the melody of the 13th-century spring carol Tempus adest floridum, which they had found in the 1582 Finnish song collection Piae Cantiones. The carol first appeared in Carols for Christmas-Tide, published by Novello & Co the same year.Subscribe to my YouTube Channel to stay updated on new releases.

Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701729 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3258917. Published by Kevin G. Pace (A0.701729). An original hymn based on Doctrine and Covenants 122:5-9. Text by Kathryn Hales below.YouTube video: https://youtu.be/IepzQCsQc5Q If through tribulation you pass through today, Do not despair; hold on your way. If thou art in perils on every side, The Lord will give you strength to abide.   If your life’s in a pit, or you’re cast in the deep, The Lord will watch o’er you. His vigilance keep. If blackness surrounds you from billowing waves, The Lord is nearby, your soul to save.   If all hell gapes open its mouth after you, Do not give up, He’ll see you through. No man need you fear so don’t go astray, Just cling to the Rod and hold on your way.   Christ is the Life, the Truth, and the Way; Your years are known, yea even your days. Trial give you experience, to your goodness display, Look to the Lord and hold on your way.

Concert Band - Level 2 - Digital Download SKU: HX.532671 By Rick Astley. Arranged by Matt Conaway. This edition: scorch. Pop. 2 pages. Duration 120. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.532671).