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Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop,Rock. Accompaniment. Duration 184. Boothe Publishing #4633665. Published by Boothe Publishing (A0.1069959). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
If You Could Go Back Piano Minus Vocal
Piano seul

$1.99 1.71 € Piano seul PDF SheetMusicPlus

Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
If You Could Go Back Guitar Vocal Performance

$1.99 1.71 € PDF SheetMusicPlus

Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
If You Could Go Back Piano Vocal Performance

$1.99 1.71 € PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.42 € Chorale TTBB PDF SheetMusicPlus

String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105244 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop,Rock. Full Performance. Duration 232. David Kai #708504. Published by David Kai (A0.1105244). This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
This Angel
David Kai
$1.99 1.71 € PDF SheetMusicPlus

String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105248 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 229. David Kai #708508. Published by David Kai (A0.1105248). This version of the song is for backing a soloist or group. This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
This Angel (backing track)
David Kai
$1.99 1.71 € PDF SheetMusicPlus

Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.742140 Composed by M. Ryan Taylor. Blues,Christian,Christmas,Contemporary,Spiritual. 8 pages. Vocal Works #6633369. Published by Vocal Works (A0.742140). The first gift of Christmas wasn't frankincense or myrrh,It wasn't gold, it wasn't bought, it wasn't sold.The first gift of Christmas wasn't paper-wrapped with string,but swaddled in soft bands by a gentle mother's hands;the first gift was a Savior, and the angels still are singing:He is the gift which the Father's love has given.He, without price, offered freely to all living.To open the gift is to open your heartand look for His face in all you meet.The first song of Christmas didn't mention deer or snowflakes,there were no halls, no holly bright to deck the walls.The first song of Christmas celebrated peace on earth:Go seek the holy Son, the Christ, anointed one.That song has never ended; oh, the angels still are singing:He is the song that the Father's love has spoken.He is the tune meant to heal the heart that's broken.To lift up your voice is to lift up the weak, and add to the eternal harmony.To open the gift is to open your heart and look for His face in all you meet..
He is the Gift : A Christmas Carol for Medium Voice & Piano
Voix moyenne, Piano

$4.99 4.28 € Voix moyenne, Piano PDF SheetMusicPlus

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.955729 By Elvis Presley. By Richard Rodgers. Arranged by Phil Thrift. Contemporary. Score and parts. 15 pages. Phil Thrift #5769067. Published by Phil Thrift (A0.955729). Blue Moon is best performed by not telling your audience what is coming! Many listeners will be unfamiliar with the almost recitative-style opening that follows the four-measure intro. So when the well-known tune is finally heard at measure 23, some at least will be pleasantly surprised. But don’t decorate the melody too much here; just enjoy it as it is, let that warm trombone sound shine through! The 2nd trombone can decorate the melody a little more from measure 31 onward, but don’t let any swing feeling creep in before measure 38. You may wish to speed up a bit more than I have indicated at measures 47 and 62, but don’t play the swing sections too fast – this is not an up-tempo version. Just strengthen the swing feeling a little each time. This piece will test your quartet’s ability to play an easy swing really tight – especially when the melody is being pulled around, the lead player is playing a little behind the beat. As is usual with my arrangements, every player has the lead at some point, and maybe the chance to introduce a few of their own ideas. This arrangement gives you plenty of opportunity to exploit those all-important trombone characteristics: slide vibrato, bends, and smears, but above all, a warm sound!Listen to a full-length licensed recording on SoundCloud:
Blue Moon
Elvis Presley
$14.99 12.86 € PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers.   Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet!  With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement.  Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley  .
They Came Here to Dance (Swing Band Arrangement)
Ensemble Jazz
Mike Strand, ASCAP

This is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers

After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers
$8.00 6.87 € Ensemble Jazz PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.904425 Composed by John Sarno. Arranged by jtsarno publishing. Christmas. Score and parts. 42 pages. John T Sarno #6459713. Published by John T Sarno (A0.904425). This is a fun piece for an intermediate-level string orchestra. It is the second arrangement of mine that is a mash-up of traditional Christmas carols. This one includes, Up on the House Top, The 12 Days of Christmas, Here We Come a Wassailing, I Saw Three Ships A Sailing, Bring a Torch Jeanette Isabelle, The Holly, and the Ivy, Toyland, O Tannenbaum. All through the piece, different string sections play different melodies at the same time.While it is mostly a pizzicato piece there are some bowing sections. It also gives the player a challenge to play pizzicato while holding the bow in certain sections. This is a great piece for your Winter Concert. Approx 6 minutes long.
A Pizzicato Winter Mash
Orchestre à Cordes

$19.99 17.15 € Orchestre à Cordes PDF SheetMusicPlus

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.
D'amore Si Muore (Milva Version)
Flûte traversière et Piano
Milva
$6.95 5.96 € Flûte traversière et Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Bass Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1327862 Composed by Keri Degg. Arranged by Keri Degg. Advent,Christian,Christmas,Holiday,Instructional. 84 pages. Masquerade Music #915874. Published by Masquerade Music (A0.1327862). Festive Fragments (12/24 Saxophone Trios for seasonal fun!)  for three same saxophones (tenor/tenor/tenor, or alto/alto/alto etc). Pieces in varying difficulty levels (* to ***). Aimed at early - intermediate level players. Great for the rhythmically challenged! Includes score and separate parts. Fab for all ages. A useful tool for correct note voicing due to frequent leaps/drops! Even more fun after mulled wine etc! View our Youtube video with shows how Festive Fragments works here: Watch the Youtube videoA clever education idea of a volume of fragmented Christmas Carols/Songs where the carols will only be recognisable if most of the pitches and rhythms are correct (providing much hilarity and much needed festive fun on the run up to what can be a very stressful period). Written by Keri Degg (a UK woodwind teacher/composer passionate about music education).The pieces are simply numbered 1 through to 24 (not given the song titles) so even the leader won't know the tune beforehand....however, the song titles are given on the back page of the score, so nil desperanum if the ensemble plays so badly that you need to actually discover what it was supposed to be! ;DThe collection includes 12 Christmas Carols/well known Christmas tunes as a fragmented melody only option (think saxophone handbells?!) and then the same 12 pieces but with the addition of a harmony line added (also fragmented!) so at any time a player could be playing a melody note followed by harmony notes etc...the parts when viewed separately seem nonsense! Great fun for small ensembles in the Christmas season.A great collection to bring out year after year!Festive Fragments is available for three same saxophones, three same clarinets, AAT saxophone trio, and flute/flute, clarinet/clarinet, saxophone/saxophone duet editions.
Festive Fragments 12/24 Christmas Carols for 3 same saxophones. Fun for Easy/intermediate. Keri Degg
3 Saxophones (trio)

$16.00 13.73 € 3 Saxophones (trio) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.1327823 Composed by Keri Degg. Arranged by Keri Degg. Advent,Christian,Christmas,Instructional,Praise & Worship. 84 pages. Masquerade Music #915865. Published by Masquerade Music (A0.1327823). Festive Fragments (12/24 Clarinet Trios for seasonal fun!)  for three same clarinets (Bb/Bb/Bb sopranos, or Bb/Bb/Bb Bass etc). Pieces in varying difficulty levels (* to ***). Aimed at early - intermediate level players. Great for the rhythmically challenged! Includes score and separate parts. Fab for all ages. A useful tool for correct note voicing due to frequent leaps/drops! Even more fun after mulled wine etc! View our Youtube video with shows how Festive Fragments works here: https://www.youtube.com/watch?v=uQ142OIQArIA clever education idea of a volume of fragmented Christmas Carols/Songs where the carols will only be recognisable if most of the pitches and rhythms are correct (providing much hilarity and much needed festive fun on the run up to what can be a very stressful period). Written by Keri Degg (a UK woodwind teacher/composer passionate about music education).The pieces are simply numbered 1 through to 24 (not given the song titles) so even the leader won't know the tune beforehand....however, the song titles are given on the back page of the score, so nil desperanum if the ensemble plays so badly that you need to actually discover what it was supposed to be! ;DThe collection includes 12 Christmas Carols/well known Christmas tunes as a fragmented melody only option (think clarinet handbells?!) and then the same 12 pieces but with the addition of a harmony line added (also fragmented!) so at any time a player could be playing a melody note followed by harmony notes etc...the parts when viewed separately seem nonsense! Great fun for small ensembles in the Christmas season.A great collection to bring out year after year!Festive Fragments is available for three same saxophones, three same clarinets, AAT saxophone trio and flute/flute, clarinet/clarinet, saxophone/saxophone duet editions.
Festive Fragments 12/24 Christmas Carols for 3 same clarinets. Fun for Easy/intermediate. Keri Degg
3 Clarinettes (trio)

$16.00 13.73 € 3 Clarinettes (trio) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.1327817 Composed by Keri Degg. Arranged by Keri Degg. Advent,Christian,Christmas,Holiday,Instructional. 85 pages. Masquerade Music #915851. Published by Masquerade Music (A0.1327817). Festive Fragments (12/24 Flute Trios for seasonal fun!)  for three same flutes (C/C/C, or alto/alto/alto etc). Pieces in varying difficulty levels (* to ***). Aimed at early - intermediate level players. Great for the rhythmically challenged! Includes score and separate parts. Fab for all ages. A useful tool for correct note voicing due to frequent leaps/drops! Even more fun after mulled wine etc! View our Youtube video with shows how Festive Fragments works here: https://www.youtube.com/watch?v=uQ142OIQArIA clever education idea of a volume of fragmented Christmas Carols/Songs where the carols will only be recognisable if most of the pitches and rhythms are correct (providing much hilarity and much needed festive fun on the run up to what can be a very stressful period). Written by Keri Degg (a UK woodwind teacher/composer passionate about music education).The pieces are simply numbered 1 through to 24 (not given the song titles) so even the leader won't know the tune beforehand....however, the song titles are given on the back page of the score, so nil desperanum if the ensemble plays so badly that you need to actually discover what it was supposed to be! ;DThe collection includes 12 Christmas Carols/well known Christmas tunes as a fragmented melody only option (think flute handbells?!) and then the same 12 pieces but with the addition of a harmony line added (also fragmented!) so at any time a player could be playing a melody note followed by harmony notes etc...the parts when viewed separately seem nonsense! Great fun for small ensembles in the Christmas season.A great collection to bring out year after year!Festive Fragments is available for three same saxophones, three same clarinets, AAT saxophone trio and flute/flute, clarinet/clarinet, saxophone/saxophone duet editions.
Festive Fragments 12/24 Christmas Carols for 3 (same) flutes. Fun for Easy/intermediate. Keri Degg
Trio de Flûtes: 3 flûtes

$16.00 13.73 € Trio de Flûtes: 3 flûtes PDF SheetMusicPlus


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