Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.583728 By John Mellencamp. By John Mellencamp. Arranged by Jeff Tincher. Pop,Rock. 23 pages. Jeff Tincher #4757985. Published by Jeff Tincher (A0.583728). Here is probably the biggest John Mellencamp hit ever. This is the one that separated him from other hometown rockers. In the original key from his American Fool project, this one is still being perfomed by John live today. You here that first measure with the beat going and you know what song it is. I cut out the 3 measures of drum beat in the middle of the piece, since there isn't any drums in the quartet. Although some of the lyrics are spoken, I tried to keep those notes close to John's vocal and stayed withing the chord. Duration = 4:21. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.583727 By John Mellencamp. By John Mellencamp. Arranged by Jeff Tincher. Pop,Rock. Score and parts. 21 pages. Jeff Tincher #4757983. Published by Jeff Tincher (A0.583727). Here is probably the biggest John Mellencamp hit ever. This is the one that separated him from other hometown rockers. In the original key from his American Fool project, this one is still being perfomed by John live today. You here that first measure with the beat going and you know what song it is. I cut out the 3 measures of drum beat in the middle of the piece, since there isn't any drums in the quartet. Although some of the lyrics are spoken, I tried to keep those notes close to John's vocal and stayed withing the chord. Duration = 4:21. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.817943 By The Crystals. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by Adrian Dee. Contemporary. 24 pages. Adrian Dee #4604755. Published by Adrian Dee (A0.817943). One of the top pop songs of 1963, this piece would make a great concert opener or encore. It is full of energy and has a driving beat in the low flutes. I included a transcription of the sax solo from the Crystals recording, but if you have a jazzer in your group who would like to improvise during the bridge, by all means do that instead. This piece presents an excellent opportunity to get your audience moving:  vamp the first measure and get your audience clapping the back-beats for you. The contra part doubles the bass flute so if you don’t have a contra available, don’t let that stop you. Total play time: just over 2 minutes.  Let me know what you think!  adriandeeflute@gmail.com

Piano and voice - Digital Download SKU: LV.4220 Composed by C.T. Lockwood. Woodcutting, Families, Forests, Homecomings, Fathers & children, Farmers, Occupations, Marriage, Quarreling. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4220). Give the Boy a Chance. Song & Chorus. Words by C. Ernst Fahnestock. Music by C.T. Lockwood. Published 1870 by S. Brainard's Sons in Cleveland. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Woodcutting, Families, Forests, Homecomings, Fathers & children, Farmers, Occupations, Marriage, Quarreling. First line reads Well Father, I should like to know what you intend to do.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.996124 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 15 pages. Erik Cole #4793071. Published by Erik Cole (A0.996124). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. This movement is the only one with enough low notes to really need two contrabassoons. Many groups won’t have that, and the harmonies actually work better leaving out the lowest note in those spots. The prominent contra parts in this movement make it pretty obvious that the MP3’s were made without access to one at all.

Choral Voice (SATB) - Level 3 - Interactive Download SKU: A0.547458 By Mad Musician. By Will Rimmer. This edition: Interactive Download. Standards. Octavo. Duration 83. Mr. Musician #78ruoVoNljqYJC9rzZutWX. Published by Mr. Musician (A0.547458). Key: Db major.Pre-quarantine, I knew how to handle myself but didn't know myself until after quarantine. That's what this song is about.

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1096313 Composed by David Warin Solomons. 20th Century,Chamber,Classical,Singer/Songwriter. 4 pages. David Warin Solomons #700277. Published by David Warin Solomons (A0.1096313). This manuscript is the origin of the flute and guitar piece To Marie ( https://www.sheetmusicplus.com/title/19984390?aff_id=175705 ). It has not been notated on computer, and not yet recorded, but I present it here just for interest. As you can see, it takes advantage of the many puns available on the French phrase for weeping willow. It is addressed to the poet Marie Keyser. The references to Chatterton, Enderby and Buddenbrooks relate to Marie's studies in German literature, in particular Chatterton's suicide. To Marie Sad soul, why don't you weep in company? Saule pleureur, seule pleureuse Why luxuriate in your nomadic liturgy? Saoule pluvieuse, seule pleureuse. The others do not seek to understand The power that holds you ever banned Sales pleurs de sel pluvieux A unicorn has carried off your innocence Saule pleureur, seule pleureuse But no ambition comes to conquer indigence Saoule pluvieuse, seule pleureuse. So on you wander, homeless poetess, Begging shelter for your misconstrued distress Sales pleurs de sel pluvieux. Hold down a job, my girl, hold down a job from nine to five. Souple leurre s'il le peut To keep you happy, settled and alive Saule pleureur For this short time - day in day out Forget you do not know what life's about Sales pleurs de ciel plus vieux. And then, when evening comes, too tired Saule pleureur, seule pleureuse. Your sad old inspiration all expired Saoule pluvieuse, seule pleureuse. You will cease to understand the power that held you forever banned. Souple leurre s'il le peut. No, in the name of Chatterton and Enderby! For who could wilful poetry's defender be? Long live poor Buddenbrooks and poor Marie With mind or body hopelessly at sea. Saules pleureurs, seuls plus vieux.

By Mika. Arranged by Sandra Milliken. Score. 16 pages. Published by Sandra Milliken

Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........

Piano Solo - Level 5 - Digital Download SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broadway,Contest,Festival,Film/TV,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #1014454. Published by Timothy Stapay (A0.1434239). Mon Homme (My Man) is the famous song sung by Barbra Streisand in the movie Funny Girl  It is arranged as performed by Barbra's good friend, Liberace.  Liberace helped give Barbra Streisand her start in the early days of Las Vegas and he recognized her talent very early.My Man, is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock. Funny Girl is a 1968 American biographical-musical film directed by William Wyler and written by Isobel Lennart, adapted from her book for the stage musical of the same title. It is loosely based on the life and career of comedienne Fanny Brice.A major critical and commercial success, Funny Girl became the highest-grossing film of 1968 in the United States and received eight Academy Award nominations. Streisand won Best Actress, tying with Katharine Hepburn (The Lion in Winter). In 2006, the American Film Institute ranked the film No. 16 on its list commemorating AFI's Greatest Movie Musicals.[FANNY]Oh, my man, I love him so[FANNY, spoken]He'll never knowAll my life is just despairBut I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am his[FANNY]Forever moreIt cost me a lot but that's one thing that I've gotIt's my manCold and wet tired you betBut all that I soon forget, with my manHe's not much for looksAnd no hero out of books, he's my manTwo or three girls has heThat he likes as well as me but I love himOh my man I love him so, he'll never knowAll my life is just despair but I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am hisForever more.

Composed by Maurice Ravel (1875-1937). Arranged by Lisa Ochoco. 20th Century, Impressionistic, Recital. Score, Set of Parts. 22 pages. Published by Lisa Ochoco (S0.304685). - Score,Set of Parts - 20th Century,Impressionistic,Recital - Lisa Ochoco

SATB/Unison Voice (SATB) - Difficulty: medium SKU: HL.4475350 Arranged by Theodore Preuss. Instrumental. Sacred. Vocal songbook. With vocal score. 80 pages. Published by Rubank Publications (HL.4475350). ISBN 9781458421180. UPC: 073999753509. 6x9 inches.A treasury of 108 traditional songs, favorite hymns, and choice carols. 6″ x 9″ size is convenient for caroling! Arranged for mixed voices (S.A.T.B.) or unison singing.