Bass Guitar,Instrumental Solo - Level 5 - Digital Download SKU: A0.838208 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by P Welsh. Pop,Rock. Individual part. 8 pages. Accubass #5317311. Published by Accubass (A0.838208). Chuck Rainey's complete monster bassline

Jazz Combo - Level 4 - Digital Download SKU: A0.1156443 By Peggy Lee. By Joe McCoy. Arranged by Nigel Hanley. Blues,Jazz,Standards. Score and parts. 22 pages. Nigel Hanley Music #756761. Published by Nigel Hanley Music (A0.1156443). This chart is a 7-pc swing arrangement of 'Why Don't You Do Right'. It is based on a version recorded by Peggy Lee in 1942. From wikipedia: it is considered a classic woman's blues song and has become a standard. Singer Lil Green recorded a popular rendition in 1941, which Peggy Lee recorded the next year — accompanied by Benny Goodman — and made one of her signature songs. The instrumentation is: Piano Bass Drums Guitar Trumpet Tenor Sax Trombone Other keys, instrumentation, and a backing track are available on request: info@nigelhanley.com The complete backing track can be downloaded at www.nigelhanleymusic.com Suitable for: rock band with horns, little big band, funk band with horns, cover band with horns, cruise ship bands, high school & college bands, cabaret bands & cabaret artists

B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1514779 By Stevie Wonder. By Stevie Wonder. Arranged by Fabio Eduardo de Oliveira. Film/TV,Jazz,Pop. Individual part. 1 pages. Fabio Eduardo #1089269. Published by Fabio Eduardo (A0.1514779). Free Video Score PLABACK Dive into the joyful vibes of Stevie Wonder's Isn't She Lovely with this fun and engaging playback video! The on-screen sheet music is perfectly synced with the backing track, making it easy to play along on your Bb instrument. Whether you're just starting out or you're an experienced musician, this video brings the love and happiness of this classic tune right to your fingertips. Ideal for Bb instruments like trumpet, clarinet, or tenor saxophone , this track is designed to elevate your practice and performance. Let your emotions flow through the music and enjoy every moment! #MusicPlayalong #StevieWonder #IsntSheLovely #SheetMusic #BbInstruments #Trumpet #Clarinet #TenorSaxophone #MusicLovers #OnScreenSheetMusic #PlayWithPassion #FeelTheMusic Telegram Group - Free Contents - https://t.me/trumpetmusiconline.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).       Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,� published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.� One announced, “You can’t play in our yard.� The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.       The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.� But “in sweet dreams of childhood� we still remember the controversy of the yard.       This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary� then transitions to ¾ for the remainder of the piece.       Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.       Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea� over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,� and the song ends with: “and never again I’ll go sailing.� It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables� and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.

Piano and voice - Digital Download SKU: LV.2598 Composed by Arthur Lloyd. Portraits, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2598). Vocal Leaflets. Pretty Lips, or, Neumy Neum. Words adapted by Russell. Music by Arthur lloyd. Published [n.d.] by W.A. Evans & Bro., Publishers, 1 Columbia Street in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Love. First line reads I am a Bachelor, isn't it sad, no darling cares for me, aint it too bad?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.

Small Ensemble B-Flat Clarinet,B-Flat Trumpet,Bassoon,Cello,Drum Set,E-Flat Alto Saxophone,Flugelhorn,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Violin - Level 3 - Digital Download SKU: A0.1135238 Composed by Randy Newman and Renato Rosenberg (trans.). Arranged by Dico. Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and parts. 24 pages. Dico #735282. Published by Dico (A0.1135238). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog. YOU'VE GOT A FRIEND IN ME (from Disney's Toy Story movie) for flexible ensemble (sextet). INSTRUMENTATION: Part 1: Fl (Ob/Cl/Ssax) | Part 2: Tpt (Flugel/Cl/Ssax/Asax/Tsax) | DrSet | Pno | Part 3: Vln (Cl/Ssax) | Part 4: Vc (Tbn/Bsn/Tsax).

Large Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Cello,Double Bass,Drum Set,Flugelhorn,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Violin - Level 2 - Digital Download SKU: A0.1130162 By Lauren Daigle. By Lauren Daigle, Paul Duncan, and Paul Mabury. Arranged by Dico. Pop,Wedding. Score and parts. 22 pages. Dico #730524. Published by Dico (A0.1130162). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog. HOLD ON TO ME for flexible ensemble (octet). INSTRUMENTATION: Part 1: Fl (Ob/Cl/Ssax/Tpt) | Part 2: Ob (Fl/Cl/Ssax/Tpt) | Part 3: Tpt (Cl/Ssax/Asax/Tsax) | DrSet | Pno | Str (-Vla).

Small Ensemble B-Flat Clarinet,B-Flat Trumpet,Bassoon,Cello,Drum Set,E-Flat Alto Saxophone,Flugelhorn,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Violin - Level 3 - Digital Download SKU: A0.1135237 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Dico. Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and parts. 24 pages. Dico #735281. Published by Dico (A0.1135237). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog. YOU'VE GOT A FRIEND IN ME (from Disney's Toy Story movie) for flexible ensemble (sextet). INSTRUMENTATION: Part 1: Fl (Ob/Cl/Ssax) | Part 2: Tpt (Flugel/Cl/Ssax/Asax/Tsax) | DrSet | Pno | Part 3: Vln (Cl/Ssax) | Part 4: Vc (Tbn/Bsn/Tsax).

Small Ensemble B-Flat Clarinet,B-Flat Trumpet,Bassoon,Cello,Drum Set,E-Flat Alto Saxophone,Flugelhorn,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Violin - Level 3 - Digital Download SKU: A0.1135224 Composed by Robert Lee Mcdill. Arranged by Dico. Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and parts. 24 pages. Dico #735268. Published by Dico (A0.1135224). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog. YOU'VE GOT A FRIEND IN ME (from Disney's Toy Story movie) for flexible ensemble (sextet). INSTRUMENTATION: Part 1: Fl (Ob/Cl/Ssax) | Part 2: Tpt (Flugel/Cl/Ssax/Asax/Tsax) | DrSet | Pno | Part 3: Vln (Cl/Ssax) | Part 4: Vc (Tbn/Bsn/Tsax).