Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797825 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 12 pages. Derek Hasted #6411785. Published by Derek Hasted (A0.797825). WHEN YOU SAY NOTHING AT ALL - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This lovely melody, first made famous by Alison Krauss, and more recently by Ronan Keating, makes a delightful concert piece for flute and guitar.My arrangement is based on Ronan Keating’s version, where the guitar part is a little different to the original. The music doesn’t have the slow fade-out of Keating’s piece - it’s not that easy for a flute and guitar duo on stage to emulate that! But it does have all the rest of the thematic material, including the strange but seldom noticed fact that verse two is one measure shorter than verse one. The key is the same as Keating’s version and includes the rather lovely key changes - both seem to go up slightly in pitch, yet the second key change actually returns back to the starting key.Much of the guitar part can be played in the lower positions where there’s just a little bit more sustain to help support the flute part. Where the guitar part needs sustain across the bar-lines, I have used “ties to nothing� rather than formal ties. Ties generate a lot more black on the page and make the music harder to read. I hope you enjoy performing this!

Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797826 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 20 pages. Derek Hasted #6414637. Published by Derek Hasted (A0.797826). WHEN YOU SAY NOTHING AT ALL - GUITAR TRIO with OPTIONAL BASS PARTFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This lovely melody, first made famous by Alison Krauss, and more recently by Ronan Keating, makes a delightful concert piece for guitars.My arrangement is based on Ronan Keating’s version, where the distinctive guitar accompaniment is a little different to Alison’s original. The music doesn’t have the slow fade-out of Keating’s piece - it’s not that easy for a guitar ensemble on stage to emulate that! Besides - the fade-out in Keating’s version is lots of repeated notes sung with different syllables - on the guitar it loses any sense of variety.But this arrangement does have all the rest of the thematic material, including the strange but seldom noticed fact that verse two is one measure shorter than verse one. A lot of the vocal countermelodies are here too.The optional fourth part is suitable for novice guitar, for bass or acoustic guitar or for pizzicato double bass, and is included in both treble and bass clefs. But this arrangement works fine with just three guitars too...The key is the same as Keating’s version and includes the rather lovely key changes - both seem to go up slightly in pitch, yet the second key change actually returns back to the starting key.I hope you enjoy performing this!

Easy Piano - Level 2 - Digital Download SKU: A0.1450691 By Alison Krauss & Union Station. By Don Schlitz and Paul Overstreet. Arranged by Emily T. Pop,Romantic Period,Wedding. Score. 2 pages. Emily T. #1030261. Published by Emily T. (A0.1450691).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.733643 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Amy J. Snyder. Contemporary. Score. 9 pages. Amy J. Snyder #6714325. Published by Amy J. Snyder (A0.733643). We Don't Talk About Bruno, the hit song from Disney's Encanto, arranged for intermediate piano solo. RH melody with some harmony, a few 3- note chords in the LH, and an easy rhythmic bass. Lots of helpful fingering, lyrics and chord symbols included. Written by Lin-Manuel Miranda, arranged by Amy J. Snyder. Visit Amy at www.facebook.com/amyjsnyder7. If you like this arrangement, check out Amy's other arrangements such as Speechless, Rewrite the Stars, You Raise Me Up, It Had To Be You, When You Say Nothing At All, O Danny Boy, and more! © 2021 Walt Disney Music Company All Rights Reserved. Used by Permission.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1415432 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #997167. Published by Andrew Mc Donald (Macka Records) (A0.1415432). You Don't Like What I'm Saying is a song about a person who gets uptight with the mention of God or Jesus in the context of a bible study or conversation. The heckles go up and a disagreement ensues because they see Jesus in you. Nothing will convince that person otherwise and they will not listen to your side of the story. They do not like what you are saying and as a result they do not like you. This is a scenario that can happen to any christian. This is the piano and vocal score.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1349823 By Rachel Zegler And The Covey Band. By Dave Cobb and Suzanne Collins. Arranged by Javier Soria Laso. Broadway,Film/TV,Jazz,Musical/Show,Pop,Singer/Songwriter. 57 pages. Javier Soria Laso #934588. Published by Javier Soria Laso (A0.1349823). You've heard Nothing You Can Take From Me from the film The Hunger Games: The Ballad of Songbirds And Snakes (sung by Rachel Zegler) many times, but you'll be gladly astounded to hear this big band chart that puts a spin into it with great measure! After a maestoso rendition of the first verse by the brass section, the drums set up the tempo into a tour de force medium fast tempo tune influenced by Duke Jordan's Jordu (recorded by the Clifford Brown-Max Roach Quintet) & Bobby Timmons's Moanin' (recorded by Art Blakey's Jazz Messengers) that while retaining much of the original tune (verse, refrain & bridge) brings out a distinctive hard bop-influenced twist coupled with solos by tenor sax & drums as well as a powerful soli by the trumpet section and a shout chorus moment by the full band. This chart is perfect as a concert opener, anchorer or closer, and it's another good twist of the saying something old, something new in a refreshing way. Enjoy!This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).

Piano Solo - Level 3 - Digital Download SKU: A0.1435022 By Ivajla Kirova. By KEYA. 21st Century,Classical,New Age. Score. 8 pages. The Noise Factory #1015125. Published by The Noise Factory (A0.1435022). This was inspired by the story of a homeless man my grandmother met in her neighbourhood when she was young. Everyone thought he was insane but my grandmother did not think so since he always carried poetry writings and artworks with him wherever he went. My grandmother befriended him and during one of their conversations on the street he told her that he spent his life writing poems, drew portraits of the women he loved, and acknowledges that “life is nothing but a dream”. One day this homeless man disappeared and it wasn’t until a few weeks later that he was rumoured to have passed away one rainy night inside an abandoned house which was his childhood home. This piece intends to describe that man’s thoughts and feelings during his final moments: his lifetime memories, his final acceptance, and true inner peace before saying goodbye to this world.

C Instrument,Guitar,Piano and Keyboard - Interactive Download SKU: HX.342531 By The Cookies. This edition: Interactive Download,scorch. Pop,Rock. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #5823. Published by Hal Leonard - Digital (HX.342531).

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1231725 Composed by Paul Brooks Horn. Arranged by Paul Brooks Horn. 21st Century,Chamber,Classical,Contemporary,Traditional. 9 pages. Paul Brooks Horn #827427. Published by Paul Brooks Horn (A0.1231725). Originally written for solo guitar, this piece has been adapted for string trio or quartet (with the optional contrabass). For the classical guitar, this piece would be considered an intermediate to lower advanced arrangement. I'm not sure how a string player would rate it. I can't imagine that it's much more than intermediate.

Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me.  The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook.  You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio.  I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.

Piano Solo - Level 2 - Digital Download SKU: A0.767664 Composed by Afro-American Spiritual. Arranged by c.e. walz. Christian,Concert,Sacred,Spiritual,Traditional. Score. 3 pages. C.E. Walz #4624379. Published by C.E. Walz (A0.767664). The young people in Grandma's day loved to sit around the campfire and sing Kum Ba Yah, and the truth is, young people today still do! Here it is in piano solo form with a smooth, flowing style. This piece is rather easy, but since one section involves right hand over the left, I'm classifying it as Early Intermediate. Don't be alarmed, though. It's in the key of C and the left hand plays the same motif as the previous section. This is the first piece in my selections that I call Church Campfire Songs, something I usually play during the summer months at Sunday services. As Grandma says, Nothing like a cool summer memory to make you feel refreshed. (She actually used the word cool.) Key of C, three pages in length, no key changes, performance time: about two minutes.

Piano Solo - Level 4 - Digital Download SKU: A0.733642 By Zac Efron & Zendaya. By Benj Pasek and Justin Paul. Arranged by Amy J. Snyder. Broadway. Score. 8 pages. Amy J. Snyder #6708849. Published by Amy J. Snyder (A0.733642). Rewrite the Stars from Disney's The Greatest Showman. An exciting song arranged for advanced intermediate piano in the key of C. (same arrangement also available in original key of Bb). Helpful fingering, LH arpeggios and RH melody with harmony in 3rds and 6th. Written by Benj Pasek and Justin Hall; arranged by Amy J. Snyder. Visit Amy at www.facebook.com/amyjsnyder7 If you enjoy this piece, check out Amy's other arrangements: Speechless, You Raise Me Up, When You Say Nothing At All, O Danny Boy, It Had To Be You, and more!  Copyright © 2017 Breathelike Music, Pick In A Pinch Music and T C F Music Publishing, Inc. All Rights for Breathelike Music and Pick In A Pinch Music Administered Worldwide by Kobalt Songs Music Publishing All Rights Reserved Used by Permission

Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1172250 Composed by Patrick Prejean. Classical,Contemporary. Score and parts. 30 pages. Patrick Prejean #772433. Published by Patrick Prejean (A0.1172250). Written for City Six Strings.This duet is for the founders of City Six Strings. I chose the title due to place I live and how I've been acclimated to each season. I - With boisterous character and despite all the rain, when spring comes it brings with it all the flowers and butterflies that can be seen.II - There is a reason why most good events happen during the summer with warm weather and no academia to worry about it is often the most productive time of the year.III - Depending on where you fall on the fall vs autumn label, this season brings sweater weather and all of the holidays people most enjoy. Whether it's loads of candy or a massive feast, fall/autumn always has something to provideIV - By far the worst season and especially after this year, I can say nothing good about it. I didn't title it simply winter but rather for the biting cold that grips my bones.

Bass Guitar - Level 3 - Digital Download SKU: A0.1113598 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Daniel Roberts. 20th Century,Film/TV,Hip-Hop,Instructional,R & B. Score. 2 pages. Daniel P Roberts #715501. Published by Daniel P Roberts (A0.1113598). Bass line of Synth Bass arranged for 5-string Bass with TAB. Use octave pedal. As I walk through the valley of the shadow of death I take a look at my life and realize there's not much left 'Cause I've been blastin' and laughin' so long, that Even my mama thinks that my mind is gone But I ain't never crossed a man that didn't deserve it Me be treated like a punk, you know that's unheard of You better watch how you're talkin', and where you're walkin' Or you and your homies might be lined in chalk I really hate to trip but I gotta loc As they croak, I see myself in the pistol smoke, fool I'm the kinda G the little homies wanna be like On my knees in the night, sayin' prayers in the streetlight Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Look at the situation they got me facin' I can't live a normal life, I was raised by the street So I gotta be down with the hood team Too much television watchin' got me chasin' dreams I'm an educated fool with money on my mind Got my ten in my hand and a gleam in my eye I'm a loc'd out gangsta set trippin' banger And my homies is down so don't arouse my anger, fool Death ain't nothin' but a heartbeat away I'm livin' life, do or die, what can I say I'm 23 now, but will I live to see 24? The way things is going, I don't know Tell me why are we, so blind to see That the ones we hurt, are you and me? Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Power and the money, money and the power Minute after minute, hour after hour Everybody's runnin', but half of them ain't lookin' It's goin' on in the kitchen, but I don't know what's cookin' They say I gotta learn, but nobody's here to teach me If they can't understand it, how can they reach me I guess they can't, I guess they won't I guess they front, that's why I know my life is out of luck, fool Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Tell me why are we, so blind to see That the ones we hurt, are you and me? Tell me why are we, so blind to see That the ones we hurt, are you and me?

Composed by Albert Von Tilzer (1878-1956). Portraits, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6953). - - - Johns Hopkins University Sheridan Libraries