Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.949090 Composed by Mary Taylor. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Octavo. 5 pages. Mary A #6099699. Published by Mary A (A0.949090). Consider The Lilies is a beautiful song telling us we don't ever have to worry about anything. God will always provide.

Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.    

Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.827106 Composed by Robert Collister. Christian,Gospel. 6 pages. Robert Collister #2030569. Published by Robert Collister (A0.827106). Lyrics by: Leslie Collins Vocal range: D4 - E5 A powerful Contemporary Christian song telling the story of Christ proclaiming that he was the son of God. From the album: World Reach Out For Him (Don't Be Afraid.).

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.719707 Composed by Ludwig van Beethoven. Arranged by Curtis Hanson. Classical,Sacred. Octavo. 32 pages. Curtis Hanson #3485721. Published by Curtis Hanson (A0.719707). This is an SATB arrangement of Beethoven's solo song cycle to six poems by Christian Gellert. Text includes the original German plus an English translation by the arranger. The translation attempts to follow the meaning and intent of the German but is not necessarily poetic, that is, lines don't rhyme. The first five pieces pose less of a challenge for the voices and accompaniment, however the sixth piece, Busslied, requires a competent pianist. The fourth piece of the cycle is the familiar Die Ehre Gottes aus der Natur (The Glory of God in Nature, also known as The Heavens Are Telling).

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1256116 By Toby Keith. By Chuck Cannon and Toby Keith. Arranged by Jeff Tincher. Contemporary,Country,Rock. 20 pages. Jeff Tincher #849584. Published by Jeff Tincher (A0.1256116). This is one of Toby Keith's biggest hits. Title cut in the original key, this song is still a staple of his live shows. A great Country Rock song telling the girl you liked in High School but wouldn't give you the time of day look what you could have been a part of A nah-nah-nah-nah-nah song if there ever was one. This arrangement has the live ending from Toby's 2019 Ohio State Fair concert. Note: notes that are marked muted can be played softer and more staccato instead of using a true mute. Duration = 3:51. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.920635 Composed by Traditional Christmas & Folk Tune. Arranged by Elizabeth Essex. Christmas,Praise & Worship,Sacred. Score. 3 pages. Elizabeth Essex #6645835. Published by Elizabeth Essex (A0.920635). Oh Christmas Tree - Pre-staff Finger Number arrangement, arranged for black keys and white keys - for the youngest preschool beginners who know finger numbers and can find correct hand position using the illustration.This arrangement is great for preschool kids who are can read some basic songs on the black keys, but aren't ready to make the big jump to reading with all alpha notes. O Christmas Tree introduces the B and F keys, but keeps the rest of the finger on the black keys. The hand changes are noted by color as well as a graphic of the right or left hand-- vital for those pre-school kids that still have trouble telling right from left.1 page, landscape. Easy for pre-readers and beginners.Preschool. Finger numbers. Pre-staff / prestaff, pre-reader / prereader, pre-reading / prereading. Beginner.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1021165 Composed by Mary C W Hardy. Children,Christmas. Score. 2 pages. Mary C W Hardy #5792677. Published by Mary C W Hardy (A0.1021165). The fourth song in a series of Nativity songs for juniors, telling the story from the animals' point of view. A Blues in style, of course with the classic first line Woke up this morning. This camel can't wait to be rid of his heavy load, as he looks forward to the end of his journey to the stable.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.920633 Composed by Traditional Christmas & Folk Tune. Arranged by Elizabeth Essex. Children,Christmas,Holiday. Score. 4 pages. Elizabeth Essex #6645831. Published by Elizabeth Essex (A0.920633). Jingle Bells - Pre-staff Finger Number arrangement, arranged for black keys and white keys - for the youngest preschool beginners who know finger numbers and can find correct hand position using the illustration.This arrangement is great for preschool kids who are can read some basic songs on the black keys, but aren't ready to make the big jump to reading with all alpha notes. Jingle Bells introduces the B key, but keeps the rest of the finger on the black keys. The hand changes are noted by color as well as a graphic of the right or left hand-- vital for those pre-school kids that still have trouble telling right from left.2 page, landscape. Easy for pre-readers and beginners.Preschool. Finger numbers. Pre-staff / prestaff, pre-reader / prereader, pre-reading / prereading. Beginner. See my other arrangements: Sheet Music Press (copyrighted music available)

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841857 Composed by Andrew Mc Donald. Christian,Contemporary,Gospel,Hip-Hop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3478345. Published by Andrew Mc Donald (Macka Records) (A0.841857). The Gospel Rap is rap song about getting off the pugh and telling people about the good news of Jesus. It's about not being lazy and sharing the Gospel to those who don't know. It's a fun song with harmonies in the Chorus.

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.569138 Composed by Thomas Graf. Arranged by Thomas Graf. Contemporary. Score and parts. 7 pages. Thomas Graf - the-hit-factory.com #3668033. Published by Thomas Graf - the-hit-factory.com (A0.569138). Farewell - theme for a faun who has gone. That's all to say about, the rest of the story are telling the notes.   Instrumentation:  Trumpet in Bb, Horn in F, Trombone            Listen to the recording - a challenge for your ensemble.  Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                      Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic              Video: https://www.youtu.be/EJwSabrlKfM  

Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.

Concert Band - Level 2 - Digital Download SKU: A0.1469467 Composed by John Mason Neale, Thomas Helmore. Arranged by Lorenzo Bocci. Christmas. 65 pages. Lorenzo Bocci #1047497. Published by Lorenzo Bocci (A0.1469467). GOOD KING WENCESLASfor Concert Band (with Fanfare Band parts) - Grade 2 - Digital Download - More Christmas SongsComposed by John Mason Neale, Thomas Helmore. Arranged by Lorenzo Bocci. Christmas. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 2'10''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe 1, 2, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, 3, Euphonium, Bass, Double Bass, Mallet Percussion (Glockenspiel, Tubolar Bells), Timpani, Percussion 1 (Snare Drum), Percussion 2 (Triangle, Bass Drum, Cymbals).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, Bb Trombone 1, 2, 3 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Good King Wenceslas is a Christmas carol that tells a story of a Bohemian king who goes on a journey, braving harsh winter weather, to give alms to a poor peasant on the Feast of Stephen (December 26, the Second Day of Christmas). During the journey, his page is about to give up the struggle against the cold weather, but is enabled to continue by following the king's footprints, step for step, through the deep snow. The legend is based on the life of the Saint Wenceslaus I, Duke of Bohemia (907–935), who was not a king in his lifetime but had that status conferred on him after his death. In 1853, English hymnwriter John Mason Neale wrote the lyrics in collaboration with his music editor Thomas Helmore to fit the melody of the 13th-century spring carol Tempus adest floridum, which they had found in the 1582 Finnish song collection Piae Cantiones. The carol first appeared in Carols for Christmas-Tide, published by Novello & Co the same year.Subscribe to my YouTube Channel to stay updated on new releases.

Bass Guitar - Level 3 - Digital Download SKU: A0.1290549 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Tracy Dean McCallum. Rock. Score. 7 pages. Tracy Dean McCallum #881269. Published by Tracy Dean McCallum (A0.1290549). https://tracymccallum.com I don't care if my lady's goneAs long as you give me just what I wantI've been losin' my directionGotta find a new connectionYou have wasted the love I tastedNow I'm really gettin' hungry more and moreBeen a long time, had a bad signTell me what am I fighting for?Let me know you feel itYou know I really need itKeep on pushin' for moreLay down, stay downI got something to findThere's one thing I really needI'm gonna tell you right nowLay down, stay downLookin' for trouble, I guess that's rightWhen I was young, I was taught to fightIt's been long gone since I had knownNow I'm headin' for some moreLet me know you feel itYou know I really need itKeep on pushin' for moreLay down, stay downI got something to findThere's one thing I really needI'm gonna tell you right nowLay down, stay downLet me know you feel itYou know I really need itKeep on pushin' for moreLay down, stay downI got something to findThere's one thing I really needI'm gonna tell you right nowLay down, stay downSource: LyricFind

Piano - intermediate to advanced - Digital Download SKU: S9.Q3154 Nocturnes. Composed by Stefan Heucke. This edition: Sheet music. Downloadable. Op. 32. Duration 5 minutes. Schott Music - Digital #Q3154. Published by Schott Music - Digital (S9.Q3154). Der Titel des Klavierzyklus’ Nacht-Urnen ist ein makabres Wortspiel mit dem französischen Begriff Noct-urne. Die Assoziation Urne - Grabgefäß ist beabsichtigt, denn die Gattung des romantischen Nachtstücks für Klavier wird in diesen Stücken - zumindest im übertragenen Sinne - zu Grabe getragen. Das erste Stück Nocturne greift auf den dreiteiligen Typ des Chopin’schen Nocturnes zurück. Einer von zart getropften Tönen umspielten Melodie folgt ein bewegt - aufgewühlter Mittelteil, dem sich die Reprise des ersten Teils anschließt, diesmal allerdings wird die Melodie von leise rauschenden Skalen umspielt, ehe eine beinahe nüchterne Coda die musikalische Quintessenz brennglasartig zusammenfasst und bündelt. Dieses Stück entstand 1998 und war Pflichtstück beim Internationalen Schubert-Wettbewerb 2000 in Dortmund. Die drei folgenden Stücke bilden gewissermaßen eine Einheit. Nummer zwei Ciacona notturna ist ein höchst virtuoses Werk für die linke Hand allein, in dem sich große Klavierkomponisten, die Werke für die linke Hand allein geschrieben haben – Alkan, Brahms, Godowsky, Ravel, Prokofieff – gleichsam ein nächtliches Stelldichein geben. Das dritte Stück Unendliche Melodie – Melodie der Unendlichkeit (für die rechte Hand allein – meines Wissens außer einer Etüde von Alkan das einzige existierende Werk für die rechte Hand allein) spielt mit der Idee eines Zeitkontinuums, das schon vor Beginn des Stückes unhörbar im Raum war und sich auch nach dem Ende des Stückes in alle Ewigkeit weiter fortsetzen könnte. Ein einzelner Ton f in der Mitte der Klaviatur wird 55 Takte lang angeschlagen und über ihm entfaltet sich eine weit gespannte Melodie, die die rechte Hand alleine ausspinnt. Exakt beim Höhepunkt der Melodie (es ist der Goldene Schnitt), wechselt das f zum e, das weitere 33 Takte lang angeschlagen wird, während die Melodie darüber wieder zurück zur Mitte findet. Diese 88 Takte symbolisieren die Unendlichkeit: 8 als barockes Zahlensymbol für die Vollkommenheit der Ewigkeit und die liegende 8 als mathematisches Symbol für die Unendlichkeit. Schließlich ist in dem Titel des Stückes noch eine Anspielung auf Richard Wagners Begriff der Unendlichen Melodie enthalten. Nach einem Stück für die linke und einem für die rechte Hand allein, kann sich als viertes nur ein Unisonostück anschließen, in dem beide Hände stets die gleichen Töne, aber in unterschiedlichen Oktavabständen und verschiedenen rhythmischen Akzenten spielen. La scala dell’inferno (Die Höllenleiter) stürzt von höchster Höhe in rasenden Skalen in die tiefsten Regionen des Klaviers hinab, unterbrochen von zwei kurzen Zitaten des Dies Irae in der Mitte. Der Schlusssatz schließlich Marche funèbre knüpft in seiner düsteren Unentrinnbarkeit an die großen Trauermarschvorbilder Beethovens (op. 26) und Chopins (op.35) an. Die sich in schwerem Fünfertakt entlang rollenden düsteren Tonkaskaden werden in der Mitte von einem gläsern-durchsichtigen Mittelteil unterbrochen, der in seiner gleißenden, fast schneidenden Helligkeit Assoziationen an Nahtoderlebnisse nahe legen mag. Die Nacht-Urnen op. 32 wurden 2001 im Museum Baden in Solingen von dem Pianisten Rainer Klaas uraufgeführt, dem der Zyklus auch gewidmet ist. - Stefan Heucke.

Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.851140 Composed by Jeremy Soule. Arranged by Sophia Transistor. Contemporary. Score and parts. 11 pages. Sophia Transistor #6619947. Published by Sophia Transistor (A0.851140). Arrangement of epic famous game music Dragonborn - Skyrim Theme arranged for trombone quartet (trombone 1, 2, 3 & bass trombone) with chords & lyrics in dragon and english.A symphonic suite arranged for trombone brass players.This piece by Jeremy Soule and arranged by Sophia Transistor is part of The Elder Scrolls Game Music Series.Therefore it is like an epic medley of many familiar symphonic Elder Scrolls tunes as we all love them.It has been adapted specifically for t-bones. Special spherical effects are notated as well.Total play time is approximately 3 minutes and 38 seconds.Total: 16 pagesSuited for t-bone players.Score is available in trombone 1, trombone 2, trombone 3 and bass trombone notation (4 times bass clef).There are 4 parts available. Chord symbols are placed on top of the notation system in the score and each part. Lyrics are written down in dragon language and in english.Major high notes that are the climax of a tension bow sometimes end on a high: ringing B'' = B²But of course everything can be transposed one octave higher or lower.Thanks!YouTube Playalong: https://youtu.be/pbep0i9L-ysGerman Description:Dragonborn Skyrim Theme für Posaunenblasquartett.Arrangement mit Akkorden & Text in Drachensprache und EnglischArrangement der epischen und berühmten Spielemusik Dragonborn - Skyrim Theme arrangiert für Gesang 4-stimmiges Posaunenquartett mit Akkorden und Liedtext in Drachensprache und Englisch.Eine symphonische Suite arrangiert für Blechblasinstrumente im Bassschlüssel.Dieses Stück von Jeremy Soule und arrangiert von Sophia Transistor ist Teil der The Elder Scrolls Game Music Reihe.Daher ist es wie ein episches Medley aus vielen bekannten symphonischen Elder Scrolls-Melodien, wie wir sie alle lieben.Es wurde speziell für Bläser angepasst. Spezielle sphärische Effekte wurden ebenfalls notiert.Die Gesamtspielzeit beträgt ungefähr 3 Minuten und 38 Sekunden.Insgesamt 16 Seiten.Die Partitur ist in Posaune 1, Posaune 2, Posaune 3 und Bassposaune (viermal Bassschlüssel).Es sind 4 Teile vorhanden. Akkordsymbole wurden in der Partitur und in jeder Stimme über dem Notationssystem platziert. Die Texte sind in Drachensprache und in Englisch niedergeschrieben.Große hohe Töne, die den Höhepunkt eines Spannungsbogens darstellen, enden manchmal auf einem hohen klingenden H'' = H²Aber natürlich kann alles eine Oktave höher oder tiefer transponiert werden.Vielen Dank!#smppressmusic#skyrim#DragonbornArtists: Jeremy Soule © 2011 Zenimax Music Publishing All Rights Administered by PEN Music Group, Inc. All Rights Reserved Used by PermissionArranger: Sophia Johanna TransistorDanke fürs anschauen!Sheet Music / Score / Noten: https://www.sheetmusicplus.com/publishers/sophia-transistor-sheet-music/3007814