Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869327 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2032505. Published by Thomas Oboe Lee (A0.869327). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card.  And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1254260 Composed by Alex Gibson, Hans Zimmer, and Ryan Rubin. Arranged by Dico. Film/TV,Wedding. Score and Parts. 30 pages. Dico Ferreira #847834. Published by Dico Ferreira (A0.1254260). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.CORNFIELD CHASE (Interstellar) - Would love be the connection to eternity? That is the question raised by the film Insterestellar, accompanied by this beautiful theme, here arranged for a small orchestra to be used in a wedding ceremony.INSTRUMENTATION - Flute / Oboe / Horn in F / Trumpet 1, 2 / Trombone 1, 2 / Percussion / Piano / Strings (-Viola).

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1254259 Composed by Alex Gibson, Hans Zimmer, and Ryan Rubin. Arranged by Dico. Film/TV,Wedding. Score and Parts. 30 pages. Dico #847833. Published by Dico (A0.1254259). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.CORNFIELD CHASE (Interstellar) - Would love be the connection to eternity? That is the question raised by the film Insterestellar, accompanied by this beautiful theme, here arranged for a small orchestra to be used in a wedding ceremony.INSTRUMENTATION - Flute / Oboe / Horn in F / Trumpet 1, 2 / Trombone 1, 2 / Percussion / Piano / Strings (-Viola).

Piano - Digital Download SKU: A0.1065000 Composed by Betsy Lee Bailey. Children,Contemporary,Musical/Show. Accompaniment. Duration 110. Betsy Lee Bailey #2897225. Published by Betsy Lee Bailey (A0.1065000). Never Cry Wolf - 03.Long, Long Ago from the Children's Musical (ages 8-14).  Never Cry Wolf is a retelling of the Aesop Fable The Boy Who Cried Wolf.  Set in Ancient Greece, the story revolves around Alec, the boy who would just rather goof off all the time.  The people around him would like him to learn to work and become more responsible.  They tell him and show him that everybody works -- everybody's got a job to do.  This play has many opportunities for study of the culture of ancient Greece -- from learning about the political origins of democracy to women's work of spinning and weaving.  And don't forget the cute factor of having some little children portray the sheep. All 32 MP3 accompaniment track recordings for the entire show are available at SMP Press. For more information about Never Cry Wolf visit BaileyKidsMusicals.com

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Traditional. Octavo. 23 pages. Alan Wagstaff #117353. Published by Alan Wagstaff (A0.505695). This original song uses English folk idioms to retell a traditional snowdrop legend. The chorus is an English 'weather rhyme'. It has been set for choir (SSAA), piano, harp, fiddle, and flute. One of the Snowdrop’s folk names is ‘Eve’s Comforter’; another ‘Maid of February’. Candlemas Carol Maid of February, if you will, grace mantle, hearth, and windowsill. So let us all be of goodwill and gather round, together. When Winter holds the world in thrall, and ice and snow lie over all, the Maiden can at once recall, the coming Summer weather. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. When Eve and Adam left Eden fair, the snow and ice lay ev’rywhere, which filled their hearts with bleak despair, for they could find no pardon. They glimpsed the flowers of paradise, beyond the earthly cold and ice, but they could not be perfect, twice, nor get back to the garden. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. A teardrop fell from Eve’s sad eye, and froze upon the ground close by. An angel raised it up on high, and called for Heaven’s power. The ice became a snowdrop, then. Thus hope returned to Eve again. And all the people say: ‘Amen!’ in praise of Winter’s flower. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. Alan Wagstaff The legend tells that, after Adam and Eve were banished from Eden’s perpetual summer, they wandered, despondently, into Earth’s freezing winter. Eve wept as the snow fell around them. Seeing her tears, an angel intervened. He caught a teardrop when it froze and breathed on it, turning it into a snowdrop. When the angel left more snowdrops sprang up. Thus, snowdrops in Winter, serve as a reminder, that better times will come around. The tale was often recalled at Candlemas: February 2nd.

String Ensemble Viola - Level 3 - Digital Download SKU: A0.1474780 Composed by Samuel Scheidt. Arranged by Marc Donatelle. Chamber,Classical,Early Music,Renaissance. 16 pages. Marc Donatelle #1052367. Published by Marc Donatelle (A0.1474780). The Canzon a 4 was taken from Scheidt’s Ludi Musici (1621). Although labeled Canzon Cornetto in some modern editions, it was likely composed for viola da gamba. This arrangement for viola da braccio (sorry-I couldn’t help myself…) shows the mixture of styles of the late Renaissance and the new virtuosity of the Italians.

Brass Ensemble - Digital Download SKU: A0.793655 By Peter Hollens. By Benj Pasek, Justin Paul, and Ryan Lewis. Arranged by Joe Martellaro. Contemporary. Score and parts. 20 pages. Joe Martellaro #4324333. Published by Joe Martellaro (A0.793655). This is from the musical drama The Greatest Showman,chronicling P.T. Barnum (played by Hugh Jackman) and his founding of the Barnum & Bailey Circus. The arrangement includes score, parts, and optional drum set.This can be performed with or without the drum set.This is a great addition to a concert program, especially adding the drum set will enhance the performance. Trumpet range to Bb5. Duration: 2:40 Tempo is quarter note = 78, in concert Db major.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / BullardMusic #654578. Published by Colne Edition / BullardMusic (A0.1050201). These three dramatic but humorous episodes in the life of the great king, to texts by Thackeray and the composer, tell us first of all how the elderly King Canute was tiring of life as, no longer young, he even yawned while his favourite male voice choir was performing. The second movement tells of all the victories he had won - but, as the third movement tells us, there was one thing left to do - conquer the sea!  Sadly, however, the sea disobeyed his commands, and 'King Canute is dead and gone, but the legend still lives on'. The story is untrue, of course, but if it happened, though it probably didn't, it would have been in the vicinity of the Battle of Ashingdon, near to the town of South Woodham Ferrers, Essex, UK - where the songs were first performed by the South Woodham Ferrers Male Voice Choir. A specimen copy of the songs is available at www.alanbullard.co.uk Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.

Woodwind Ensemble,Woodwind Trio Baritone Saxophone,Clarinet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1107678 By Elton John. By Bernie Taupin and Elton John. Arranged by Silvestro Sabatelli. 20th Century,Blues,Country,Pop,Rock. 19 pages. Silvestro Sabatelli #710323. Published by Silvestro Sabatelli (A0.1107678). ATTENTION (Inside you'll find extra parts for C and Eb instruments that you can use if you don't have the actual instruments, or as a doubling). ATTENZIONE (All'interno troverai parti extra per strumenti in C e Eb da poter usare in mancanza degli strumenti effettivi, o come raddoppio).

Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch)   I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell   creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge   and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch   and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost   and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love   and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched   she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity   and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night  guard   and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around  us   Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is   I stop here It will end well I can not tell the end of a love that is not written yet   I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already   go wolf go stop thinking about her from your pack you will need to return and then runs away   witch will if you want to transform changes role an actress who artand you will have new flowers   day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me   body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far   a fairy tale real or invented in between  my  hidden  truth all my stories strange and weird over this skin are now tattooed   I watc.

Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

Easy Piano - Level 1 - Digital Download SKU: A0.1133351 Composed by Traditional Christmas & Folk Tunes. Arranged by Elizabeth Essex. Children,Christmas,Contemporary,Holiday,Multicultural,World. Score. 27 pages. Elizabeth Essex #733504. Published by Elizabeth Essex (A0.1133351). The arrangements in Christmas: Songs on the Black Keys are great for new beginner piano students who can read using finger numbers on the black keys, but aren't ready to make the jump to reading with all alpha notes. For example, songs like O Christmas Tree introduce the B and F keys, but keeps the rest of the fingers on the black keys. Every song has an illustration of the hand position. Notes are color-coded by hand-- green for right hand and red for left hand. Illustrations of each hand are also included at the start of each song which is vital for those pre-school kids that still have trouble telling right from left. The result is a set of songs attractive and playable for beginners of all ages. Lyrics included with most songs. Some songs contain religious content. Check my profile for the secular version. 26 pages, landscape. Easy for pre-readers and beginners. Preschool. Finger numbers. Pre-staff / prestaff, pre-reader / prereader, pre-reading / prereading. Beginner. Late beginners. Contents: 1. Jolly Old St. Nicholas 2. Up on the Housetop 3. Go Tell It on the Mountain 4. Jingle Bells 5. We Three Elves (parody of We Three Kings) 6. O Christmas Tree 7. O Come All to My Igloo (parody of O Come All Ye Faithful) 8. Dance of the Reed Flutes, from The Nutcracker Suite 9. Arabian Dance - duet, from The Nutcracker Suite 10. Chinese Dance - duet, from The Nutcracker Suite 11. Deck the Halls See my other arrangements: Sheet Music Press (copyrighted music available)

Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

Concert Band - Level 4 - Digital Download SKU: A0.1503656 Composed by Sean A. Ryan. 21st Century,Classical,Comedy,Contemporary,March. 71 pages. Sean A. Ryan #1079139. Published by Sean A. Ryan (A0.1503656). This piece tells the ficticious story of an inept, incompitant, yet quite pompous prefect conquistador and his poor attempt to colonize an indigenous village.  The natives keep out smarting him, and sabotaging his plans.  Things get so out of hand, that he can't even keep his own people in line.  This makes the Prefect irate and ill-tempered, more so to his own company, than to the natives!  What am I to tell the queen?!.  I can't have my name soiled like this!.  Upon hearing that the Prefect's superior officer, the Legate of Iberia, will be coming to check up on his progress, he comes up with a plan.  He'll make a deal with the natives to make it look like he's been kidnapped and murdered.  Dressed as conquistadors, the natives won't say a word and the Prefect's second in command will say that he's been killed.  To the Prefect's surprise, this actually worked and the Legate was fooled.  Upon the Legate returning back to Iberia, the now defunct Prefect conquistador has made arrangements with the natives in exchange for food and supplies to fool the Legate each time he visits.This rousing march is a great opener or closer for any concert.  Perfect for high school, college, or municiple/adult continuing level community band!  The music here perfectly encapsulates this swashbuckling, yet haphazardous story!