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String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.596493 Composed by Juan María Solare. 20th Century,Contemporary,Instructional,Standards. Score and parts. 43 pages. Juan Maria Solare #3088705. Published by Juan Maria Solare (A0.596493). Six Thinking Hats for 3 violoncelli  (in the first position) The title of these six pieces for cello trio refers to the theory of the Six Thinking Hats by Edward de Bono. This is a tool that provides a means for groups to think (plan and decide) together more effectively - or at least in a cohesive way. Six distinct states are identified and assigned a hat color: * Information (white hat): considering exclusively what information is available, what the facts are. * Emotions (red hat): instinctive gut reaction or statements of emotional feeling (but not without any justification) * Bad points judgment (black hat): logic applied to identifying flaws or barriers, seeking mismatch (the cons of an issue). * Good points judgment (yellow hat): logic applied to identifying benefits, seeking harmony (the pros). * Creativity (green hat): statements of provocation and investigation, seeing where a thought goes. * Thinking (blue hat) - thinking about thinking, a control instance. In my Trio, these color hats are assigned to different characters or moods. For instance the red hat is the most emotional last piece, very rhythmical. Or the black hat corresponds to a reflexive, rational piece which is not pessimistic but rather extreme reflexive, pondering. Or the blue hat, which should reflect the thinking about thinking and is therefore a canon. Technically speaking, all pieces are written for cello in the first position (sometimes extended or stretched), which makes them quite suitable for young cellists or adult beginners. The total duration of the work is about 12 minutes. The durations of the single pieces are:   I = Enfática insistencia (white hat)           [1'00]  II = Milonga serena (yellow hat)               [1'45] III = Estado de alerta (green hat)               [1'45]  IV = Canon arcaizante (blue hat)               [4'00]   V = Coral en quintas (black hat)               [1'00]  VI = Finale arrabbiato (red hat)               [2'30] All these pieces can be performed individually. These six pieces for three cellists were composed in Bremen (and Worpswede) between 20th and 29th February 2012. They are dedicated to Juliane Dehning (who also kindly made essential suggestions about the bowings). International Standard Musical Work Code (ISWC): T-803.196.242-3 Recorded in La Rioja, Argentina by Dora Heisecke, Roque González & Mariana Alcaraz: https://www.youtube.com/watch?v=1DluACws6DE More information: http://www.juanmariasolare.com/six_thinking_hats.html
Six Thinking Hats [3 celli]
Trio à Cordes: 3 violoncelles

$11.00 10.51 € Trio à Cordes: 3 violoncelles PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4789 Composed by Thomas P. Westendorf. Portraits, Unrequited love, Farewells. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4789). I Don't Think You Love Me Now. Song & Chorus. Words and Music by Thos. P. Westendorf. Published 1883 by W.F. Shaw] in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Unrequited love, Farewells. First line reads Oh why do you frown my darling, today?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
I Don't Think You Love Me Now. Song & Chorus
Chorale SATB

$5.99 5.72 € Chorale SATB PDF SheetMusicPlus

Instrumental Solo - Level 2 - Digital Download SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,Contemporary,Film/TV. Individual part. 4 pages. Thomas Gunther Music Productions #863576. Published by Thomas Gunther Music Productions (A0.1271184). About the arrangement  This is pianist/arranger Thomas Gunther's beautiful and highly accurate piano solo arrangement of the 2023 Barbie Movie features Billie Eilish's song WHAT I WAS MADE FOR.  It includes even Billie's quiet humming passages.This solo piano version can be played all by itself, or with Billie's recording of the song.It is easy enough to learn for pianists that have no amazing techniqual skills, but can be challanging in different ways, as explained below. From the Arranger Thomas Gunther  The most challenging task when writing this solo piano arrangement of What I Was Made For was to notate Billie's rhythm accurately. Her melodic rhythm is very important as it supports the flow of the lyrics perfectly. Notating a singer's rhythm can unfortunately never be 100% perfect (notation is by definition quantized), but I think I got very close. An other challenge was to get the accompaniment sound like the original without stepping on the melody notes. Looking at my final version I think it is as good as it gets for a piano adaption of this highly emotional song.I really hope all you Billie Eilish fans out there will enjoy playing this arrangement! How difficult is it As mentioned earlier, the song looks simple, but to play it well there is a lot of things the pianist has to take care of. The most challenging aspect is to sustain some notes by either using clever fingering or employing the sustain pedal. Also, dynamics are really important, especially when ballancing the accompaniment against the melody. Fingering I included fingering numbers to give the pianist a starting point. But fingering is a highly subjective affaire. Every pianist should feel free to adapt her/his own fingering as see fit. Sustain pedal usage The sustain pedal usage is very important in this arrangement (I included sustain pedal markings for this very reason). For one, it helps sustaining some notes that can't be held otherwise, and of course to make the sound fuller (more cinematic). It is important to use the pedal to create a sense of space (distance). After all, the original recording uses a lot of reverb to achieve that. Chord Symbols I did not include pop chord symbols because the harmony to the the song is very simple and based around 4 diatonic chords. It would just cludder up the score. At PopJazzKeys.com/Barbie I talk a little bit about the chords.
What Was I Made For?
Piano seul
Billie Eilish
$5.99 5.72 € Piano seul PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1374764 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Daniel Roberts. 21st Century,Film/TV,Pop,Singer/Songwriter. Individual part. 5 pages. Daniel P Roberts #959294. Published by Daniel P Roberts (A0.1374764). What Was I Made For? from the movie Barbie.Arranged for 6-string guitar with TABI used to float, now I just fall downI used to know but I'm not sure nowWhat I was made forWhat was I made for?Takin' a drive, I was an idealLooked so alive, turns out I'm not realJust something you paid forWhat was I made for?'Cause I, II don't know how to feelBut I wanna tryI don't know how to feelBut someday, I mightSomeday, I mightWhen did it end? All the enjoymentI'm sad again, don't tell my boyfriendIt's not what he's made forWhat was I made for?'Cause I, 'cause II don't know how to feelBut I wanna tryI don't know how to feelBut someday I mightSomeday I mightThink I forgot how to be happySomething I'm not, but something I can beSomething I wait forSomething I'm made forSomething I'm made for.
What Was I Made For?
Guitare notes et tablatures
Billie Eilish
$4.99 4.77 € Guitare notes et tablatures PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1405692 By Ariana Grande. By Ariana Grande, Ilya Salmanzadeh, and Max Martin. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 21st Century,Contemporary,Instructional,Pop,Singer/Songwriter. Score. 7 pages. Martyn Johnson #988242. Published by Martyn Johnson (A0.1405692). This is my version of Ariane Grande's latest song/composition. It isn't a carbon copy of her work as I have a lot of jazz influences and have skipped over some bits developed others changed key etc. This is my impression of the tune but I think I have captured the spirit of the original. I start it in F major and finish it in Ab major. I don't include dynamics, pedal or fingering as I prefer to leave these to the discretion of the individual pianist as no two piano teachers ever agree on this. Lyrics are not included either.Please note this is a piano solo and I do not include notation for the other instruments included on my YouTube recording, bass, strings, drums etc. I write all my tunes as piano solos and they sound full and perfectly complete in this format.I hope you will get as much pleasure out of playing this music as I did in arranging it.
We Can't Be Friends (Wait For Your Love)
Piano seul
Ariana Grande
$4.99 4.77 € Piano seul PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
When I Look In The Mirror...
Orchestre d'harmonie

$30.00 28.66 € Orchestre d'harmonie PDF SheetMusicPlus


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