Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1007857 Composed by by Australian composer, Rebecca Summers. Children,Holiday,Pop. Score. 6 pages. Rebecca Summers #3884837. Published by Rebecca Summers (A0.1007857). Perfect for a school Father's Day ceremony, uplifting lyrics, intermediate keyboard part.LyricsCan't you understand you're number one?Important as the moonshine, essential as the sunthat shines so bright when we're togetherI hate when we're apartYou're in my soul forever, the father of my heart.You're in my soul forever, the father of my heart.Can't you understand you matter morethan any other person, it's you I'm searching foramongst the crowded rows of peopleat the finish and the start.I'll look to you forever, the father of my heart.I'll look to you forever, the father of my heart.ChorusIt's not too late. It's not too late.It's not too late we've got the day together.It's not too late I don't care 'bout the weather.It's not too late and some day when we're older my baby sitting on your shoulderI hope I'm wonderin' if she feels the same.Don't you understand it's not too lateTo throw out your 'to-do' list and to celebratea Happy Father's Day together this year's our brand new start.Do you hear my wishes, the father of my heart.Do you hear my wishes, the father of my heart.

Piano Solo - Digital Download SKU: A0.928405 Composed by Noah Fire. Contemporary. Score. 5 pages. Noah Fire #6115683. Published by Noah Fire (A0.928405). In Search of Lost Time  This is really not a good time for this virus to show up. Not when I'm 68 years old. Couldn’t it have arrived ten years ago before I became                                     elderly?   I can make myself ten years younger. (Maybe twelve or fifteen. Why stop at ten?) My mother did that   during the war. After she said we were safe they couldn't get to us because of the ocean.   Now six feet                                                apart no ocean protects us. Too bad we didn't learn to                  breathe under water.   I watch television wonder why people are standing so close to each other. I walk in zigzags. My ponytail pulls at the strings of the mask                                                             suffocating me.   At night I check the doors. But who will sneak in now? The                                                                              virus is the only one                                                                        out and about.   How old will                                                   my grandchildren be when I hold them again? Will the youngest be surprised to see we have bodies attached to our heads that we don’t live                                                                   on a.

Choral Choir (SSA) - Level 5 - Digital Download SKU: A0.845956 Composed by Maria Thompson Corley. Concert,Contemporary. Octavo. 7 pages. Maria Thompson Corley #6679309. Published by Maria Thompson Corley (A0.845956). The text to this dramatic, intense song was inspired by the events of the summer of 2020; that said, the trope it addresses goes back for many years. The message is this: no person can be summed up by one emotion, and all have the right to be angry, on occasion. Black women have more reason to be angry than a lot of people, and while we shouldn't be consumed by anger, we shouldn't feel like we can't express it, either. Anger results from hurt or fear; the more lyrical middle section alludes to the pain that we've experienced. The song ends with the defiant question: But what if I were? If you have questions, Raehann Bryce and Jeanne-Minette Cilliers capture this song perfectly in the YouTube video. For reasons I can't explain, I'm unable to add the link, however, it's on my Maria Corley YouTube channel.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1331928 Composed by German Carol - Unknown. Arranged by Connie Boss. Children,Christmas. Score. 2 pages. Connie Boss #918699. Published by Connie Boss (A0.1331928). O Christmas tree wasn't originally written for Christmas so the lyrics don't really reflect Christmas. I have changed lyrics to going out and picking out the tree, taking it home and putting decorations on it. I kept in the lyrics O Christmas Tree. This key is in G and is intended for children or soprano voices. The melody is the same except for the intro and ending.Questions or requests email cdboss@cvalley.netLyrics:Verse 1O Christmas tree, O Christmas treeWe’re searching in the coldO Christmas tree, O Christmas treeYou’re beauty to beholdWe’re looking for the perfect oneOnce we find you our search is doneO Christmas tree, O Christmas treeWe’re searching in the cold Verse 2:O Christmas tree, O Christmas treeYou’re perfect and so tallO Christmas tree, O Christmas treeWe’ll place you in the hallThe ornaments we will findAnd the lights we will unwindO Christmas tree, O Christmas treeYou’re perfect and so tall Verse 3:O Christmas tree, O Christmas treeThe ornaments all sparkleO Christmas tree, O Christmas treeThe colored lights all twinkleThe tree is bright and we can seeChristmas presents underneathO Christmas tree, O Christmas treeThe ornaments all sparkle Verse 4:O Christmas tree, O Christmas treeNow it’s Christmas morningO Christmas tree, O Christmas treeThe children now are waking  They unwrap each presentThis is what dear Santa sentO Christmas tree, O Christmas treeNow it’s Christmas morning Outro:O Christmas tree, O Christmas treeYou are so lovely.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1331945 Composed by German Carol - Unknown. Arranged by Connie Boss. Christmas. Score. 2 pages. Connie Boss #918717. Published by Connie Boss (A0.1331945). O Christmas tree wasn't originally written for Christmas so the lyrics don't really reflect Christmas. I have changed lyrics to going out and picking out the tree, taking it home and putting decorations on it. I kept in the lyrics O Christmas Tree. This key is in G and is intended for alto voices. The melody is the same except for the intro and ending.Questions or requests email cdboss@cvalley.netLyrics:Verse 1O Christmas tree, O Christmas treeWe’re searching in the coldO Christmas tree, O Christmas treeYou’re beauty to beholdWe’re looking for the perfect oneOnce we find you our search is doneO Christmas tree, O Christmas treeWe’re searching in the cold Verse 2:O Christmas tree, O Christmas treeYou’re perfect and so tallO Christmas tree, O Christmas treeWe’ll place you in the hallThe ornaments we will findAnd the lights we will unwindO Christmas tree, O Christmas treeYou’re perfect and so tall Verse 3:O Christmas tree, O Christmas treeThe ornaments all sparkleO Christmas tree, O Christmas treeThe colored lights all twinkleThe tree is bright and we can seeChristmas presents underneathO Christmas tree, O Christmas treeThe ornaments all sparkle Verse 4:O Christmas tree, O Christmas treeNow it’s Christmas morningO Christmas tree, O Christmas treeThe children now are waking  They unwrap each presentThis is what dear Santa sentO Christmas tree, O Christmas treeNow it’s Christmas morning Outro:O Christmas tree, O Christmas treeYou are so lovely.

Instrumental Duet - Level 3 - Digital Download SKU: A0.1285513 Composed by Arcangelo Corelli. Arranged by Kamada, Mikio. Baroque. 6 pages. ACORDO Sheet Music #876618. Published by ACORDO Sheet Music (A0.1285513). Corelli's Op. 5 consists of 12 sonatas for violin and basso continuo. Sonata, Op.5, No.10 has five movements: I. Preludio, II. Allemanda, III. Sarabanda, IV. Gavotta, V. Giga. The fourth movement (IV) is especially well-known.Basso continuo is usually played by harpsichord and cello. However, Lumiere Duo has released a beautiful CD recording of Op. 5, No. 7, performed as a duet for violin and cello. The sheet music we're sharing here is arranged for duets of Op. 5, No. 10, for violin and viola.Viola is tuned one octave above the cello. As a result, the viola can't faithfully replicate the cello part from the original. There are notes that are too low for the viola's range. In the arrangement for violin and viola, we strive to stay true to the original notes. If the notes aren't in the viola's range, we raise them by one octave. However, following this rule too strictly can lead to unnatural sequences. In such cases, even when the note is within the viola's range, we use a note one octave higher to maintain naturalness. While there's no rigid rule for this treatment, we're trying to imagine what Corelli might do if he were arranging for violin and viola. Additionally, in the third and fourth movements, we've swapped the solo part and basso continuo part in the repeating sections. Shifting the melody to the viola brings a fresh sound. In the audio samples below, we've used a flute sound for the violin part and a clarinet sound for the viola part. This should help you better understand how the swapping works.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. Published by Kevin Longley (A0.1019370). Bring His LoveInspiration (below is a note I sent to my sister) Hi Karen! In the fall of last year I started working on a new church anthem for FUMC. Over the years your choir has sung several pieces of mine; so I felt I should do something in return. I quickly got an idea for the music only (sometimes I will get some lyric ideas also, but didn't this time.) By the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals. When the pandemic stopped all church choirs I returned to the music and by early May had the score in the computer, close to completion. At that point I still didn't have any lyrics but began feeling that it should be about God's creation. All I could envision was a singer with his arms stretched out to the sun, the ocean, the moon, etc. while singing this piece. So I started searching for a possible prayer that might fit and came upon Canticle of the Son. As I read it through I liked the structure and began sketching out the lyrics. I couldn't help but wonder what our response should be to God's creation. How should we thank him or praise him or take care of it? I then turned my thoughts to FUMC and considered this - what phrase would sum up this churches mission? I almost immediately got Bring His Love. From there the balance of the lyrics fell into place. So attached is the recording and the music. I have no expectations but hope you and the choir enjoy the music. The Music The piece starts with 16th note broken chords in the upper register of the piano which lead to the opening theme. A tenor soloist begins by singing God's praises for all he has given us; ending with the thought How can we thank such kindness?; The answer Bring His Love the B section. At its conclusion we are returned to the opening theme, this time sung by the choir which again leads us to the same questionHow can we thank such kindness?, The answer Bring His Love the B section. A C section is then introduced with a change to a more beat driven accompaniment with the vocals alternating between the upper and lower voices. A return to the opening theme, with minimal chordal accompaniment, features the original soloist but then adds a second voice leading to a duet and a return to the broken chord accompaniment.. Finally the B section,Bring His Love is repeated and concludes in a rousing fashion.. Program Notes The piece could work very well for Earth Day celebrations.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893830 Composed by David Kai. Christian,Contemporary,Pop,Spiritual. Score. 7 pages. David Kai #5209023. Published by David Kai (A0.893830). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. For more information about this song and free downloads, go to: www.sites.google.com/site/davidwkaismusicBeyond The Rainbow Bridge by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, We’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time Then you know just what you did You took a piece of my broken heart beyond the rainbow bridgeYou took a piece of my broken heart beyond the rainbow bridge.www.sites.google.com/site/davidwkaismusic

B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. 9 pages. Tiger Music #684898. Published by Tiger Music (A0.1080679). Southwest Sunrise Trumpet Solo Eddie Lewis and Alex Lewis MTR P111 4137 Southwest Sunrise is a trumpet solo for beginner trumpet students that has a more complicated piano part. I often get requests for music for students of different skill levels. And in fact, that’s what of my strengths as a writer, is that I can blend parts across skill levels that way. In this case, Alex and I were striving for something that would be interesting for the pianist, but not overly challenging for the beginner trumpet student. The Process The inspiration for this piece came to me on a morning walk in Chandler, Arizona. Chandler is a suburb of Phoenix. I was walking east, into the rising sun. It was a very simple melody. It was a very simple blues melody that I immediately recognized as something that would work in our series for beginner trumpet students. This was during a time when my son, Alex, and I were already collaborating on some other projects. For this piece, I gave Alex the melody and gave him a general description of what I was hearing. Then I gave him his space to create what sounded good to him. The next stage was me editing some of his creativity. At this point we went back and forth on a few issues until we agreed on the final results. SKILL LEVEL The skill level for Southwest Sunrise is Trumpet Pioneer (we don’t have skill levels for piano parts yet on this website). Trumpet Pioner is the first of seven levels in our system. These are absolute beginners who have only been playing the trumpet for a few months. Our Trumpet Pioneer level limits the range to C in the staff. We also limit rhythms to nothing smaller than quarter-notes, and key signatures are limited to one flat or sharp. Practice Recommendations While it is obvious and I don’t normally list it as a point in this practice recommendations, but the rhythms are very different between the trumpet part and the trumpet part. So it is even MORE important to spend time listening to the composition long before you begin practicing it. As I said, this is a good habit for working on all performance pieces. There is research that proves that students learn their music best when they recognize their mistakes soonest. When you listen to the music repeatedly before you practice, it goes a long way towards helping you recognize your mistakes. This is one of the most important reasons for listening, but there are others that I won’t go into here. Assuming the pianist is far more advanced than the trumpeter, the pianist should assume a patient, educational role.

Piano Solo - Level 4 - Digital Download SKU: A0.1515695 By Kansas. By Kerry Livgren. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwriter. Score. 6 pages. Timothy Stapay #1090049. Published by Timothy Stapay (A0.1515695). Kansas’s acoustic hit “Dust In The Wind” is a reflective song about the inevitability of mortality and the insignificant role every person plays in the bigger picture. It was written by guitarist Kerry Livgren, who was inspired by a Native American poem containing the line “For all we are is dust in the wind”.The music came from a picking exercise he was doing that his wife suggested he make a song out of. It was the last addition to the album. “Dust In The Wind” was a top 10 hit in the US and Canada in the spring of 1977 and remains the biggest hit of their career. Lyrics: I close my eyes Only for a moment, and the moment's gone All my dreams Pass before my eyes, a curiosity Dust in the wind All they are is dust in the wind Same old song Just a drop of water in an endless sea All we do Crumbles to the ground, though we refuse to see Dust in the wind All we are is dust in the wind Oh Now, don't hang on Nothin' lasts forever but the earth and sky It slips away And all your money won't another minute buy Dust in the wind All we are is dust in the wind (All we are is dust in the wind) Dust in the wind (Everything is dust in the wind) Everything is dust in the wind.

Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.� Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,� are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841743 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 7 pages. Andrew Mc Donald (Macka Records) #3473939. Published by Andrew Mc Donald (Macka Records) (A0.841743). Movin' Too Fast is a song about how we haven't got much time on earth so we need to make the most of it while we can. Time moves on and we don't look back, we keep looking forward until Christ comes again.

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.631220 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 9 pages. Exultet Music #6516589. Published by Exultet Music (A0.631220). Contemporary Christian / Praise and Worship type hymn of self-examination that sings about it's all the little things that we could be doing and how we treat our neighbor, but sometimes we don't.  The comments we make that really we shouldn't, etc. and how all of this and more must make God cry.   Appropriate and accessible for any church or concert setting.  Scored for a Unison choir with Piano accompaniment. A rehearsal and an accompaniment track are also available.CCLI Song Number: 7119078.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922109 Composed by Mitchell Jay Sharoff. Children,Christmas,Holiday,Pop,World. Score. 9 pages. Emjay Publishing #3892699. Published by Emjay Publishing (A0.922109). One Song is a beautifully crafted melody! It works perfectly with the lyrics, making us feel comfort and hope. For a song such as this, the melody couldn't be more well-written. It is simple enough for most anyone to follow it, and yet reaches to places that inspire the hope that you wish to bring out in this song. As it kicks up a notch at the end, we can hear a huge chorus singing it loudly, shaking the rafters, perhaps in a church, or at a rally. We can't say enough about this lyric. It is deceptively simple, but yet reaches around the world! Who (anywhere, or in any walk of life) could disagree with any of these lines? This verse (in particular) has a way of saying something that we've never quite heard put this way before: Everyone's a brother, Or a sister that you meet. We are all one family, Living on the same street. Yes, with the pace of the world today, we're on the same street, indeed!.

C Instrument - Level 2 - Digital Download SKU: A0.957453 By Ghost25. By Ghost25. 20th Century,Contemporary,Hip-Hop,Instructional,R & B,Standards. Lead Sheet / Fake Book. 3 pages. Ghost25 #563137. Published by Ghost25 (A0.957453). As kids. We all had goals, dreams, thoughts. All of these was inspired by what we were taught. Most of us gave up along the way because we didn't find the offers we wanted or maybe we saw seemingly better offers. The song speaks about a man who had a dream right from when he was nine. It explores the hardship of what he faced to get it. Eventually, it speaks about how he could only have done it with the help of the people with him. One man can't do it, it has to be a bundle..