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Concert Band - Level 3 - Digital Download SKU: A0.990617 Composed by C.S. Grafulla. Arranged by Emmett Anglin. Folk,Patriotic,Traditional. Score and parts. 65 pages. OTBM #3368115. Published by OTBM (A0.990617). Music of the Civil War: Colonel White’s Quickstep is one of around 20 marches by C.S. Grafulla in The Library of Congress. In this case it is in the Port Royal Band Books. The Port Royal Band Books are a collection of manuscripts used by the Union band stationed at Port Royal, South Carolina during the Civil War. The original instrumentation is for the brass band of that time. Washington Greys is probably his best known march and the original manuscript for it is in the same collection. This has modern band instrumentation.
Band Music of the Civil War: Colonel White's Quickstep by C.S. Grafulla - Concert Band
Orchestre d'harmonie

$25.00 21.43 € Orchestre d'harmonie PDF SheetMusicPlus

Flute and piano - intermediate - Digital Download SKU: S9.Q11632 From the Opera The Tale of Tsar Saltan. Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Uwe Korn. This edition: single sheet. Edition Schott - Single Edition. Downloadable, Separate edition. Schott Music - Digital #Q11632. Published by Schott Music - Digital (S9.Q11632). Flight of the Bumble Bee from the opera 'The Legend of Tsar Saltan' based on a text by Pushkin is, without doubt, the best-known work in the oeuvre of Nikolai Rimsky-Korsakov (1844-1906). The musical droning of the bumble bee has wedged its way into the concert halls and radio stations in different arrangements and interpretations. Uwe Korn now presents a new arrangement for flute and piano. The well-balanced and nice-sounding setting is of medium difficulty and makes Flight of the Bumble Bee accessible to pupils for private music-making or auditions.
The Flight of the Bumble-Bee
Flûte traversière et Piano

$5.99 5.13 € Flûte traversière et Piano PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.799627 Composed by D. M. Gardner. A Cappella,Christian. Octavo. 7 pages. D. M. Gardner Music #6661. Published by D. M. Gardner Music (A0.799627). A tribute to the victims, families and heroes of September 11, 2001.Embers is a powerful portrayal of hope found in faith, even in the midst of disaster and devastation. Beginning quietly with a tearful melody, rays of sunlight begin to pierce choking, gray dust and smoke that veil the massive debris of newly fallen towers. As the air begins to clear, the light of God's eternal hope emerges.Premieres: September 2001 - Community Bible Church Choir, Omaha, Nebraska, November 2001 University of Nebraska at Omaha, University Chorus (revised a cappella) 2002 Selected to be read at the Nebraska Choral Directors Association, Summer Festival 2007 (SATBB and Piano)Latin Text; SATB, Oboe (opt. Violin), & CelloDifficulty: ModerateIncludes: Combined Choir/Piano ScoreApprox. 2 minutes and 56 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com 
Embers (Through the Smoke of Burning Embers) SATBB and Piano
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. Airplane Ears Music #5802093. Published by Airplane Ears Music (A0.1013056). Super Collider (2010, 18 minutes) Kronos Quartet and electronic gamelanComposed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokokGamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The GuardianSuper Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic.
Supercollider
Quatuor à cordes: 2 violons, alto, violoncelle

$35.00 30 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan María Solare. 20th Century,Contemporary,Standards,World. Individual part. 12 pages. Juan Maria Solare #3088085. Published by Juan Maria Solare (A0.596489). Paregamutiún (Friendship): Four melodies of Armenian connotations for cello solo.I am not Armenian, but these melodies could be: it is an invented folklore. Nevertheless, I never wanted to compose an imitation of real Armenian music; for that I should live in Armenia a few years, learn the language, soak in a couple of millennia of culture and impregnate myself with the current problems. And yet it would be doubtful that the result would sound authentic. Neither I was interested in composing some sounding touristic postcards. These melodies reflect, yes, how a thankful being sees the Armenian from outside. And this is what grants them legitimacy.About the titles:The general title of the piece, Paregamutiún, is translatable as friendship. Sometimes it is transliterated Baregamutyun (as a certain station of the subway in Yerevan). The single titles of each piece refers to a lake, a mountain, a mythical patriarch and a tree of Armenia:1) Sevanavank: Monastery of the Black Lake, founded in 874. The name Sevan means literally Black Van, referring to a lake called Van. It is said that long ago the Armenians came from areas next to the lake Van towards the lake Sevan, they noticed that its waters were dark, almost black, but they reminded them of the lake Van, and therefore called it black Van: Sevan.2) Hayk is the patriarch of the foundational myth of the Armenian nation, and the original name of the country (Hayastán: land of the Armenians); some sources affirm that he was great great grandson or great-great-great grandson of Noah.3) Dziraní Dzar: apricot tree, the Armenian national fruit. Dzar is tree and dzirán is apricot, the obvious phonetic similitude seems to underline a strong semantic proximity between both concepts. The letter Dz is a complex phoneme similar to a smooth th.4) Masis is the Armenian name of mount Ararat, where -according to the Bible- ended up Noah's Arch after the Flood (Genesis 8:4).www.JuanMariaSolare.com
Paregamutiun [cello solo] (suite of 4 pieces)
Violoncelle

$10.00 8.57 € Violoncelle PDF SheetMusicPlus


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