Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.com/ #1066354. Published by https://gildedmusicpress.com/ (A0.1489490). Three of these seven short pieces are worthy to open any brass quintet concert or recital.  Two fanfares are too short for a concert feature but work extremely well in a ceremony or celebratory setting.  The last two short pieces aptly serve contrasting special purposes, as explained below.“Fort Pierre Fanfare” is about 40 seconds in duration, and was composed to open the feature concert at the South Dakota Bandmasters Association convention in 2022.  Offutt Brass, from the US Air Force Heartland of America Band, was invited to perform that concert.  Before the final piece of the concert, when gifts were exchanged between the sponsor and performers, beautiful presentation copies of the sheet music were presented to the sponsor.  In performance, staging directions on the music can be extremely effective or cringy, depending on how they are conveyed.  If there is any inkling that there may be a cringe factor, ignore them, and play the fanfare already on stage.“Enduring Freedom Fanfare” is nearly a minute of music.  It was composed as a gift for the outgoing Commander of the US Air Force Heritage of America Band, Major Rafael Toro-Quiñones.  His leadership was strong and inspiring, and he held a place of high esteem among many of the fine military musicians that he led.  The Change of Command ceremony was toward the end of the Covid-19 shut-downs, so the work was not performed at the ceremony.  Chief Remley, from the command’s satellite location in Nebraska, hand-delivered some finely printed presentation copies to Major Toro-Quiñones.“Noble Eagle Fanfare” is slightly over a minute in length, and, like “Enduring Freedom Fanfare,” was composed as a gift for another outgoing Commander of the US Air Force Heritage of America Band, Captain David Neil Regner.“Pilgrims’ Fanfare” was composed on what many Americans acknowledge as “Pioneer Day,” 24 July 2023.  Not only honoring the thousands of pioneers that settled the western United States, but also the pilgrims that voyaged across the ocean to settle in the new continent.  It is about 15 seconds in duration and is effective for any occasion in need of a magnificent fanfare.“Flightline Fanfare,” as its title implies, was composed for the ribbon cutting ceremony of the dedication of the newly renovated flightline at Offutt Air Force Base in Nebraska.  Unfortunately, the ceremony itself was altered last-minute, and the 15-second fanfare was not used.  However, like “Pilgrims’ Fanfare,” it is very handy for any event demanding a splash of pomp.“American Interlude” is a soft 75-second underscore for an MC’s moving speech or dedication.  It was originally composed as a smooth segue between two moving patriotic pieces of different keys in a concert setting, but can be used in any similar appropriate situation.“Troop 184” is dedicated to my childhood BSA Scoutmaster, Gerry Nielson, who molded me in significant ways into the man I am decades later.  It is functional music, akin to a fight song, and can be easily marched to.  Words may be crafted as a customized hiking ditty, or it can be featured before or after ceremonies as prelude or processional music.  The duration can also be customized, as there is a written optional repeat, lengthening the tune from 45 seconds to a minute and a half.

Piano Solo - Level 4 - Digital Download SKU: A0.596539 Composed by Juan María Solare. 20th Century,Concert,Contemporary. Score. 7 pages. Juan Maria Solare #3880115. Published by Juan Maria Solare (A0.596539). Listen: https://soundcloud.com/juan-maria-solare/ausenteAusente (Abstent) is an atonal milonga. If Franz Liszt composed a Bagatelle without tonality, why not a milonga without tonality. This piece is placed somewhere between classical music and new tango.   Moderator Louis Barabbas wrote about Ausente for the BBC blog Fresh On The Net nr. 305 (19 November 2018), http://freshonthenet.co.uk/2018/11/faves305   Described as 'somewhere between classical music and new tango' the artist’s phrasing here is telling: somewhere rather than something. For in Juan Maria Solare’s Ausente (absent) we are certainly transported. Each angular phrase jutting up like stone columns or distended stalactites in a limey cave. The trickling thrust of its furtive intent feels somehow elemental yet focused through an urban noir prism, drops of heavy water in varying temperatures, some icicles and some steam, shards of smoky light poking around slow moving fan blades and between the rusty teeth of ancient window grills, monstrous warped shadows cast up from humble orphaned minutiae. Music as beautiful and unsettling as it is hard to dance to. The idea of dancing this piece was a surprise for me, since tango music doesn't need to be danced to (you can also just listen to it). But if you wonder how this tango would appear danced, imagine it is not called tango but contemporary ballet rooted in tango - and suddenly you find ways of dancing it... provided an open-minded choreographer is on board! If someone wants to dance this music in the style of the tango of 1920, they will have a hard time. It would be like trying to dance Strawinsky's Le Sacre du printemps as if it were the Blue Danube Waltz.   Juan María Solare   http://www.JuanMariaSolare.com

String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.

Easy Piano - Level 1 - Digital Download SKU: A0.1023525 By LP. By LP. Arranged by Alí Saboy Tavernese. Contemporary. Score. 4 pages. Ali Saboy Tavernese #6641865. Published by Ali Saboy Tavernese (A0.1023525). The DaCapo series has the purpose of helping you develop your piano skills from scratch and integrally potentiate them. It provides arrangements that contemplate two significant and different circumstances: playing alone and accompanying singers. The DaCapo series will help you: ·        Achieve the autonomy of all your fingers (you will find the appropriate fingering suggested). Repeating the same fingering also strengthens muscle memory ·        Measure the results of your progress easily and objectively. The metronome indication is the reference through which you can evaluate your mechanical capabilities at all times ·        Quickly identify the different sections (are evidenced by the text marks). Developing structural understanding increases your ability to continue playing in the face of unexpected events   This version will help you: ·        Appreciate the relationships between sounds without the presence of a text (creation of musical senses). There are only the sections with the main melody, so you can play and listen to it by concentrating on the relationships between successive and simultaneous sounds ·        Acquire the autonomy of the hands. In the score, you will find the main melodic line and another melodic line that can fulfill the function of bass (if it is lower) or counter-melody (if it is higher) ·        Read fluently from the beginning to the end of the piece. The rhythms are simplified so that you keep your attention on the general musical discourse and not on the details ·        Focus on two basics: notes and rhythm. The melody is adapted to fit in the best possible way in the central register. Thus, the displacement of the hand decreases, the reading is simplified, and it is easier to keep your attention on the aforementioned aspects   Simplify, practice, and enjoy your results!IG _soy_pianista

Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.

Easy Piano - Level 1 - Digital Download SKU: A0.1023526 Composed by Traditional. Arranged by Alí Saboy Tavernese. Standards. Score. 3 pages. Ali Saboy Tavernese #6693991. Published by Ali Saboy Tavernese (A0.1023526). Piano solo + Piano duet The DaCapo series has the purpose of helping you develop your piano skills from scratch and integrally potentiate them. It provides arrangements that contemplate two significant and different circumstances: playing alone and accompanying singers. The DaCapo series will help you: ·       Achieve the autonomy of all your fingers (you will find the appropriate fingering suggested). Repeating the same fingering also strengthens muscle memory ·       Measure the results of your progress easily and objectively. The metronome indication is the reference through which you can evaluate your mechanical capabilities at all times ·       Quickly identify the different sections (are evidenced by the text marks). Developing structural understanding increases your ability to continue playing in the face of unexpected events Beginner version: This version will help you: ·        Appreciate the relationships between sounds without the presence of a text (creation of musical senses). There are only the sections with the main melody, so you can play and listen to it by concentrating on the relationships between successive and simultaneous sounds ·        Acquire the autonomy of the hands. In the score, you will find the main melodic line and another melodic line that can fulfill the function of bass (if it is lower) or counter-melody (if it is higher) ·        Read fluently from the beginning to the end of the piece. The rhythms are simplified so that you keep your attention on the general musical discourse and not on the details ·        Focus on two basics: notes and rhythm. The melody is adapted to fit in the best possible way in the central register. Thus, the displacement of the hand decreases, the reading is simplified, and it is easier to keep your attention on the aforementioned aspects   Simplify, practice, and enjoy your results! IG _soy_pianista.

Concert Band - Digital Download SKU: AX.00-PC-0016799_EB Electric Bass. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_EB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_EB). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).

Concert Band - Digital Download SKU: AX.00-PC-0016799_PC1 1st Percussion. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_PC1). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).

Concert Band - Digital Download SKU: AX.00-PC-0016799_C2 2nd B-flat Clarinet. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_C2). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).

Choral Choir,Choral (TTBB Chorus) - Level 4 - Digital Download SKU: A0.1504389 Composed by Ruben Fuentes Gasson. Arranged by Ruben Reyes. 20th Century,Latin,Mariachi,Multicultural,Traditional,World. 19 pages. Ruben Reyes #1079826. Published by Ruben Reyes (A0.1504389). Enhance your performance with this exciting Tenor-Bass and Piano arrangement of La Bikina. Featuring rich vocal harmonies and a dynamic piano part, and offering a captivating blend of depth and cultural authenticity. Ideal for various performance settings, it promises to create a memorable experience for performers and audience. Order now to bring La Bikina to life!

Concert Band - Digital Download SKU: AX.00-PC-0016799_TN1 1st Trombone. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_TN1). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1245812 Composed by Ludwig van Beethoven. Arranged by André Nusa. 19th Century,Romantic Period,Wedding. 7 pages. Andre_Nusa #840642. Published by Andre_Nusa (A0.1245812). Experience the beauty and elegance of Beethoven's Wishes from the 6 Songs, Op. 48, as you explore this exquisite arrangement for woodwind quartet. Immerse yourself in the timeless melodies and profound emotions of this captivating composition, carefully adapted to showcase the rich harmonies and expressive potential of the woodwind quartet ensemble. With this arrangement, Beethoven's evocative piece comes alive through the seamless interplay of the flute, oboe, clarinet and bassoon, each instrument contributing its unique voice to create a harmonious tapestry of sound. The lush harmonies and intricate melodies will captivate both performers and listeners, transporting them to a realm of beauty and introspection. Designed with precision and authenticity in mind, this sheet music offers a faithful rendition of Beethoven's Wishes that stays true to the composer's original intent. Perfect for both professional ensembles and aspiring musicians, this arrangement offers a unique opportunity to delve into the world of Beethoven and explore the intricacies of his musical genius. It provides a platform for quartets to showcase their technical prowess, ensemble playing, and ability to convey the emotional depth and subtleties of Beethoven's composition.