Cello,E-Flat Tenor Horn,Trombone,Tuba,Viola,Violin - Level 4 - Digital Download SKU: A0.1387095 Composed by John Scott. Classical,Film/TV. 8 pages. John Scott #970967. Published by John Scott (A0.1387095). This piece captures the process of an eagle's rebirth after living for 40 years. It plucks out its weathered feathers and breaks its blunt beak. It then waits for new ones to grow. The piece captures the emotional aspects of the process, with a special emphasis on the difficulty of the decision to shed the old features. It approaches the end with a climatic tone to depict the famous flight of rebirth after the completion of the waiting period.The piece is appropriate for any attempt to audiovisually capture this natural phenomenon using a string and brass ensemble. However, the various emotions captured such as sadness, sorrow, tranquility and triumph qualify it use as background music in any audiovisual presentation with such emotions involved. This then is a classical representation of this incredible natural process.

Piano - Digital Download SKU: A0.1066610 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 381. THEMIS KOUTRAS #4782797. Published by THEMIS KOUTRAS (A0.1066610). This is how it is with me many times i felt the pain suffering of our LORD even more when i watch the gospel it is like withing my heart i am feeling the same pain and suffering he went through very much like sting martyred but not physically i feel it spiritually withing my heart ye true but when he then is risen acceding i then remember this and feel the exact joy he feels i feel it for him been happy that he now lives again forever ye true.

Piano Solo - Level 5 - Digital Download SKU: A0.1199167 By Kathleen Ryan. By Kathleen Ryan. Arranged by Kathleen Ryan. Classical,Contemporary,New Age. Score. 6 pages. Indigo Mesa Music LLC #798231. Published by Indigo Mesa Music LLC (A0.1199167). English folk song.I have set this melody in several arrangements; this is actually the most rambunctious of the lot! This is bravura piano playing and not for the faint of heart. The right hand has a long passage of double notes at 16th-note speed. The left hand plays 8th-note many-octave-spanning double notes for much of the arrangement, and then has double notes at 16th-note speed for the final section. To perform this will require a lot of practice and then sheer (relaxed!) bravado.Forest Green is really my all-time favorite melody. I anticipate setting it a dozen or more different ways.For example, this is the melody the English use for the Christmas carol O Little Town of Bethlehem, and I have arranged it more lyrically for that song. Perhaps someday it will make it onto a CD.I have also used this melody for the final section of my arrangement of All Through the Night on Under the Greenwood Tree. That is a far more lyrical arrangement as well.This melody, in a highly arranged version, also makes a cameo in These Hands Held Music, on Passages.All of these arrangements are currently available in pdf. Who knows, perhaps someday I’ll create an entire album of arrangements of Forest Green!~ Kathleen

Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1267126 Composed by Giuseppe Verdi. Arranged by Ryuichi Horikoshi. 19th Century. 17 pages. R1音楽�画室 #859762. Published by R1音楽�画室 (A0.1267126). La Traviata Libiamo ne' lieti calici   (String Quartet version)Composed by Verdi / Arranged by Ryuichi HorikoshiScore, Set of Parts 17pages. Published by R1 Music Planning Office.Libiamo ne' lieti calici   is a song sung in the opera La Traviata.Alfredo, the main character, is asked to sing a song, and he declines at first, but at everyone's urging he prepares with a glass in his hand and sings with passion, then Violetta joins him for a duet, and then everyone joins him for a gorgeous song.I tried to reproduce this part with a quartet. The progression of the original music is followed, so it is possible for a singer to join the quartet. I think it is effective when played at weddings, parties, concerts, etc. to enliven the occasion.The entire piece is approximately 3 minutes long, but even shorter versions are possible.For example, if the piece ends with exercise number F, it can be shortened to almost half the length. It is also possible to skip from Exercises D to L and end on a high note.rehearsal markA/B/C/D/E/L.

String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.767473 Composed by Mike Lyons. Baroque. Score and parts. 36 pages. Lyons Music Services #4613671. Published by Lyons Music Services (A0.767473). Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for string quintet Violins 1 & 2, Viola, Cello and Contrabass. The style of the first one is marcato, with a touch of irony! The Contrabass leads with an Alberti pattern followed by the first melodic idea stated on the Cello. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the 1st Violin, with an obbligato  on Violin 2, before the DS. Surprisingly simple, but 3 mins long. Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the Contrabass and Cello. The middle section has a mournful Double Bassmelody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda. Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine.

Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801665 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 9 pages. Connie Boss #6383851. Published by Connie Boss (A0.801665). This is a medley of 3 Christmas Carols - In the Bleak Mid Winter (English), Gesu Bambino (Italian) and The Snow Lay on the Ground (Irish). Venite Adoremus means O Come Let Us Adore Him, Christ the Lord. I thought it sounded nice to have it in SATB parts - taking turns between the high and low voices and then all together. cdboss@cvalley.netLyrics Below:O Come Let Us Adore Him (Venite Adoremus, Dominum)   (Medley of In the Bleak Midwinter, Gesu Bambino and The Snow Lay on the Ground   In the bleak midwinter, frosty winds made moan Earth stood hard as iron, water like a stone Snow had fallen snow on snow, snow on snow. In the bleak midwinter, long, long, ago.   When blossoms flower amid the snow, upon a winter night Was born the Child, the Christmas Rose, The King of Love and Light.   Venite Adoremus, Dominum Venite Adoremus, Dominum   Twas Mary daughter pure of Holy Anne. That brought into this world the God made man She laid Him in a stall at Bethlehem. The ass and oxen shared the roof with Him.   Again the heart with rapture glows, to greet the Holy night. That gave the world it’s Christmas Rose, it’s King of Love and Light   Venite Adoremus, Dominum Venite Adoremus, Dominum   And thus that manger poor became a throne, for He whom Mary bore was God the Son O come then let us join the heav’nly host to praise the Father, Son and Holy Ghost   O come let us adore Him, Christ the Lord O come let us adore Him, Christ the Lord   O come let us adore Him, Christ the Lord Venite Adoremus, Dominum!  

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers.   Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet!  With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement.  Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley  .

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.

Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.1261333 Composed by Tommy Walker. Arranged by J. Daintree. 21st Century,Christian,Contemporary,Praise & Worship,Spiritual. Octavo. 2 pages. Julia Daintree #854406. Published by Julia Daintree (A0.1261333). Flexible arrangement for choir SAA, SAT, SAB.We use a solist to start, then choir v1 unison, then 3 part from 1st Chorus. It is so moving - sometimes the simplest songs are the ones our choirs are the most invested in. It is such a beautiful song. We sang it one evening in the context of a choir memebr who had just been paired with a little girl for adoption. It took on such a powerful new meaning in that context.Tried, tested and a favourite.Tissues may be necessary.

Piano,Viola - Level 4 - Digital Download SKU: A0.511793 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and part. 12 pages. Han-Ki Kim #6245735. Published by Han-Ki Kim (A0.511793). Folk songs can be said to be music that contains the life and soul of our ancestors, and these days, when the desire to find our own is strong, the folk song “Blue Bird� has a very important meaning in that it is unique to Korea. Along with Arirang, the representative folk song of Korea, “Bird, Bird, Blue Bird� is also unique to us, and it is music that contains the life and soul of our ancestors, and it is a precious legacy that should be passed down to future generations.The vague themes are gradually heightened and repeated. Then, the theme is played alternately with the compositional change of the descending perfect 5th sphere for each part. Then, a short connector appears following the harmonics, which gives off an oriental taste. The bass and treble sections play the theme and melody alternately, and in the finale, a majestic harmony and tense notes show a musical uplift, ending with a witty and decisive note processing.1. It’s very suitable for Concert and for Educational material.2. Shown Bowing sign and Fingering will be very helpful to player.3. Attached Music file is recorded with Violin and Piano, just for a reference.

String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.1173966 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Romantic Period,Standards. 21 pages. Han-Ki Kim #774123. Published by Han-Ki Kim (A0.1173966). For Solo Viola and String Ensemble. Bird, Bird, Blue Bird Op.152BFolk songs can be said to be music that contains the life and soul of our ancestors, and these days, when the desire to find our own is strong, the folk song “Blue Bird� has a very important meaning in that it is unique to Korea. Along with Arirang, the representative folk song of Korea, “Bird, Bird, Blue Bird� is also unique to us, and it is music that contains the life and soul of our ancestors, and it is a precious legacy that should be passed down to future generations.The vague themes are gradually heightened and repeated. Then, the theme is played alternately with the compositional change of the descending perfect 5th sphere for each part. Then, a short connector appears following the harmonics, which gives off an oriental taste. The bass and treble sections play the theme and melody alternately, and in the finale, a majestic harmony and tense notes show a musical uplift, ending with a witty and decisive note processing.1. It’s very suitable for Concert and for Educational material.2. Shown Bowing sign and Fingering will be very helpful to player.3. Attached Music file is recorded with Violin and Piano, just for a reference.

Cello,Piano - Level 4 - Digital Download SKU: A0.511813 Composed by Han-Ki Kim. Children,Contemporary,Multicultural,Standards,World. Score and part. 13 pages. Han-Ki Kim #6600115. Published by Han-Ki Kim (A0.511813). The theme of the original song Byeoljigi composed by Junhee Lim consists of a 16-bar melody, but this composer rearranged it to a 16-bar melody.  the Korean pentatonic scale “Doremisolaâ€� is mostly used for the the melody. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft until the second variation, and in the third variation, there is a relaxed atmosphere, and then a cadenza singing a conversation between a mother singing a lullaby and a baby enjoying in her dreams. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi re Do Re mi.â€� It then ends with a brilliant finale and a short ending. Attached music file is recorded by Violin, it's just for a referrence.

Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.767472 Composed by Mike Lyons. Baroque,Concert. 37 pages. Lyons Music Services #4613665. Published by Lyons Music Services (A0.767472). Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for Double Reed quintet 2 oboes, CA, Bassoon, ContrabassoonThe style of the first one is marcato, with a touch of irony! The contra leads with an Alberti pattern followed by the first melodic idea stated on the Bassoon. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the Oboe 1 with an obbligato on oboe 2 before the DS. Surprisingly simple, but 3 mins long.Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the Contrabassoon and Bassoon. The middle section has a mournful Contra  melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine.