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Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1505354 Composed by Thomas Weelkes. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 85. David Warin Solomons #1080739. Published by David Warin Solomons (A0.1505354). Simple arrangement of Thomas Weelkes' three part madrigal Since Robin Hood, Maid Marion and Little John are gone-ahThe song follows the Shakespearean actor Will Kemp on his trip to France, dancing all the way.Kemp played the clownish characters in all of Shakespeare's productions until - eventually - the two fell out. Kemp then decided to prove the full extent of his zaniness by dancing all the way from London to Norwich in less than ten days (hence the epithet nine days' wonder). Shortly after this he took on an even more adventurous plan - to dance all the way to Italy, via France and the Alps. The book Shakespeare's Clown by David Wiles, can provide further information if required.Since Robin Hood, Maid Marian,And Little John are gone-a,The hobby horse was quite forgot,When Kemp did dance alone-a.He did labour after the tabor.For to dance then into France.He took pains to skip itIn hope of gains.He did trip itOn the toe,diddle diddle diddle doe.
Kemp's Dance (Since Robin Hood ...) arranged for string trio (mp3)

$4.50 3.81 € PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.833867 By The Searchers. By Jerry Leiber and Mike Stoller. Arranged by Michael Compton. Contemporary. Score and parts. 24 pages. Kreechur Kumfort Publishing #6479471. Published by Kreechur Kumfort Publishing (A0.833867). Written in 1959 by Lieber of Stoller, Love Potion Number 9 was first released by the Clovers who took it to number 23 on Billboard, then recorded by the Searchers who reached number 3 with it. The song describes a man seeking help to find love who then enlists the help of a gypsy who determines, by means of palmistry, that he needs love potion number 9. The potion, an aphrodisiac, causes him to fall in love with everything he sees, kissing whatever is in front of him, eventually kissing a policeman on the street corner, who breaks his bottle of love potion. This arrangement is set for intermediate level jazz band and has solo space for the piano - but can of course be passed off to any member.
Love Potion Number 9
Ensemble Jazz
The Searchers
$49.99 42.3 € Ensemble Jazz PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1314860 By Shoshana Michel. By Victor Herbert. Arranged by Shoshana Michel. Christmas,Classical,Contemporary,Holiday. Score. 3 pages. Shoshana Michel #903618. Published by Shoshana Michel (A0.1314860). This is a note-for-note solo piano sheet music transcription of Toyland by Victor Herbert from his opertta, Babes in Toyland, arranged by Shoshana Michel from the upcoming Heart Dance Records compilation album, Winter Frost.This beautiful solo piano arrangment of Victor Herbert's Toyland is unique in that it starts with the chorus that everyone knows but then goes to the verse which is seldom played or heard, then back to the chorus. It would be a lovely piece to learn for lessons, for a holiday recital, concert or performance.Level: 5 - IntermediateKey Signature: F major (1 flat)Length: 3 pages.
Toyland
Piano seul
Shoshana Michel
$5.99 5.07 € Piano seul PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017219_TX1 B-flat Tenor Saxophone. Composed by Don Gardner. Arranged by Paul Baker. Jazz; Secular. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017219_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017219_TX1). UPC: 038081429274.Something different---a clever samba based on this novelty song, you'll love it! After the medium rubato intro, the medium tempo samba kicks in with altos and trumpets then the melody is bounced around to all sections. After the montuna interlude, 2nd trumpet solos (written) with only two chords to keep it accessible for young players, a sax soli, a 2nd trombone solo (written), then the big shout chorus and out. (4:14).
Two Front Teeth: B-flat Tenor Saxophone
Saxophone (partie séparée)

$3.00 2.54 € Saxophone (partie séparée) PDF SheetMusicPlus

Piano - Digital Download SKU: RX.9783737803298 Sheet music for piano. Composed by Mulo Francel, Quandro Nuevo. Text language: English. World music. 4 pages. Published by Roba Music Verlag (RX.9783737803298). This song is a travelling song written under the impression of several tours through South and East Europe, the Balkans and around the Black Sea. Dedicated to Jason, the hero of the Greek mythology, it has to be played in a hymnic manner. Jason went on a most adventurous journey to the very outermost coast of the Black Sea with this motley entourage - the Argonauts - in order to seize the Golden Fleece, a gigantic golden ram skin. Just about where the Georgian city of Batumi is today. If you would like to know more about it, you may want to read the chapter “Die Reise nach Batumi†(The Journey to Batumi) in our roadbook “Quadro Nuevo: Grand Voyage. To every person who is interested in these old myths, I recommend the books of the author and journalist Michael Kohlmeier, for example his amusing interpretations of the Sagen des Klassischen Altertums (Sagas of the classical antiquity). Just East of Batumi the Caucasus begins, with its colourful mixture of ancient peoples and cultures. I have always been fascinated with musicians who originate from this region. For example the composer Aram Katschaturian or the pianist David Gazarov, with whom I often play concerts. An Eastern groove suits this song well, quite comparable to a fast rumba. I suggest you play the intro (may be extended) and the theme (measures 6 to 39) first. Then you may improvise freely over the AABA-form of the theme. The last solo part is shortened because the B-part leads into a percussion solo. This percussion solo may be omited. After the last complete solo part you can repeat the theme and then play the al fine. For Improvisation: On a separate sheet I am offering some scales to the chords of the song in various transpositions, which is helpful as basic material for improvisations. Some chords (like the very first one) fit several different scales. Decide for yourself which one you prefer. Or maybe even make up your own. Even though these notes may sound right with the chords, one thing always holds true in creative music: There should be no dogmatic wrong or right. Sometimes what seems like a wrong note, could give the progression of the melody its special colour, tension and spice. Sometimes an improvisation with exclusive right notes is correct in music theory, but sounds terribly boring. Besides, every improviser is encouraged to happily help themselves to the chromatics. All of this is only a suggestion. Music becomes exciting and colourful when the basic material is interpreted in an imaginative and creative way!
Die Reise nach Batumi
Piano seul

$6.19 5.24 € Piano seul PDF SheetMusicPlus

Brass trio - Grade 2.5 - Digital Download SKU: DX.145304 Composed by Phoebe P. Knapp. Arranged by Dana F. Everson. Sacred instrumental music. Key of Bb, Eb, F, Ab. Traditional. Score and parts. 16 pages. David E. Smith - Digital Sheet Music #145304. Published by David E. Smith - Digital Sheet Music (DX.145304). A brass trio scored for trumpet, horn (opt. trp.) and trombone, (opt BHTC), the introduction uses the opening passes of the hymn and then modulates upward to the hymn now harmonized where it modulates even further now with more counterpoint amongst the voices. The middle section of the work modulates even further to a rather fughetta like setting. After yet another modulation the piece introduces music from Jesus Paid It All and then motivically develops to the Coda where the piece ends in repose.
The Cleansing Wave

$8.00 6.77 € PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre

$9.99 8.45 € Orchestre PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1292094 Composed by Music:Traditional / Words by: James Chadwick. Arranged by John Chamley. Christian,Christmas,Classical,Folk,Traditional. Individual part. 3 pages. John Chamley #882686. Published by John Chamley (A0.1292094). This is a festive and fun piece. It will probably take some preparing to play this up to speed if you want to play it fast. The chorus has a nice counter­melody in the bass. The main melody also switches octaves as you might hear a choir exchange parts between the different voices. The first verse stays in the main voice, then the 2nd verse moves up an octave, then down to the bass strings. A certain amount of syncopation will keep the fingers busy on the right hand. The left will need to handle a few stretches but nothing outrageous. A 1/2 barre is required at one point along the way.
Angels We Have Heard on High
Guitare

$2.99 2.53 € Guitare PDF SheetMusicPlus

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1298966 Composed by Ian Calvert. Christmas,Contemporary,Holiday,Praise & Worship,Religious. Score. 4 pages. Ian Calvert #888816. Published by Ian Calvert (A0.1298966). This is the first publication of a new Christmas song, set for voice and piano. The words are those of a poem by Leonard Clark (1905 – 1981). He was an English poet who was raised in The Forest of Dean, in the west of England. In 1972 he published a slim little book of Christmas poems, of which ‘The Birth’ is one. What I like about this poem is its simplicity and clarity – and its narrative development through the verses. It starts with the poet waking in the pre-dawn. He then realizes that it is Christmas Day and in the stillness of that time his mind turns to the birth of Jesus, as traditionally told. Then he steps out of time and space and looks through his bedroom window to contemplate the mystery of incarnation. And he finishes at the stable, offering devotion to the newborn Lord. This song is also available in a version for SATB a cappella. Drawn from the same book of poems there is available another new Christmas song, called Singing in the Streets; that one is set for baritone and piano. Ian Calvert.
The Birth
Piano, Voix

$2.99 2.53 € Piano, Voix PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1111745 By Thad Jones. By Alec Wilder and Thad Jones. Arranged by Ken Litton. Advent,Christmas,Holiday,Jazz,Standards. Octavo. 13 pages. Artist of Note, Inc. #713987. Published by Artist of Note, Inc. (A0.1111745). Duration 3:30 A Child Is Born is a truly beautiful picture—sacred or secular—of the Advent story painted from the enduring viewpoint of his mother, Mary. Written in 1969 by jazz trumpeter Thad Jones. The lyrics were added independently by Alec Wilder after he heard the Thad Jones - Mel Lewis Orchestra perform it. The song has been described by Bob Yurochko (with contributor Wynton Marsalis) in A Short History of Jazz as a “beautiful ballad of mainstream jazz. This arrangement begins with a quiet intro in which both the piano and the Bb Instrument touch very lightly on Silent Night. The easily memorized single stanza is sung first by the altos, who are then joined by and succeeded by the sopranos and then deftly handed off to altos, tenors and basses who are subsequently involved in each four-part cadence point well as other unison and two-part sections. The halved repeat of the stanza can be a very nice piano feature or, optionally a Bb instrument—Flugelhorn (even a muted Trumpet) a Bb Clarinet or a Bb tenor saxophone can supply the solo with the voices singing the very light background. The key change is kept simple, with a descending scale into the new key. The final section makes additional mention of STILLE NACHT as well as echoing the intro at the jazz ending. Still, the instrumental part remains optional and the chord symbols make it easy to include string bass or even gentle jazz guitar (drums on this should, of course be mainly light brushes). The vocal parts are limited to practical ranges and, while there is divisi in the soprano part, each voice is always easily sung). The accessible accompaniment has comparatively little movement in the left hand beyond the middle of a typical measure, especially when there are technical requirements in the right hand. #choral #jazz choral #church choral #liturgical choral.
A Child Is Born
Chorale SATB
Thad Jones
$1.99 1.68 € Chorale SATB PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017219_TX2 2nd B-flat Tenor Saxophone. Composed by Don Gardner. Arranged by Paul Baker. Jazz; Secular. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017219_TX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017219_TX2). UPC: 038081429274.Something different---a clever samba based on this novelty song, you'll love it! After the medium rubato intro, the medium tempo samba kicks in with altos and trumpets then the melody is bounced around to all sections. After the montuna interlude, 2nd trumpet solos (written) with only two chords to keep it accessible for young players, a sax soli, a 2nd trombone solo (written), then the big shout chorus and out. (4:14).
Two Front Teeth: 2nd B-flat Tenor Saxophone
Saxophone (partie séparée)

$3.00 2.54 € Saxophone (partie séparée) PDF SheetMusicPlus

Piano,Violin - Level 2 - Digital Download SKU: A0.1163413 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Kristin Coleman Campbell. Broadway,Instructional,Musical/Show. 9 pages. Horsehair Music #763754. Published by Horsehair Music (A0.1163413). This arrangement of Do-Re-Mi is for violin solo with piano accompaniment. It is set in the key of D and is arranged for a level 3 violinist. Reinforce techincal concepts with this famous Broadway tune. It begins in first position. The reprise of the chorus is then played entirely in 3rd position. The piano then takes the melody for the 3rd reprise of the chorus and the violin plays an obbligato. 1 octave scales in both 1st and 3rd position challenge the student to play scales using sixteenth notes. There is minimal shifting from 1st to 3rd position. Alternate fingering is included for one passage using a 4th finger extension on the E string.Most of the bow strokes used are legato detache. There is one measure of up-bow staccato on a D major scale. And one measure of brushed off the string bowing for a D major scale.This arrangement of Do-Re-Mi will help students improve and reinforce technique while playing a song they love.
Do-re-mi
Violon et Piano
Various Artists
$4.99 4.22 € Violon et Piano PDF SheetMusicPlus






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