Trombone,Trumpet - Level 3 - Digital Download SKU: A0.529382 Composed by Joachim Neander (1650-1680). Arranged by Mark Rippe. Easter,Sacred,Traditional. 8 pages. Mark Rippe #139785. Published by Mark Rippe (A0.529382). StA BQ00102. Contemporary arrangement for brass quartet of this very old hymn tune. This same variation arrangement is available for organ (StA OV00104). All part of the St. Andrew's Collection.

Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.737808 Composed by Johann Pachelbel. Arranged by Fiona Alice Hickie. Baroque,Classical,Jazz,Multicultural,Pop,World. Score and individual part. 14 pages. Fiona Alice Hickie #484271. Published by Fiona Alice Hickie (A0.737808). An arrangement of Pachelbel's theme for flute and piano. It includes: 1. Theme 2. Variation on a motive 3. Rock ballad 4. Calypso 5. Ragtime.

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.965296 Composed by Boyd E. Gibson. Contemporary,Spiritual. Score and parts. 25 pages. Boyd Eugene Gibson #4758761. Published by Boyd Eugene Gibson (A0.965296). This work takes two African American Spirituals, I've Been Buked, and Sometimes I Feel Like a Motherless Child and weaves them together into a theme and variation which evokes the great cry of the soul whose burden is of the age-old promise of eternal freedom. This work was originally composed for solo piano but has been re-worked for two pianos with very satisfying results. Themes that were lost in the solo piano version can be heard clearly in this version.

Organ - Level 3 - Digital Download SKU: A0.871114 Composed by Paul S. Jones. Concert,Contemporary,Sacred. Score. 7 pages. Paul S. Jones #5020439. Published by Paul S. Jones (A0.871114). This versatile organ piece works well as a service prelude, offertory, organ dedication or relatively simple concert piece. It can be played in its entirety or a variation or two can be left out to suit the time needs involved. Uses a lot of modal shifting and altered harmony with a wide dynamic range but the original hymn-tune can be clearly recognized throughout. Will show off the color range of your instrument, and it ends big.

Full Orchestra - Level 4 - Digital Download SKU: A0.1259406 Composed by G. Faure. Arranged by A. Leytush. 19th Century. 73 pages. Arkady Leytush #852693. Published by Arkady Leytush (A0.1259406). In the orchestral transcription this opus originally written for piano acquires a new scale and different timbre sound. At the same time, the variation form of development is emphasized by the full composition of the full orchestra used here. On the example of this composition the continuity is noticeable of Faure - Rachmaninoff in character, style and development. This music could be brilliantly companies with Rachmaninoff’s – “Rhapsody on a Theme of Paganini� in one program.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Large Ensemble Cello,Tuba - Level 4 - Digital Download SKU: A0.889878 Composed by Gary Friedman. Contemporary,Jewish,Romantic Period. Score and parts. 66 pages. Gary Friedman #11999. Published by Gary Friedman (A0.889878). The original version for cello and piano was my first formal composition when I started composing in 1998. When my brother, Ralph, heard it, he cried and said that he wished that my parents could have heard it, too. The form and harmonies of this piece are mostly traditional, but there are a few surprises. There is a cantorial cello cadenza. A trumpet and tuba are added to the usual chamber orchestra with piano, just to play an Oh My Darling Clementine counter-melody in one variation but flute and bassoon have cues and can do this nicely. The recording of the beautifully expressive performance by Ken Hoppe and the College of Marin Symphony conducted by Tara Flandreau (who edited the string parts) is of such poor sound quality that I have uploaded the computer playback as the sound clip, which is of course quite mechanical sounding. However, if you would like to hear the live performance the YouTube link is ?v=6RHrLVqTyZg The cello and piano duet version is included in this package but is also sold separately for $5.00. Duration: 8 minutes Year: 1998.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.956359 Arranged by Glenda E. Franklin. Christmas. Octavo. 12 pages. Glenda E. Franklin Publications #6266649. Published by Glenda E. Franklin Publications (A0.956359). Five mini movements are featured in this selection of Deck the Hall. The familiar theme is followed by a lullaby, a march, a waltz, and a boogie variation. Each subsequent movement contains new melodies and harmonies which fit the style of each genre. Upper middle school students will love this! 

Organ - Level 4 - Digital Download SKU: A0.947295 Composed by John Sinopoulo-Wilson. 20th Century,Contemporary,Romantic Period. Score. 16 pages. John Sinopoulo-Wilson #2881503. Published by John Sinopoulo-Wilson (A0.947295). A set of organ variation on the chant, Gloria in Excelsis Deo. A very joyful and celebratory piece for  service, recital or the dedication of a new church or organ.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1094473 Composed by Samuel Araújo. Arranged by Samuel Araújo. Contemporary,Romantic Period,Wedding. Score and parts. 22 pages. Saa Compositions #698525. Published by Saa Compositions (A0.1094473). Original composition for a string quartet, this two-variation piece was made in one of the college's composition classes, taking into account, mainly, the textures and protagonisms of the voices. This exercise can be great for a group of students in composition, or even to be performed in a string auditions, as it is a contemporary music, without abandoning the classical forms. What do you think?

Violin Solo - Level 1 - Digital Download SKU: A0.1008350 Composed by Traditional French Carol. Arranged by Kathy Rigall. Christian,Christmas,Instructional,Sacred,Standards. 2 pages. Riglet Publishing #4767507. Published by Riglet Publishing (A0.1008350). Advancing beginners enjoy trying their skills out on this familiar Christmas tune, with each variation providing new challenges and increasing in difficulty.  First position only, easy key of D.  Perfect for holiday performances of any kind. Great supplement to method books. Level appropriate for Suzuki Book 1.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Set of parts. 71 pages. Ondine Press #6230163. Published by Ondine Press (A0.866121). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a set of parts to Yoon Jae Lee’s arrangement, Variations on “Non più mesta� for flute and orchestra. The full score, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://bit.ly/3hJgXxP.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta� for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.889885 Composed by Gary Friedman. Contemporary,World. Score and parts. 55 pages. Gary Friedman #13585. Published by Gary Friedman (A0.889885). Theme and Variations for Er Hu and Orchestra The er hu is a two-string Chinese violin, which I heard during a visit to China in August 2006. I liked the bold tone very much and decided to compose a piece for it. The theme and ending are written in Chinese style using the pentatonic or five-tone scale. The six variations move into Western harmonies and a variety of rhythms. The world premier was held on February 10, 2008. Matt Springer was soloist with the San Francisco Civic Symphony. The second performance by Matt was with the San Francisco Composers Chamber Orchestra on June 7, 2008, John Kendall Bailey, conductor.. The audio clip is a recording of that performance. Duration: About 11 minutes Year: 2007.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1284293 Composed by Matilda Dunn. Arranged by Becky Dugan. 20th Century,Chamber,Christian,Contest,Festival,Sacred. Score and Parts. 26 pages. B. L. Dugan #875470. Published by B. L. Dugan (A0.1284293). This set of variations for Brass Sextet is based on the hymn-tune STORMY BANKS, also known as I am Bound for the Promised Land. Advancing musicians will enjoy the variety and challenge of the variations, including meter and tempo changes.  This work is suitable for festivals, concerts, recitals, church services and other special occasions, including outdoor events. Parts include Score, Bb Trumpet 1, 2; F Horn; Trombone; Euphonium; Tuba.