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Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.761549 Composed by Chris Lawry and Keri Degg. Jazz. Score and part. 8 pages. Masquerade Music #6424359. Published by Masquerade Music (A0.761549). It had to be done, and yes, we did it! Are you ready to play Wagner as you’ve never played it before? Arranged in a cool/smooth Jazz style for Eb saxophone (alto, or baritone) and piano with sound influences from Scott Hamilton, Stan Getz, and Paul Desmond. As well as the classic Valkyries theme, there is also a fully written out original saxophone solo which makes this a delight to play and conjures up images of a late night Jazz lounge. Ride of the Valkyries is perfect for intermediate players (approx grade 3-5).
Ride of the Valkyries (but not as you know it!) includes original sax solo - Eb saxophone & piano -
Saxophone Alto et Piano

$3.99 3.41 € Saxophone Alto et Piano PDF SheetMusicPlus

Strings Bass Voice,Choir,Clarinet,Digital Keyboard,Double Bass,Electric Bass Guitar,Electronic Keyboard,Flute,Harp,Horn,Low Voice,Marimba,Medium Voice,Medium-High Voice,Oboe,Piano and Keyboard,Piccolo,Saxophone,Synthesizer,Tuba - Digital Download SKU: A0.1205354 By Hi-5 and Kathleen de Leon Jones. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Broadway,Classical,Comedy,Film/TV,Musical/Show,New Age. 4 pages. Amphibia Cultural Legacy #803545. Published by Amphibia Cultural Legacy (A0.1205354). Amphibia Cultural Legacy has done it again with their latest cover remix of Hi-5's A Special Place. This time, they've added a beautiful orchestral twist to the beloved song that Kathleen de Leon Jones originally sang. The new version takes the listener through a heartfelt and emotional musical experience.The orchestra adds depth and dimension to the already powerful lyrics, highlighting the importance of having a special place in our hearts where we can go to find comfort and peace. The sweeping strings and soaring horns give an uplifting energy, making this rendition perfect for any occasion. Whether you need a pick-me-up after a long day or want something inspiring to listen to during your morning routine, Amphibia Cultural Legacy's take on A Special Place is sure to hit all the right notes.
A Special Place
Hi-5 and Kathleen de Leon Jones
$60.00 51.35 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.632972 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and parts. 3 pages. F & N Enterprise #3360597. Published by F & N Enterprise (A0.632972). Background Track for Gambler-Instrumental from my Music Book Jazz & Pop Sax Paradise (with attached CD) for Tenor-Sax. Plus Version at SMP: SO 119991 The version includes a Sax backed up by highly professional background music. What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USA
Background for "Gambler"-for Tenor Sax
2 Saxophones (duo)

$2.99 2.56 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 4 - Digital Download SKU: A0.632961 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and parts. 3 pages. F & N Enterprise #3359631. Published by F & N Enterprise (A0.632961). Background Track for A Soulful Man-Instrumental from my Music Book Jazz & Pop Sax Paradise (with attached CD) for Alto-Sax. Plus Version at SMP: SO 119429 The version includes a Sax backed up by highly professional background music. What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USA
Background for "A Soulful Man"-for Alto Sax
2 Saxophones (duo)

$2.99 2.56 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.632954 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and parts. 3 pages. F & N Enterprise #3359587. Published by F & N Enterprise (A0.632954). Background Track for Hello From Nashville-Instrumental from my Music Book Jazz & Pop Sax Paradise (with attached CD) for Alto-Sax. Plus Version at SMP: SO 119453 The version includes a Sax backed up by highly professional background music. What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USA
Background for "Hello From Nashville"-for Alto Sax
2 Saxophones (duo)

$1.99 1.7 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 4 - Digital Download SKU: A0.632980 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and parts. 3 pages. F & N Enterprise #3360709. Published by F & N Enterprise (A0.632980). Background Track for Promenade-Instrumental from my CD Sax Voyage for Alto-Sax. Plus Version at SMP: SO 119879 The version includes a Sax backed up by highly professional background music. What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USA
Background for "Promenade"-for Alto Sax
2 Saxophones (duo)

$2.99 2.56 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.761557 Composed by Chris Lawry Keri Degg. Baroque,Jazz. Score and part. 10 pages. Masquerade Music #6424399. Published by Masquerade Music (A0.761557). It had to be done, and yes, we did it! Are you ready to play Handel as you’ve never played it before? Arranged in a cool/smooth Jazz style for Eb saxophone (alto, or baritone) and piano with sound influences from Scott Hamilton, Stan Getz, and Paul Desmond. As well as the classic Queen of Sheba theme, there is also a fully written out original saxophone solo which makes this a delight to play and conjures up images of a late night Jazz lounge. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Arrival of the Queen of Sheba is perfect for intermediate players (approx grade 3-5).
Arrival of the Queen of Sheba - Handel (but not as you know it!) includes original sax solo - Eb sax
Saxophone Alto et Piano

$3.99 3.41 € Saxophone Alto et Piano PDF SheetMusicPlus

Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by Peet du Toit. Film/TV. Score and parts. 36 pages. Peet du Toit #6115473. Published by Peet du Toit (A0.802642). Silly Love Songs is a song written by Paul McCartney and Linda McCartney and performed by Wings. The song appears on the 1976 album Wings at the Speed of Sound. It was also released as a single in 1976, backed with Cook of the House. The song, written in response to John Lennon and music critics accusing McCartney of predominantly writing silly love songs and sentimental slush, also features disco overtones.The song was McCartney's 27th number one as a songwriter; the all-time record for the most number one hits achieved by a songwriter.With this song, McCartney became the first person to have a year-end No. 1 song as a member of two distinct acts. McCartney previously hit No. 1 in the year-end Billboard chart as a member of the Beatles with I Want to Hold Your Hand in 1964 and Hey Jude in 1968.Silly Love Songs has since appeared on multiple McCartney greatest hits compilations, including Wings Greatest and All the Best!. The song has also appeared on the Hits section of the compilation album Wingspan: Hits and History. Despite its popularity, McCartney has not performed the song live since the dissolution of Wings.Silly Love Songs was written as a rebuttal to music critics (as well as John Lennon) who had criticized McCartney for writing lightweight love songs. Author Tim Riley suggests that in the song, McCartney is inviting his audience to have a laugh on him, as Elvis Presley had sometimes done. But over the years people have said, Aw, he sings love songs, he writes love songs, he's so soppy at times. I thought, Well, I know what they mean, but, people have been doing love songs forever. I like 'em, other people like 'em, and there's a lot of people I love -- I'm lucky enough to have that in my life. So the idea was that you may call them silly, but what's wrong with that? The song was, in a way, to answer people who just accuse me of being soppy. The nice payoff now is that a lot of the people I meet who are at the age where they've just got a couple of kids and have grown up a bit, settling down, they'll say to me, I thought you were really soppy for years, but I get it now! I see what you were doing! - Paul McCartney, Billboard Enjoy my brassy version of Silly Love Songs
Silly Love Songs
Wings
$22.00 18.83 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
We Must Learn to Walk Together
Piano, Voix et Guitare
Lisa Waites
$3.99 3.41 € Piano, Voix et Guitare PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. Benjamin Pritchard #5465. Published by Benjamin Pritchard (A0.986863). This piece was originally written for jazz ensemble and then arranged for concert band. This was done, in part, to make available concert band literature that utilizes jazz/rock instruments (guitar, bass, piano) and improvisation. There are many arrangements of rock and pop tunes available to band directors. While those arrangements sometimes include bass parts they rarely, if ever, have guitar or piano/keyboard parts. Why not? Why not include these parts, even if they are optional? In addition, I’ve noticed that there is very little concert band literature that involves improvisation. Again, why not? I believe that this is the concert band literature of the future – the integrated utilization of electric guitar, keyboards, and improvisation. This piece is my first attempt at such a venture. Having just finished the premier performance of the original jazz ensemble version of 7 to 9 I thought it would be a good platform. Most of 7 to 9 transitions between 7/4 and 9/4. It is a fun, quirky piece with a Latin feel. There is a short 5-bar swing section in the middle for open solos. There is also a one chord solo section later in the piece for less experienced improvisers. The students will really enjoy putting this together, especially with the electric guitar, piano, and bass. It adds a completely new dimension to the concert band as well as an overall excitement. The piece ends with a long building Latin groove with a jam feel to it. The guitarist ends this build with an improvised solo which soars above the rest of the band. It is a fun piece to play but requires a great deal of focus due to the changing meter and odd phrase lengths and entrances. There is only a midi recording available at this time. A live recording will be available soon.
7 to 9
Orchestre d'harmonie

$49.99 42.78 € Orchestre d'harmonie PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.632990 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Blues,Film/TV,Jazz,Pop. Score and parts. 4 pages. F & N Enterprise #3362275. Published by F & N Enterprise (A0.632990). Background Track for Sentimental Funky Blues-Instrumental from my CD Sax Voyage for Tenor-Sax. Plus Version at SMP: SO 120029 The version includes a Sax backed up by highly professional background music. What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USA
Background for "Sentimental Funky Blues"-for Tenor Sax
2 Saxophones (duo)

$2.99 2.56 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.632985 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and parts. 3 pages. F & N Enterprise #3362263. Published by F & N Enterprise (A0.632985). Background Track for A Soulful Man-Instrumental from my CD Sax Voyage for Tenor-Sax. Plus Version at SMP: SO 120013 The version includes a Sax backed up by highly professional background music. What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USA
Background for "A Soulful Man"-for Tenor Sax from CD "Sax Voyage"
2 Saxophones (duo)

$2.99 2.56 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.761553 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and part. 9 pages. Masquerade Music #6424375. Published by Masquerade Music (A0.761553). It had to be done, and yes, we did it! Are you ready to play Grieg as you’ve never played it before? Arranged in a Jazz/Reggae/funk style for Alto (or baritone) saxophone and piano. As well as the classic Grieg theme, there is also a fully written out original saxophone solo which includes a gradual increase in tempo which adds to the humour! If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. In the hall of the mountain king is perfect for intermediate players (approx grade 4-6).
In the hall of the mountain king (Grieg) (but not as you know it!) includes original sax solo - Eb s
Saxophone Alto et Piano

$3.99 3.41 € Saxophone Alto et Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5   Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Piano, Voix

$8.95 7.66 € Piano, Voix PDF SheetMusicPlus

Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.797775 Composed by James Van Heusen and Johnny Burke. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 13 pages. Derek Hasted #5742075. Published by Derek Hasted (A0.797775). BUSY DOING NOTHING - GUITAR TRIO (one of two arrangements)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is one of two arrangements I’ve made of Busy Doing Nothing during the Coronavirus Lockdown early in 2020.Everyone I speak to seems to find time slipping through their fingers and not much gets done. Everyone is busy doing nothing...The original featured the velvet voice of Bing Crosby, so this is the perfect Croonavirus song!This arrangement is specifically for those with less experience, perhaps an adult group starting out, or perhaps players in a school group. The arrangement stays in first position.My other arrangement, also for sale here is for 3 guitars as well, but is suited to players who have been playing guitar a little bit longer - find it easily via my website below.I hope you enjoy this snapshot of where the world found itself in the spring of 2020!
Busy Doing Nothing

$4.99 4.27 € PDF SheetMusicPlus


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