Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1457134 Composed by Stephen Keeling. Easter,Religious,Sacred. 162 pages. Stephen Keeling #1036166. Published by Stephen Keeling (A0.1457134). For SATB, Evangelist (Baritone), Christ (Tenor), Flute, Organ, Acoustic Guitar and Percussion (Timpani, Triangle and Tambourine). It is in three parts - Part 1 Christ's Coming and Maundy Thursday, Part 2 Crucifixion, Part 3 Resurrection. The mp3 plays back the first part using a sound library. I have always wanted to write a Passion piece. The piece is a 33 minute hybrid choral cantata with musical theatre overtones and folk music sections with words I’ve selected from St Luke’s Gospel as well as two lovely Christina Rossetti poems plus a new folk setting I’ve done of There is a Green Hill Far Away.

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.817348 Composed by Benj Pasek, Justin Paul, and Ryan Lewis. Arranged by Vicky Jacobs. Contemporary,Film/TV,Pop. Octavo. 3 pages. Victoria Jacobs #6099383. Published by Victoria Jacobs (A0.817348). This is part of a series of singalong arrangements I've done that are designed to be fun to sing, quick to learn and save on photocopying. You'll notice with this song that I've left out the second verse - it's just too wordy! This arrangement would also work really well in a zoom singing session.

Choral Choir,Choral (SATB) - Digital Download SKU: A0.1295477 Composed by Isaac Cohen. 21st Century,A Cappella,Classical,Contemporary,Jewish. 15 pages. Isaac Cohen Music #885765. Published by Isaac Cohen Music (A0.1295477). I wrote Oseh Shalom, wanting to connect my Jewish heritage to my own contemporary classical style of writing. While not very religious, I've always loved Jewish music. To that end, I sought out to write something that wasn't an arrangement of an already existing tune but wasn't also a more obscure prayer that only the more religious people would know, both of which I've done before. In addition, I wanted to write something oriented more toward a concert rather than a religious setting.Oseh Shalom comes from the last part of the Mourner's Kaddish, a longer prayer recited in memory of the dead. It is not only said in sadness, however. Many settings of the prayer, including Debbie Friedman's and Nurit Hirsh's, which are the settings I grew up singing, are very festive. As such, when Oseh Shalom, I tried to encapsulate mournful and festive feelings and give it a more classical touch.Questions? Feel free to reach out to me at isaacwilliamcohen23@gmail.com.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.583748 Composed by Jeff Tincher. Arranged by Jeff Tincher. Christian,Country,Praise & Worship,Sacred. Octavo. 12 pages. Jeff Tincher #4767543. Published by Jeff Tincher (A0.583748). This is a lively compilation of 4 public domain hymns (Since Jesus Came Into My Heart: McDaniel/Gabriel, We'll Understand It Better By And By: Tindley, In The Sweet By And By: Bennett/Webster, and When We All Get To Heaven: Hewett/Wilson). I've added some different chord progressions and a key change to make it a really fun piece. I've done this arrangement several times at our church with rave reviews from the congregation. Duration = 4:59. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.842473 Composed by Ben Clapton. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Ben Clapton #4350869. Published by Ben Clapton (A0.842473). A fun, boppy, composition suitable for performance in church. The lyrics of the Chorus read:And we thank you Lord Jesus for the things you've done,We've got a new heart from you and a new spirit too,and we will shout all your praises from the highest of heightsFor we are cleansed of our sins by the Lord Jesus Christ.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.583747 Composed by Jeff Tincher. Arranged by Jeff Tincher. Christian,Country,Praise & Worship,Sacred. 16 pages. Jeff Tincher #4767541. Published by Jeff Tincher (A0.583747). This is a lively compilation of 4 public domain hymns (Since Jesus Came Into My Heart: McDaniel/Gabriel, We'll Understand It Better By And By: Tindley, In The Sweet By And By: Bennett/Webster, and When We All Get To Heaven: Hewett/Wilson). I've added some different chord progressions and a key change to make it a really fun piece. I've done this arrangement several times at our church with rave reviews from the congregation. Duration = 4:59. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1053247 Composed by James Van Heusen and Sammy Cahn. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #657564. Published by DAVID LEE GINGRAS (A0.1053247). Come Fly with Me is a 1958 popular song composed by Jimmy Van Heusen, with lyrics by Sammy Cahn, written for Frank Sinatra - it was the title track of his 1958 album of the same name. The song sets the tone for the rest of the album, describing adventures in exotic locales, in Bombay, Peru and Acapulco Bay as the Jet Age began. This version features a root-based chord blocking that John and I have used many of our arrangements and we've included a few left-hand fills to keep the tempo going! We hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1110119 Composed by Harry Ruskin and Henry Sullivan. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #712452. Published by DAVID LEE GINGRAS (A0.1110119). I May Be Wrong (but I Think You're Wonderful) is a popular song. The music was written by Henry Sullivan, the lyrics by Harry Ruskin. This song was published in 1929 and was included in the musical revue Murray Anderson's Almanac which ran for 69 performances at Erlanger's Theatre on Broadway in 1929. It is said that the song was written on-demand for John Murray Anders. This version features a root-based chord blocking that John and I have used in many of our arrangements and we've also included a few left-hand fills to keep the tempo going! We hope you like what we've done with the song!

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going ? (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet.  Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this.  Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. ?  Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. ? As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.563721 By Madness. By Michael Barson. Arranged by Austin Ralphson. Pop. Octavo. 18 pages. Austin Ralphson #4783535. Published by Austin Ralphson (A0.563721). Ska/pop band Madness released this song in the 1980s along with a whacky video! This arrangement is not difficult to put together and has interesting parts for all singers; it adds many additional vocal parts to the original and also includes optional car-related percussion rhythms as well! I've done optional parts for the sax solo parts in the middle; these are provided in C, B flat and E flat to cater for almost any solo wind/brass instrument you have available to play it (possibly a choir member?). The piece still works perfectly well without, however. It is great to perform and to listen to for the audience. Enjoy!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1245933 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #840763. Published by DAVID LEE GINGRAS (A0.1245933). I'll Never Smile Again is a 1939 song written by Ruth Lowe. It has been recorded by many other artists since, becoming a standard. The most successful and best-known million selling single version of the song was recorded by Tommy Dorsey and His Orchestra, with vocals provided by Frank Sinatra and The Pied Pipers.This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make our arrangement of this beautiful ballad unique!

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1132266 By Leandro Bizama. By Leandro Bizama. A Cappella. Octavo. 6 pages. Leandro Bizama Music #732512. Published by Leandro Bizama Music (A0.1132266). A bilingual (first verse in Spanish and second verse in English) inspiring piece dedicated to all those who make an impact in our lives. Gracias was written as a tribute to teachers, family members and friends who have supported me throughout the years and I know all of us have people in our lives like that. Arranged for SSAATTBB, Gracias is meant for advanced High School choirs and beyond. Here is the text: Gracias por compartir tu fe, por darme la esperanza de un mundo mejor. Gracias por darme de tu luz, por enseñarme a imaginar, a crecer y a volar. Gracias por compartir tu corazón y sobre todo gracias por tu inspiración. Thank you for being by my side, for lending me a shoulder and teaching me to fly. Thank you for understanding me, for knowing how to cheer me up and how to make me smile. Thank you for sharing your own soul with me and most of all for all the things you’ve done for me. Y sobre todo gracias por tu inspiración. --- Feel free to contact me with questions. www.leandrobizama.com Note: it will look better when printed in octavo size.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218821 Composed by Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #815244. Published by DAVID LEE GINGRAS (A0.1218821). You Took Advantage of Me is a 1928 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart, for the musical Present Arms (1928), where it was introduced by Joyce Barbour and Busby Berkeley as the characters Edna Stevens and Douglas Atwell. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano Solo - Level 3 - Digital Download SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible:  no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece.  In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions.  Playing a piece of music is not the same as mastering it.  Surviving a performance is not the same as playing with confidence.  There is no joy in being vulnerable to embarrassing mistakes.  It is no way to live.  You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are.  The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate.  If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music.  Debussy broke the boundaries of conventional piano notation.  That means contradictions and ambiguity, which must be addressed.A note about fingering:  where and why it is or is not presented.  I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece.  My goal is to include information that the pianist needs, but does not already know.  For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution.  For example, m9-24, and m61-62, fall into this category.  Octaves can only practically be played with fingers 1 and 5.  I provide a lot of finger numbers, but that is not the same as  creating an edition that can be played without significant staff reading.  The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced.  Attempting to bridge more than one level is not my goal.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1253066 Composed by George Marion Jr. and Richard Whiting. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz. Score. 2 pages. DAVID LEE GINGRAS #846813. Published by DAVID LEE GINGRAS (A0.1253066). My Future Just Passed is a song with words and music written by George Marion Jr. and Richard Whiting for the motion picture safety In Numbers from 1930. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!