Brass Quintet Baritone Horn TC,Trumpet,Tuba - Digital Download SKU: A0.1460706 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Will Corbin. Broadway,Musical/Show. 18 pages. Will Corbin #1039612. Published by Will Corbin (A0.1460706). No, it's not the Austrian national anthem, although anyone who has seen The Sound Of Music thinks so. (For that reason, most Austrians are merely mildly aggravated by what is otherwise a lovely tune.) The tiny edelweiss (it means noble white) flower is indeed a prominent symbol of Austria, present on many things Austrian you would find in any souvenir store across the country. Edelweiss was a late addition to the Sound Of Music score; Richard Rodgers thought Capt. Von Trapp needed a song to sing to his country as he fled the Nazis. It was also the last song of the Rodgers and Hammerstein collaboration before Hammerstein died. This arrangement features an echoic yodeling at beginning and end. It's scored for two trumpets, horn, baritone TC (trombone is more forceful than necessary, although I've included the part with this package) and tuba.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.1050289 Composed by Annette O'Toole and Michael John McKean. Arranged by Derek Hasted. Film/TV. Score and parts. 15 pages. Derek Hasted #654656. Published by Derek Hasted (A0.1050289). A KISS At The End Of The RAINBOW (A Mighty Wind) - VOICE + GUITAR (Score + tab)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This poignant song is from the film “A Mighty Wind�. If you haven’t seen it, it’s your duty as a musician to see it right now!Set originally for voice, two guitars, bass and autoharp, my arrangement for voice and guitar captures key parts of the countermelody and includes the instrumental break of the original in a very accessible arrangement.The original was performed on guitar with a Capo on fret 2, and my arrangement is no different - it makes a guitar part that is easy to play and which uses familiar shapes. The Lead Sheet has the vocals, the lyrics and the guitar chords. I’ve also included a fingerpicking “Notation only� Guitar Part and a “Notation + Tab� Guitar part - the latter is rather large for a music stand! As it stands, the vocal range is A below middle C to B 9 notes above - mezzo or baritone. For a lower voice, just take the capo off the guitar - for a higher voice move it up the neck a little! The vocals can be sung be a single voice or by male and female voices (see the Lead Sheet). I hope you enjoy this gentle and moving piece; I am sure your audiences will too...

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1222866 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by John Fries. 20th Century,Broadway,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #819108. Published by John Fries (A0.1222866). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  The song spent six weeks at number one on the US Billboard Hot 100 pop singles chart in the spring of 1969 and was eventually certified platinum in the US by the RIAA.  Instrumental backing was written by Bill Holman and provided by session musicians commonly known as the Wrecking Crew.  As Holman tells it, the recording can be traced to an incident in which 5th Dimension lead singer Billy Davis Jr. left his wallet in a New York City cab; the man who found the wallet was involved in the production of Hair and invited the group to see the show:  After they'd seen it I received a phone call in which they were all talking over one another, saying 'We've got to cut this song Aquarius.  It's the best thing ever.'.

Concert Band - Digital Download SKU: AX.00-PC-0017405_BC B-flat Bass Clarinet. Composed by Ludwig van Beethoven. Arranged by Jerry Brubaker. Masterwork Arrangement; Novelty. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017405_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017405_BC). UPC: 038081519265.We've all seen the YouTube videos---now your band can experience the excitement of a flash mob, either as part of one of your regular concerts or by actually creating a flash mob in your local park on a spring day! Capturing the power and beauty of Beethoven's familiar Ode to Joy, this outstanding arrangement will have your audiences dancing in the street! (2:30)Concert/Contest.

Solo Guitar - Level 3 - Digital Download SKU: A0.1316133 By The Candlelight Guitarist. By Adolphe-Charles Adam. Arranged by Bradley Powell. Christian,Christmas,Classical,Holiday,Religious. Individual part. 4 pages. Geofonica Artistworks #904870. Published by Geofonica Artistworks (A0.1316133). This arrangement of O Holy Night is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. O Holy Night can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 5:25 (see timeline). ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since 2019), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - Amazon HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1223448 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by John Fries. 20th Century,Broadway,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #819641. Published by John Fries (A0.1223448). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  The song spent six weeks at number one on the US Billboard Hot 100 pop singles chart in the spring of 1969 and was eventually certified platinum in the US by the RIAA.  Instrumental backing was written by Bill Holman and provided by session musicians commonly known as the Wrecking Crew.  As Holman tells it, the recording can be traced to an incident in which 5th Dimension lead singer Billy Davis Jr. left his wallet in a New York City cab; the man who found the wallet was involved in the production of Hair and invited the group to see the show:  After they'd seen it I received a phone call in which they were all talking over one another, saying 'We've got to cut this song Aquarius.  It's the best thing ever.'.

Concert Band - Level 5 - Digital Download SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.

Choral Choir,Choral (4-Part) - Level 3 - Digital Download SKU: A0.829350 Composed by Joseph M. Martin. Arranged by Lyndell Leatherman. Contemporary. 35 pages. Leatherman Music Services #5800909. Published by Leatherman Music Services (A0.829350). For the past decade my Kansas City church has used this choral piece (available at https://www.martin88.com/Product.aspx?Id=10771) to close their annual Tenebrae Service as the Christ candle was carried out of the sanctuary. I've never seen a better choral option for this moment in the church year! (For more information on this service, you can start with the Wikipedia discussion here: https://en.wikipedia.org/wiki/Tenebrae) A few years ago they commissioned me to orchestrate it in order to involve our instrumentalists...and you are looking at the resulting arrangement.

Piano Solo - Level 5 - Digital Download SKU: A0.962634 Composed by Unknown. Arranged by Gustavo Ballesteros. Christian,Latin,Sacred,World. Score. 10 pages. Gustavo Ballesteros #3037201. Published by Gustavo Ballesteros (A0.962634). A unique and challenging prelude for advanced pianists, like you've never seen before!See more at: www.gustavoballesteros.com.brTestimonials video: https://youtu.be/LXHc0SaAtIEDuration: 3-4 minutesThis prelude integrates a collection of eight hymn arrangements inspired by Brazilian music, called Prelúdio à Brasileira.The great differential of Prelúdio à Brasileira is on combining the spirituality evoked by hymn melodies (such as Eventide, Roll Call) with the characteristic elements of Brazilian musical genres and with the pianistic virtuosity that is explored in each piece.Sample performed by: Patrícia Bretas

Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.

Piano Solo - Level 4 - Digital Download SKU: A0.744948 Composed by Robert Lowry. Arranged by Amy J. Snyder. Easter,Holiday,Praise & Worship,Sacred,Traditional. Score. 5 pages. Amy J. Snyder #352936. Published by Amy J. Snyder (A0.744948). Christ Arose or Up From the Grave He Arose is a classic traditional Easter hymn. This exciting arrangement is for advanced intermediate piano solo. For a bit easier arrangement omit the lowest note from the right hand 4-note chords. The verses are somber, containing pretty chords, (2nd verse in minor key), and the choruses are forte and exciting! A great addition to your Easter repertoire, perfect for church preludes or special music. Visit arranger Amy J. Snyder at www.facebook.com/amyjsnyder7. If you like this arrangement, check out Amy's other arrangements such as Christ the Lord is Risen Today, I've Just Seen Jesus, Via Dolorosa, O Praise the Name, The Power of the Cross, Glorious Day, In Christ Alone, Lamb of God, and more!