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Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail.  No spoilers however.  If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack  scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score.  It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack.  Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings.  SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate).  However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
Chevalier De Sangreal
Orchestre

$150.00 128.78 € Orchestre PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
We Must Learn to Walk Together
Piano, Voix et Guitare
Lisa Waites
$3.99 3.43 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.747308 Composed by Brian Johnson, Christa Black Gifford, Gabriel Wilson, Jenn Johnson, Joel Taylor, and Kari Jobe. Arranged by Amy J. Snyder. Contemporary,Easter,Holiday,Praise & Worship,Sacred. Score. 6 pages. Amy J. Snyder #355149. Published by Amy J. Snyder (A0.747308). Forever (We Sing Hallelujah) is an exciting contemporary Christian song telling the account of Jesus' burial and resurrection. This arrangement is for advanced intermediate piano solo, based on the Kari Jobe recording, and contains helpful fingering and an original interlude. Perfect for church services on Easter Sunday or anytime. Arranged by Amy J. Snyder. Visit Amy at www.facebook.com/amyjsnyder7. If you enjoy this arrangement, check out Amy's similar arrangements: I've Just Seen Jesus, The Power of the Cross, Glorious Day, In Christ Alone, Christ Arose, Christ the Lord is Risen Today, Via Dolorosa, Lamb of God, and more! © 2013 WORSHIP TOGETHER MUSIC (BMI), KAJE SONGS (BMI) and BETHEL MUSIC PUBLISHING (ASCAP) This arrangement © 2018 WORSHIP TOGETHER MUSIC (BMI), KAJE SONGS (BMI) and BETHEL MUSIC PUBLISHING (ASCAP) WORSHIP TOGETHER MUSIC and KAJE SONGS Admin. at CAPITOLCMGPUBLISHING.COM All Rights Reserved Used by Permission.
Forever (we Sing Hallelujah)
Piano seul

$5.25 4.51 € Piano seul PDF SheetMusicPlus

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1049656 Composed by Annette O'Toole and Michael John McKean. Arranged by Derek Hasted. Film/TV. Score and parts. 15 pages. Derek Hasted #654039. Published by Derek Hasted (A0.1049656). A KISS At The End Of The RAINBOW (A Mighty Wind) - FLUTE + GUITAR (Score + tab)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This poignant song is from the film “A Mighty Windâ€. If you haven’t seen it, it’s your duty as a musician to see it right now!Set originally for voice, two guitars, bass and autoharp, my arrangement for flute and guitar captures key parts of the countermelody and includes the instrumental break of the original in a very accessible arrangement.The original was performed on guitar with a Capo on fret 2, and my arrangement is no different, making a guitar part that is easy to play and using familiar shapes. I’ve included a “Notation only†Guitar Part and a “Notation + Tab†Guitar part to open up the arrangement to a wider group of playersI hope you enjoy this gentle and moving piece; I am sure your audiences will too!
A Kiss At The End Of The Rainbow
Flûte et Guitare

$4.99 4.28 € Flûte et Guitare PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.890137 Composed by Ignacy Jan Paderewski (1860–1941). Arranged by Andy Schmidt. Romantic Period. Score. 2 pages. Andy Schmidt #2861193. Published by Andy Schmidt (A0.890137). The wonderful classic by the renowned Polish composer. Another case of beautiful music that pianists might avoid because of the technical challenges involved. Don’t worry...we’re going to get through this! Paderewski, we love you, but your hands were just too big. Mélodie has lots of large intervals in the left hand that many pianists can’t play comfortably. But that’s no excuse to give up on a lovely piece of piano music, right?My edition of this piece features helpful fingerings and grayed-out noteheads indicating which notes can be avoided. I’ve also highlighted some places where the right hand can reach down and play the highest note of some of these large chords, with the goal of being faithful to Paderewski’s intentions whenever possible. These places are indicated by my exclusive, ground-breaking green notehead technology, which is frequently seen in my other editions.
Mélodie
Piano seul

$2.00 1.72 € Piano seul PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1316980 By The Candlelight Guitarist. By French Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 3 pages. Geofonica Artistworks #904959. Published by Geofonica Artistworks (A0.1316980). This arrangement of Angels We Have Heard on High is an excerpt from Christmas Suite 1225 - a new album by The Candlelight Guitarist. It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. Angels We Have Heard on High can be seen and heard played in Christmas Suite 1225 (Part 2) beginning at 1:17 in YouTube timeline. The entire Christmas Suite 1225 is available for purchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
Angels We Have Heard on High
Guitare
The Candlelight Guitarist
$2.99 2.57 € Guitare PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.827777 Composed by Noel Stookey. Arranged by Sylvia Chapa. Celtic,Contemporary,Folk,Irish,Traditional,Wedding. Score. 3 pages. Sylvia Chapa #6325753. Published by Sylvia Chapa (A0.827777). This is the Irish Blessing you've been looking for!  Beautifully simple & familiar, it is the beloved Irish traditional blessing prayer of May the road rise up to meet you often seen framed in homes and shops. Adapted and recorded by Noel Stookey, this new arrangement is an easily learned MEDIUM HIGH Vocal Solo in C major with Intermediate Piano Accompaniment that may also be played as a piano solo. Surely suitable for any Irish occasion, including St. Patrick’s Day, but also appropriate all year round at weddings, funerals, graduations, anniversaries, farewells, good wishes, family gatherings, and as a general blessing on the road of life.  A beautiful solo that is always welcome no matter the season!  Lovely harp-like piano accompaniment.  Piano Accompaniment/solo in C Major is available on ArrangeMe.Com #798557, also used for SSA Choral arrangement.  Please post comments if you like it, too!  I'd love to hear how you use it.  Purchase two copies, please, for singer and accompanist. 
Irish Blessing
Piano, Voix

$4.99 4.28 € Piano, Voix PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1477653 Composed by C. Austin Miles. Arranged by Amy J Snyder. Christian,Religious,Sacred. Score. 5 pages. Amy J. Snyder #1055011. Published by Amy J. Snyder (A0.1477653). I Come to the Garden is a timeless classic hymn written by C. Austin Miles. This lovely arrangement is for advanced intermediate piano solo, key of A Major, and contains lots of helpful fingering and dynamics. Use lots of rubato for a nice effect. Always bring out the melody when it is surrounded by a 2nd voice in the R.H. This song is perfect for church preludes, offertories,  special music, and retirement home entertainment. If you enjoy this arrangement, check out Amy's other hymn, gospel, and contemporary Christian solos such as Amazing Grace, O the Deep Deep Love, If My People, Christ the Lord is Risen Today, Christ Arose, Wonderful Words of Life, His Eye is on the Sparrow, No One Ever Cared For Me Like Jesus, Near the Cross/Nearer My God to Thee, Oceans, Good Good Father, I've Just Seen Jesus, Via Dolorosa, I Can Only Imagine, and many patriotic songs also! Visit Amy at https://www.facebook.com/amyjsnyder7 .
I Come to the Garden
Piano seul

$5.50 4.72 € Piano seul PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017405_T1 1st B-flat Trumpet. Composed by Ludwig van Beethoven. Arranged by Jerry Brubaker. Masterwork Arrangement; Novelty. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017405_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017405_T1). UPC: 038081519265.We've all seen the YouTube videos---now your band can experience the excitement of a flash mob, either as part of one of your regular concerts or by actually creating a flash mob in your local park on a spring day! Capturing the power and beauty of Beethoven's familiar Ode to Joy, this outstanding arrangement will have your audiences dancing in the street! (2:30)Concert/Contest.
Ode to a Flash Mob: 1st B-flat Trumpet
Orchestre d'harmonie

$3.00 2.58 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solomons #2027153. Published by David Warin Solomons (A0.575717). Duet based on the anonymous English poem about a centipede - the creature was quite happy with its hundred legs until a frog asked it to think about which leg comes after which... it then lay distracted in a ditch considering how to run... The sound sample is the English version, sung in B flat It can be sung by two solo voices or by a two part choir of any kind. Versions are available in English (B flat major and D major) German (F major and D major) and in French (F major and D major) the pdf file contains all of these versions. A video of the English original (in B flat) can be seen here: https://www.youtube.com/watch?v=Jo25CSSE5eU These are the words of my French version of the song Un cent-pattes était bien content Mais la grenouille l'interroge «Comment sais-tu quelle patte va avant C'est la gauche ou droite ou quoi?» ça lui fait penser, mais beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. Il commence un pas, s'arrête encore, Des pat-tes gauches se lèvent Il bouge ses droites en octuors Et trébuche comme dans un rêve oui ça fait penser, et beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. These are the words of my German version of the song Einem Hundertfüßler ging's ganz wohl Bis ein Frosch ihn schlau befragte Weisst du welcher Fuss nach vorne geht? Singen wir: rechts links links rechts! Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n Er versucht 'nen Tritt und blieb da steh'n Alle fünfzig linke Beine Kamen aufwärts und er stolperte Und die rechten folgten nicht Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n.
The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
Chorale SATB

$2.99 2.57 € Chorale SATB PDF SheetMusicPlus


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