Bass Clarinet,Instrumental Duet,Viola - Digital Download SKU: A0.1000883 Composed by Charles Griffin. Contemporary. 23 pages. Coriolis Press #6096909. Published by Coriolis Press (A0.1000883). For the straight way was lost was commissioned and premiered by The Darkwood Consort in Boise, Idaho. But it has since been performed throughout the US and Europe many times in many duet combinations: Bb Clarinet and Viola, Bb Clarinet and Cello; Alto Sax and Viola, Alto Sax and Cello, and Viola and Bass Clarinet (the original!). The live video concert performance seen here is for Bb Clarinet and Cello, performed by Natalie Grata and Chris Erickson in Orlando, Florida.

String Quintet - Level 3 - Digital Download SKU: A0.901334 Composed by Johann Pachelbel. Arranged by Dan Edwards. Baroque,Holiday,Standards,Wedding. 17 pages. Arr. Dan Edwards #6590467. Published by arr. Dan Edwards (A0.901334). Canon in D by Johann Pachelbel, arranged for string quartet, string quintet, or string orchestra by Dan Edwards. Dan is a prize-winning composer and arranger, and was the staff arranger for the Countess of Wessex's String Orchestra for many years. danedwardscreative.com This is an arrangement like no other!Pachelbel's Canon is a hugely popular piece, but unfortunately it was not written for the string quartet. The original is for three violins and basso continuo, so this presents quite a few problems when string quartets attempt to play it.  - Firstly, the 'viola' part is extraordinarily high, not only making it very difficult to play, but making that one voice stick out much more than the other three in the highest parts of the piece. Usually the high bits are just transposed down an octave but this isn't very satisfying. My solution in this arrangement is to swap the voices of the canon around so that the viola always plays the lowest part. Have a look at the score to see what I mean - the viola part isn't transposed, but it never goes above an E on the A string. - Secondly, the first two bars should have harmony, as there should be a keyboard instrument accompanying the cello. To compensate for this I've added some simple harmony in small note heads at the start, before each canon entry. - Thirdly, the cellist always gets lost in this piece. I know because I am a cellist and I always get stressed out towards the end of this piece. So I've added a reduced-size violin 1 part to the cello part so the cellist can follow along and know exactly when the piece is going to end!  Includes a full score (6 pages), and complete set of parts. Violin 1 - 3 pages. Violin 2 - 3 pages. Viola - 2 pages. Cello/ bass - 3 pages.

Viola Solo - Level 4 - Digital Download SKU: A0.1515995 Composed by Toby Fox. Arranged by Patti Rudisill. Video Game. Individual part. 14 pages. Materia Editions #1090241. Published by Materia Editions (A0.1515995). Step into a world of possibility with this spirited arrangement of Field of Hopes and Dreams from DELTARUNE. Tailored for solo viola and piano accompaniment, this sheet music lets you capture the adventure and optimism of the original track.Your download includes a PDF version of the full sheet music for solo viola with piano accompaniment, along with a separate part for solo viola.

Piano,Viola - Level 2 - Digital Download SKU: A0.763301 Composed by Traditional Spiritual. Arranged by Nigel Williams. Lent,Sacred,Spiritual. Score and part. 7 pages. Nigel Williams #4288981. Published by Nigel Williams (A0.763301). This iconic spiritual is well suited to the viola, an instrument with a depth of tone and a warmth of sound. While the piano mainly accompanies the viola, it does have a share of the melody, this enables the viola to have an expansive counter-melody running in counterpoint (measures 13 - 19). Approximately three minutes in performance duration, this attractive arrangement is ideal for performance in worship services, especially during the Easter season. It is also suitable for High School performance in recital. The full score comes with individual parts attached.

Instrumental Duet Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.613637 Composed by Frederick Whitfield. Arranged by Gary Lanier. Easter,Sacred. Score and parts. 9 pages. The Lanier Company #22095. Published by The Lanier Company (A0.613637). I SAW THE CROSS OF JESUS is an arrangement for Viola and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (9 pages). A mp3 Piano Accompaniment for Viola is also available, listed as: I SAW THE CROSS OF JESUS (Piano Accompaniment for Viola).

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola – two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark O’Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com