Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1435064 Composed by Clyde Moreland. Arranged by Jon Arterton. Historic,Holiday,Multicultural,Patriotic,World. 9 pages. Moreland Publishing Company #1015165. Published by Moreland Publishing Company (A0.1435064). This wonderfully patriotic song about the Statue of Liberty will have your audiences on their feet. It embraces the contributions immigrants have made to this country. It’s perfect for Americana/Fourth of July-themed concerts. It features a major solo. The lyrics tell the story.SOLO: Set sail across these waters over a wide and open seaWith my wife and my son and daughters to this land of OpportunityDisembarking at Ellis Island feelings of pride came over meAs the veil of the mist that shrouded her lifted up I could clearly seeStanding tall she lifted my heart, revealing all I’d come to beShe holds the light for my rights, for my life, for my child, for my landCHORUS: She stands for me. Lady Liberty lifted me up. She stands for me SOLO: Two hundred years we now flash forward at the dawn of this brave new worldAs I stand with my eyes gazing upward she still stands with the light in her handIt still shines as bright as it can be for those still longing to breathe freeThough by the waves we are tossed as we weather the storms she still shows us who we can beStanding tall she lifted my heart, showing all we’d come to beStands for the lonely and lost and those tempest tossed she still standsCHORUS: She stands for me. Lady Liberty lifted me up. She stands for me VARIOUS SOLOS: I am the farmer standing by my plowThe small business owner makes a go of it nowI am the dreamer through no fault of mineBut still wanting a life and a future that’s bright/ We are the couple blessed by eyes aboveBut stripped of our rights because of who we love We are the tired, the oppressed and the poorThe huddled masses at the golden doorCHORUS: We are a people of all colors and creedsTogether we’re strong in our diversityLady Liberty lifted me up. She stands for me.

Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1168324 Composed by Mudiwa Williams. Chamber,Contemporary. 8 pages. Mudiwa Music #768655. Published by Mudiwa Music (A0.1168324). EMAIL ME FOR PARTS: mudiwamusic@gmail.comI joke that I am a hypocritical musician. As an audience member, I hate listening to really dissonant, contemporary music. Names like Schonberg, Stravinsky, Bartok, and so on don’t sit well with me. However, when writing music, I seem to lean pretty heavily on contemporary ideas like ostinatos, crunchy chords, and new harmonies. This piece started as an assignment to write 16 measures of music using pandiatonicism. Music that is pandiatonic is music with a feeling of more than one key. Every note is treated somewhat equal, so nothing sticks out as “tonic.� Try humming the tonic when listening to this piece. You can’t, because more than one exists. Since this is music with no tonic, it almost has “no name,� unlike how classical music may be labeled “Concerto in Eb Major.� I greatly appreciate the work of Austin Andrade, Aidan Lewis, Eithan Moreno, and Heather test, as the performers and director for this piece.

Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally.  Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically.  Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.974493 Composed by Bella Wu. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 9 pages. Bella Chia-Yu Wu #6320165. Published by Bella Chia-Yu Wu (A0.974493). This uplifting song is ideal for encouragement and general worship. The Lord is my light and my salvation. Whom shall I fear? I will sing and make music to the Lord. At His tabernacle will I sacrifice with shouts of joy. I am still confident that I will see the goodness of the Lord in the land of the living.This song was written by Bella Wu, a Toronto-based Christian composer. It is part of her Word of God collection where Bible verses and lyrics from old hymns are adapted for the texts.  Listen to her other songs written for the church choir on SoundCloud: https://soundcloud.com/bella-wu-641794580The composer can be reached at bellawumusic@gmail.com.

Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody,   Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I   am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us:   O Death, where is your victory?    O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration   2 1 1 1 1   2 2 2 1 1   Timp   Glock   Perc            Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam   Piano   Strings

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody,   Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I   am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us:   O Death, where is your victory?    O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.

C Instrument - Digital Download SKU: A0.1259055 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period,Wedding. Lead Sheet / Fake Book. 1 pages. Darek #852320. Published by Darek (A0.1259055). Ode to Joy (LEAD SHEET) Theme from 9th Symphony [Ludwig van Beethoven]Lead Sheet arrangements of Ode to Joy Theme from 9th Symphony by Ludwig van Beethoven on various instruments.  I am thrilled to offer you the remarkable opportunity to bring the iconic Ode to Joy Theme from Beethoven's 9th Symphony to life with our exceptional lead sheet for various instruments. As an avid musician and enthusiast, I am delighted to present you with this invaluable resource. My meticulously crafted lead sheet allows musicians of all levels to explore the beauty and grandeur of Beethoven's masterpiece. Whether you're a pianist, guitarist, or play any other instrument, this versatile sheet music will provide you with the essential notes and melody to express the timeless Ode to Joy. Dive into the rich era of classical music as you embrace the profound legacy of Beethoven. The Ode to Joy Theme, a symbol of triumph and unity, stands as a testament to the genius of this renowned composer and the enduring power of his music. With our lead sheet, you'll navigate the composition's intricacies effortlessly, regardless of your skill level. Whether you're a beginner, intermediate, or advanced musician, this arrangement offers a customizable experience that suits your musical journey. Positioning our product with a focus on accessibility and adaptability, my lead sheet caters to musicians across various instruments and skill levels. Embrace the joy of playing alongside fellow musicians, as you join together in harmonious celebration. Unleash your creativity and interpretive freedom with our lead sheet. As you explore the chords and harmonies, you'll discover new ways to express the essence of Beethoven's timeless masterpiece. This sheet music provides a solid foundation for improvisation and personalization, allowing you to make the Ode to Joy Theme truly your own. I understand that finding the right sheet music is crucial to your artistic journey. That's why I have meticulously curated this lead sheet, ensuring accuracy and clarity, so you can focus on the joy of playing. Choose excellence, choose expression, and choose our lead sheet for the Ode to Joy Theme from Beethoven's 9th Symphony. Unleash your musical potential, ignite your passion, and experience the triumph of playing this monumental masterpiece. Begin your musical adventure today and let Beethoven's timeless composition inspire awe and admiration in your performance.

String Orchestra - Level 4 - Digital Download SKU: A0.1432036 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 8 pages. Juan Maria Solare #1012516. Published by Juan Maria Solare (A0.1432036). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The sixth etude focuses on the difficult subject of harmonics in the strings. In the classical repertorire, harmonics are not so present as other orchestral colors. There fore, it is particularly difficult to find repertory to train them.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.

String Orchestra - Level 4 - Digital Download SKU: A0.1432024 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012503. Published by Juan Maria Solare (A0.1432024). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The third Etude focuses on Spiccato and is therefore only for strings.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1033515 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 48 pages. Thomas Oboe Lee #638822. Published by Thomas Oboe Lee (A0.1033515). Full score. Program note: I am a huge fan of Veronique Gens. On her album Nuits there is a cello and piano duo called La Lugubre Gondola. It is a beautiful work that Franz Liszt wrote on the occasion of Wagner's death in 1833 in Venice. The original version was for piano solo. Liszt subsequently made versions for the cello and the violin. I am a frequent visitor to the city of Venice, especially in the summer during the Biennale. I thought the Franz Liszt work would be a fertile seed for a trio of violin, cello and piano. I will make each movement a musical portrait of an expatriate who had an indelible connection to the city of Venice. Piano Trio No. 4 … Le Gondole Lugubri (2022) 1. Richard Wagner, d. 1883 2. Franz Liszt, d. 1886 3. Henry James, d. 1916 4. Serge Diaghilev, d. 1929 5. Thomas Mann, d. 1955 6. Igor Stravinsky, d. 1971 7. Ezra Pound, d. 1972 8. Peggy Guggenheim, d. 1979.

Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.

Full Orchestra - Level 3 - Digital Download SKU: A0.1432030 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 20 pages. Juan Maria Solare #1012510. Published by Juan Maria Solare (A0.1432030). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fifth etude focuses again on tuning and intonantion and comes in two versions: for wind ensemble and for the full orchestra.

Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.808943 Composed by Danilo Lorenzini. 20th Century,Contemporary. Score and parts. 18 pages. Preludio s.r.l. #6136783. Published by Preludio s.r.l. (A0.808943). Elegia for clarinet and piano by italian composer Danilo Lorenzini (SCORE and PART).I had the opportunity to listen to Lorenzini’s Elegia during a clarinet recital with the composer himself performing at the piano. It is a great piece. The beautiful clarinet melodies are supported by extremely sensitive piano harmonies, creating a deeply nostalgic effect. This nostalgic feeling is mixed to a great tension, developed by the dynamic and harmonic climactic context.I am very glad to have been introduced by a student of mine to this great piece and also to take it into my own repertoire.I am sure this piece is very useful for clarinet students in learning to play with an expressive style. As a personal choice, I will play M° Lorenzini’s Elegia as an encore piece after a long recital.François Benda