Piano,Viola - Level 4 - Digital Download SKU: A0.823970 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and part. 7 pages. TK (Tim) Murray #4758269. Published by TK (Tim) Murray (A0.823970). Rannoch Moor for Cello & Piano is an evocative portrayal of this beautiful yet bleak Scottish Landscape. This piece captures the emptiness of the landscape and fills it with a sense of wonder and awe. (c, 7 mins 10 secs)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com

String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.549785 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 23 pages. Jmsgu3 #3536083. Published by jmsgu3 (A0.549785). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Trio (Violin, Cello and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works.   Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score.  The vocal score is available for sale.  The parts are available on rental from the publisher.

Cello,Piano - Level 4 - Digital Download SKU: A0.823972 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and part. 7 pages. TK (Tim) Murray #4758267. Published by TK (Tim) Murray (A0.823972). Rannoch Moor for Cello & Piano is an evocative portrayal of this beautiful yet bleak Scottish Landscape. This piece captures the emptiness of the landscape and fills it with a sense of wonder and awe. First Performed by Laura Forbes and TK Murray it was recorded by Louise Hopkins (Cello) and Piers Lane (Piano). (c. 7 mins 10 secs)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts  Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.

Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works.   Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.824014 Composed by Felix Bartholdy Mendelssohn. Arranged by Tim TK Murray. Concert,Romantic Period. Score and parts. 14 pages. TK (Tim) Murray #4785373. Published by TK (Tim) Murray (A0.824014). Three great arrangements showing Mendelssohn at his most lyrical and heartfelt. The Barcarolle of 1837 perfectly depicts the serene setting of a gently rocking Gondola in Venice. 'Adieu' Op85 No2 is a portrayal of a goodbye full of unspoken emotion and thirdly, the 'Elegie' Op 85 No4 is simply one of the most beautiful Pieces that Mendelssohn ever wrote. These are very rewarding works and  can be performed as a set or individually and will work equally as well for Violin Group. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com

Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.540716 By Elvis Presley. By Bernie Lowe and Kal Mann. Arranged by Stefan Lamml. Blues,Pop,Rock,Standards,Wedding. Individual part. 6 pages. Stefan Lamml #150829. Published by Stefan Lamml (A0.540716). Rock`n Roll Medley-Elvis Presley- for Alto /Tenor Saxophone. Suitable for the Backingtrack/PLayalong by Sax coach Stefan Lamml ! See Video ! Feiner Rock`n Roll -Medley-Titel von Elvis Presley für Tenor und Alto Saxophone. Passend zu dem Backingtrack/Playalong vom Sax Coach Stefan Lamml Siehe Video Fino título de medley de Rock`n Roll de Elvis Presley para saxofones tenor y alto. Banda de acompañamiento/playalong de Stefan Lamml, entrenador de saxofón Ver vídeo Un titre rock'n roll d'Elvis Presley pour saxophones ténor et alto. Adapté à la backingtrack/Playalong du Sax Coach Stefan Lamml Voir la vidéo Bel titolo Rock`n Roll medley di Elvis Presley per sassofono tenore e contralto. Abbinamento della colonna sonora/playalong dell'allenatore di sax Stefan Lamml Vedi il video.

Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.540715 By Elvis Presley. By Bernie Lowe and Kal Mann. Arranged by Stefan Lamml. Blues,Broadway,Contemporary,Musical/Show,Pop,Rock. Individual part. 6 pages. Stefan Lamml #150828. Published by Stefan Lamml (A0.540715). Rock`n Roll Medley-Elvis Presley- for Tenor and Alto Saxophone. Suitable for the Backingtrack/PLayalong by Sax coach Stefan Lamml ! See Video ! Feiner Rock`n Roll -Medley-Titel von Elvis Presley für Tenor und Alto Saxophone. Passend zu dem Backingtrack/Playalong vom Sax Coach Stefan Lamml Siehe Video Fino título de medley de Rock`n Roll de Elvis Presley para saxofones tenor y alto. Banda de acompañamiento/playalong de Stefan Lamml, entrenador de saxofón Ver vídeo Un titre rock'n roll d'Elvis Presley pour saxophones ténor et alto. Adapté à la backingtrack/Playalong du Sax Coach Stefan Lamml Voir la vidéo Bel titolo Rock`n Roll medley di Elvis Presley per sassofono tenore e contralto. Abbinamento della colonna sonora/playalong dell'allenatore di sax Stefan Lamml Vedi il video.

Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.546008 By Roy Orbison. By Jeff Lynne, Roy Orbison, and Tom Petty. Arranged by Stefan Lamml. Country,Multicultural,Pop,Standards,Wedding,World. Individual part. 4 pages. Stefan Lamml #156123. Published by Stefan Lamml (A0.546008). Tenor + Alto Sax passend zu dem Backingtrack/Playalong vom Sax Coach Stefan Lamml. Hör die Aufnahme bzw schau das Video ! Tenor + Alto Sax matching the Backingtrack/Playalong by Sax Coach Stefan Lamml. Listen to the recording or watch the video Saxo tenor + alto a juego con el Backingtrack/Playalong por el entrenador de saxofón Stefan Lamml. Escuche la grabación o vea el vídeo. Tenor + Alto Sax adapté à la bande-son/au playalong du sax coach Stefan Lamml. Ecoutez l'enregistrement ou regardez la vidéo ! Sax tenore + contralto che corrisponde alla Backingtrack/Playalong di Sax Coach Stefan Lamml. Ascolta la registrazione o guarda il video!

Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.546141 Composed by Luther Johnson. Arranged by Stefan Lamml. Blues,Broadway,Film/TV,Jazz,Musical/Show,Pop. Individual part. 4 pages. Stefan Lamml #156239. Published by Stefan Lamml (A0.546141). Bester Blues für Saxophone. Hier für Alto Sax. Wunderbare Party-Musik im Stil von den Blues Brothers. Blues Nr.1 Passend zum Backing/Playalong vom Sax Coach Stefan Lamml Schau das Video ! Best blues for saxophones. Here for Alto Sax. Wonderful party music in the style of the Blues Brothers. Blues No.1 Matching Backing/Playalong by Sax Coach Stefan Lamml Watch the Video ! El mejor blues para saxofones. Aquí para el saxo alto. Maravillosa música de fiesta al estilo de los Blues Brothers. Blues No.1 Matching Backing/Playalong por el entrenador de saxofón Stefan Lamml ¡Mira el vídeo! Le meilleur blues pour saxophones. Ici pour alto sax. Magnifique musique de fête dans le style des Blues Brothers. Blues Nr.1 Adapté au Backing/Playalong du Sax Coach Stefan Lamml Regarde la vidéo ! I migliori blues per sassofoni. Qui per il sassofono contralto. Meravigliosa musica da festa nello stile dei Blues Brothers. Blues No.1 Matching Backing/Playalong da Sax Coach Stefan Lamml Guarda il video!

Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.546143 Composed by Luther Johnson. Arranged by Stefan Lamml. Blues,Broadway,Contemporary,Jazz,Musical/Show,Pop. Individual part. 18 pages. Stefan Lamml #156241. Published by Stefan Lamml (A0.546143). Alto Sax + Tenor Sax Noten/Partitura. Bester Blues für Saxophone. Wunderbare Party-Musik im Stil von den Blues Brothers. Blues Nr.1 Passend zum Backing/Playalong vom Sax Coach Stefan Lamml Schau das Video ! Alto Sax + Tenor Sax Sheet. Wonderful party music in the style of the Blues Brothers. Blues No.1 Matching Backing/Playalong by Sax Coach Stefan Lamml Watch the Video El mejor blues para saxofones. Aquí con saxo alto + tenor. Maravillosa música de fiesta al estilo de los Blues Brothers. Blues No.1 Matching Backing/Playalong por el entrenador de saxofón Stefan Lamml ¡Mira el vídeo! Le meilleur blues pour saxophones. Ici avec Alto +Tenor Sax. Une merveilleuse musique de fête dans le style des Blues Brothers. Blues Nr.1 Adapté au Backing/Playalong du Sax Coach Stefan Lamml Regarde la vidéo ! I migliori blues per sassofoni. Qui con il sax alto +tenore. Meravigliosa musica da festa nello stile dei Blues Brothers. Blues No.1 Matching Backing/Playalong da Sax Coach Stefan Lamml Guarda il video!

Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.546005 By Roy Orbison. By Jeff Lynne, Roy Orbison, and Tom Petty. Arranged by Stefan Lamml. Multicultural,Pop,Traditional,Wedding,World. Individual part. 2 pages. Stefan Lamml #156120. Published by Stefan Lamml (A0.546005). Tenor Saxophon passend zum Backingtrack/Playalong vom Sax Coach Stefan Lamml. Höre die mp3 Aufnahme und Schaue das Video ! Tenor Sax matching the Backingtrack/Playalong by Sax Coach Stefan Lamml. Listen to the recording or watch the video ! El saxo tenor a juego con el Backingtrack/Playalong por el entrenador de saxo Stefan Lamml. Escuche la grabación o vea el vídeo. Saxophone ténor adapté à la bande-son/au playalong du coach de saxophone Stefan Lamml. Ecoutez l'enregistrement ou regardez la vidéo ! Sax tenore che corrisponde alla Backingtrack/Playalong di Sax Coach Stefan Lamml. Ascolta la registrazione o guarda il video!

Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.546561 By Louis Prima. By Carl Sigman and Peter De Rose. Arranged by Stefan Lamml. Pop,Rock,Traditional,Wedding. Individual part. 6 pages. Stefan Lamml #156576. Published by Stefan Lamml (A0.546561). Tenor + Alto Sax Wunderbares Saxophon Stück mit dem Backingtrack/Playalong von Stefan Lamml spielbar. Schau das Video . Hör den mp3 Tenor + Alto Sax Wonderful saxophone piece playable with the backing track/playalong by Stefan Lamml. Watch the video . Listen to the mp3 Tenor + Alto Sax Magnifique morceau pour saxophone jouable avec la backingtrack/playalong de Stefan Lamml. Regarde la vidéo . Écoute le mp3 Saxo tenor + alto Maravillosa pieza para saxofón que se puede tocar con la pista de acompañamiento/playalong de Stefan Lamml. Vea el vídeo . Escuchar el mp3 Sax tenore + contralto Meraviglioso pezzo per sassofono suonabile con la traccia di accompagnamento/playalong di Stefan Lamml. Guarda il video . Ascolta l'mp3.

Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.546140 Composed by Luther Johnson. Arranged by Stefan Lamml. Blues,Broadway,Jazz,Musical/Show,Pop. Individual part. 5 pages. Stefan Lamml #156238. Published by Stefan Lamml (A0.546140). Best Blues for Saxes. Here transribtion for Alto Sax. A Blues Brother Party Tune. Blues Nr. 1 . Suitable to the Backing/Playalong from Sax Coach Stefan Lamml. See the Video and listen to the mp3. Bester Blues für Saxophone. Hier für Alto Sax. Wunderbare Party-Musik im Stil von den Blues Brothers. Blues Nr.1 Passend zum Backing/Playalong vom Sax Coach Stefan Lamml Schau das Video ! Le meilleur blues pour saxophones. Ici pour alto sax. Magnifique musique de fête dans le style des Blues Brothers. Blues Nr.1 Adapté au Backing/Playalong du Sax Coach Stefan Lamml Regarde la vidéo ! El mejor blues para saxofones. Aquí para el saxo alto. Maravillosa música de fiesta al estilo de los Blues Brothers. Blues No.1 Matching Backing/Playalong por el entrenador de saxofón Stefan Lamml ¡Mira el vídeo! I migliori blues per sassofoni. Qui per il sassofono contralto. Meravigliosa musica da festa nello stile dei Blues Brothers. Blues No.1 Matching Backing/Playalong da Sax Coach Stefan Lamml Guarda il video!