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Full Orchestra - Level 4 - Digital Download SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 pages. Thomas Oboe Lee #431491. Published by Thomas Oboe Lee (A0.869302). Instrumentation: 2222-2221-timp-perc-hp-strings Program note. When I told Gil Rose that I had written symphonies for the cities of Paris and Rome, he said Why don’t you do London as your next symphony? I told him, But I’ve never been to London. He said, Well, now you have an excuse to go there. That never happened; going to London, that is. But I was very intrigued about writing a London symphony. So, I decided to go ahead, and instead of London as a travelogue symphony, something I did for Paris and Rome, I came up with an alternative idea. Why not compose a London Symphony in homage to three of my favorite English composers: Benjamin Britten, Ralph Vaughan Williams and Edward Elgar? Symphony No. 9 … My Imaginary London is in three movements with multiple sections within each. 1. Prelude: Benjamin Britten (1913-1976) Moderato Scherzo I Trio I Reprise I Allegretto 2. Interlude: Ralph Vaughan Williams (1872-1958) Lento Scherzo II Trio II: Adagio Reprise II Allegro con fuoco 3. Postlude: Edward Elgar (1857-1934) Largo This work is dedicated to my wife and muse, Kristin Beckwith.Enjoy!!!Vido link: https://youtu.be/q0qmqVz9IhwAudio link: https://thomasoboelee.bandcamp.com/album/symphony-no-9-my-imaginary-london-2014
Symphony No. 9 ... My Imaginary London (2014)
Orchestre

$9.99 8.5 € Orchestre PDF SheetMusicPlus

Choral Choir (SA) - Level 4 - Digital Download SKU: A0.856147 Composed by Trad. Arranged by Liz Garnett. A Cappella,Contemporary,Folk. Octavo. 4 pages. Liz Garnett #3417457. Published by Liz Garnett (A0.856147). I have loved this folk song since I sang Benjamin Britten's arrangement of it for solo voice and piano in my teens. This four-part a cappella arrangement has a lilt that those who know Britten's version will find familiar, but ranges more widely harmonically, moving into a variety of different keys as it passes the melody from lead to bass and finally to tenor.It increasingly explores both diatonic dissonance and chromatic harmonies as the emotional narrative becomes more troubled, evoking the poignancy of the lyric in both the shape of the lines and the way they rub up against each other.Vocal ranges:Tenor: E flat 4 - F5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F4It is notated on two staves, treble and bass alta (i.e. bass clef sounding up an octave)
O Waly Waly
Chorale 2 parties

$2.99 2.54 € Chorale 2 parties PDF SheetMusicPlus

SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8606-E Composed by Joshua Fishbein. 12 pages. E. C. Schirmer Music Company - Digital #8606-E. Published by E. C. Schirmer Music Company - Digital (MQ.8606-E). English.The composer has crafted a very literal musical interpretation of this text by Benjamin Britten. For instance, the word “minor†is set in pulsating minor triads. Also, the initials “E. B.†are sung on the pitches E and B. This composition shares similarities with music one might hear performed by a cappella groups on college campuses, such as humming and singing on neutral vowels like “Oh†and “Ah.†Elements of this piece also resemble 20th Century English choral music by William Walton and Ralph Vaughan Williams, in addition to Britten himself. Examples include abruptly distant harmonic changes, shocking cross-relations, and slow triplets that match the rhythm of the English language. Overall, A Prep-School Boy is very much in the spirit of the composer that it honors. Duration: 5:00.
A Prep-School Boy (Downloadable)
Chorale SATB

$2.65 2.25 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.992142 Composed by David Fawcett. Christian,Christmas,Contemporary,Sacred. Octavo. 4 pages. Chromata Music #3256833. Published by Chromata Music (A0.992142). The words of this carol/motet in honour of the Blessed Virgin Mary are well-known from Benjamin Britten’s work of the same name, but that double-choir setting is out of the reach of many choirs. The powerful, devotional text, alternating English and Latin in the style of medieval carols, warrants an additional, simpler setting. Here it is set for unaccompanied SATB choir without divisions.The work is suitable for concert performance, as well as for liturgical use during Advent, at Christmas or on feasts of the Blessed Virgin Mary.For further information, visit: http://davidfawcettcomposer.com/compositions/advent-christmas-carols/hymn-to-the-virgin/
Hymn to the Virgin
Chorale SATB

$1.99 1.69 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Horn,Piano,Voice - Level 5 - Digital Download SKU: A0.792909 Composed by J. Richard Dixon. Contemporary. Score and parts. 10 pages. Estes Music Publishers #2550943. Published by Estes Music Publishers (A0.792909). The first of the three part, Time Cycle for tenor voice, horn in F, and piano on a text by John Frederick Freeman. Commissioned by three professional musicians after performing Benjamin Britten's Still Falls the Rain, and--wanting to stay together as an ensemble--realizing that there was little out there written for that voicing. It is advanced in its harmonic structure and is challenging for the pianist. All three performers will find it convenient to read off of full scores. You may make the additional two copies from your original.
The Candle

$15.00 12.76 € PDF SheetMusicPlus

2 · 2 · ca · 2 · 2 · cbn - 4 · 3 · 3 · 0 - timp · perc (cym) (1 player) - str mixed choir (SATB/SATB), soloists (SATB) and orchestra - intermediate - Digital Download SKU: S9.Q21223 Oratorio. Composed by Sir Michael Tippett. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 66' 0. Ernst Eulenburg & Co. GmbH - Digital #Q21223. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21223). English • German • French.The oratorio 'A Child of Our Time' was Tippett’s artistic and emotional response to the events that led to the 'Kristallnacht' pogrom of November 1938. For his oratorio Tippett used as his formal and historical models the Bach Passions and Handel’s Messiah which share with this contemporary morality the subject of the death of an individual set against the universal background of human suffering. Tippett’s use of the spiritual as a contemporary equivalent for the Lutheran chorale of the Bach settings draws his audience more closely into the drama through the spirituals’ ‘unique verbal and musical metaphor’. By 1941, when Tippett had completed the composition of his oratorio, the practicalities of staging a performance during wartime were difficult to say the least. It was, however, through the direct agency of his lifelong friends and professional colleagues, Benjamin Britten and Peter Pears, that the work was first performed in London on 19 March 1944 under the direction of the former Schoenberg pupil Walter Goehr, and with Pears himself as the tenor soloist.
A Child of Our Time
1941, when Tippett had completed the composition of his oratorio, the practicalities of staging a performance during wartime were difficult to say the least It was, however, through the direct agency of his lifelong friends and professional colleagues, Benjamin Britten and Peter Pears, that the work was first performed in London on 19 March 1944 under the direction of the former Schoenberg pupil Walter Goehr, and with Pears himself as the tenor soloist
$41.99 35.72 € PDF SheetMusicPlus


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