Flute,Piano - Level 5 - Digital Download

SKU: A0.790029

Composed by W. Brent Sawyer. 20th Century,Contemporary. Score and part. 24 pages. Diamond S Music #3542563. Published by Diamond S Music (A0.790029).

ESCAPADES IN WIND - Flute and Piano Duet. This is an advanced piece in a contemporary/20th century classical style. Although it is not a true12-tone piece, The flute melodies were derived by using 12 tone series. The Piece is in 3 sections: ABA1. It is a very exuberantly energetic piece that is very virtuosic in nature - Both the Flute & the piano part are very tricky. The Opening section is very angular and feisty, the middle section is hypnotic and relaxing in it's repetitiveness, and the Ending is a return to the angular melodies with a big flourishing virtuosic and flamboyant ending. Great recital piece.

https://youtu.be/mo921_Vs6lY

Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download

SKU: A0.1021619

Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619).

Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.

The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.

The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.

The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.

I. Moderato con gioia
II. Lamento sostenuto
III. Scherzo

Composed by Tyler J. Holt
Published by TJHoltMusic
Copyright © Tyler J. Holt, Composer.

Fl.pft. - Intermediate-Advanced - Digital Download

SKU: F2.FM452

Composed by Allan Herbie Jones. Flute and Piano. Score and part. 9 pages. Forton Music - Digital #FM452. Published by Forton Music - Digital (F2.FM452).

ISBN 9790570483518.

The Ballad Of John is basically an exercise in tuning and tone control. Make the most of the 'ad lib' instruction throughout the piece; the player should be able to feel where more rubato must be used. It's not always marked, but rubato plays a big part in the performance of this piece. Particular attention should be paid to dynamic markings, phrasing and articulation. The flourish at the end can use as much ad lib and improvisation as the player and accompanist require. Inspired by a late uncle, who took his time at doing almost everything, but could show a burst of energy when it was needed.

Piano,Soprano Flute - Level 3 - Digital Download

SKU: A0.1437015

By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015).

D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.

Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.

I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.

Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.

Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.

The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.

It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.

Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.

The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.

Piano,Soprano Flute - Level 3 - Digital Download

SKU: A0.1340156

By Kenny Rogers. By John Barlow Jarvis and Randy Goodrum. Arranged by Joan Bujacich. Christmas,Country,Holiday,Pop. Score and part. 8 pages. Joan Bujacich #925808. Published by Joan Bujacich (A0.1340156).

This flowing arrangement for SOLO FLUTE and Piano by Joan Bujacich  is arranged in the friendly key of F major. The score is professionally notated, easy to read and clean.  Lyrics included at the end. Together, the two instruments make for a lovely mature, and satisfying sound. This wonderful holiday song can be performed for any fall or winter holiday including Thanksgiving, Christmas, Hanukah and more.  The lyrics refer to families gathering around the fire making wonderful memories together.  Ms. Bujacich's musical life as a piano and theory teacher, performer, accompanist, vocal coach and composer brings many years of experience to her arrangements.

     Note: Kenny Rogers made this song into a big hit in 1996. It has been recorded by additional country artists including Vince Gill and Amy Grant.

     Be sure to check out Ms. Bujacich's publishing page, she has  many great arrangements available for all level pianists as well as for Flute and Piano.

https://www.sheetmusicplus.com/en/category/arrangeme/769/joan-bujacich/.