Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.1003163 Composed by Anonymous. Arranged by Picardy Press. Christmas,Classical,Sacred. Octavo. 3 pages. Picardy Press #2034233. Published by Picardy Press (A0.1003163). This SATB arrangement of the original Trinity College MS There is No Rose includes additional voice parts added in the 1890s by William Smyth Rockstro. Each verse-refrain pair runs approximately 1:04 in length, with five verses of 15th century text to sing from. This score is also available in its original key for ATTB. Brought to you by Picardy Press: Arrangements & Editions.

Choral Choir (Mixed) - Digital Download SKU: A0.1003161 Composed by Anonymous. Arranged by Picardy Press. Christmas,Classical,Sacred. Octavo. 3 pages. Picardy Press #2034229. Published by Picardy Press (A0.1003161). This ATTB arrangement of the original Trinity College MS There is No Rose includes additional voice parts added in the 1890s by William Smyth Rockstro. Each verse-refrain pair runs approximately 1:04 in length, with five verses of 15th century text to sing from. This score is also available in an SATB transposition. Brought to you by Picardy Press: Arrangements & Editions.

Choir (SATB) - Digital Download Composed by 15th-century French Carol. Arranged by Lon W. Chaffin. Christmas. Choral. 12 pages. Published by LCS Productions

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1337161 Composed by 15th-century French Carol. Arranged by Fabian Huss. Advent,Christmas,Medieval,Religious,Sacred. 4 pages. ChoralLines #922966. Published by ChoralLines (A0.1337161). A rich, meditative SATB + divisi arrangement of this 15th-century French carol.Rehearsal tracks are available on YouTube (the soprano part is linked above, the other parts can be found via the video description).

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.886424 Composed by 15th-century German carol. Arranged by Frederic Bacon-Shone. Christian,Christmas,Sacred. Octavo. 4 pages. Heather Bacon-Shone #2329273. Published by Heather Bacon-Shone (A0.886424). This lilting Christmas song, based on a 15th-century German carol, is arranged in call-and-response style for solo voice and harmonized SATB choir, with organ (or piano) accompaniment. The solo voice part is pitched at mid-range and could be sung by soprano, alto, tenor, or bass. For variety, the solo voice part could also be doubled or performed solo by instruments such as violin, clarinet, flute, etc. Alternatively, the solo part could be sung by the congregation in unison, with the church choir providing the responses in harmony. The carol and accompaniment are easy and accessible for any choir. With the words for 8 verses included, this carol works well when a song of variable length is needed, such as for communion, a processional, or congregational candle-lighting. Liturgical use: Christmas, Advent.Your purchase benefits the Frederic Bacon-Shone Memorial Fund, a 501(c)(3) nonprofit that aims to inspire future generations of students through arts education at K-12 public schools.  Visit us at www.facebook.com/DrBMemorial.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972652 Composed by James Siddons. 20th Century,Children,Contemporary,Easter,Sacred. Octavo. 19 pages. James Siddons Music and Writings #4898821. Published by James Siddons Music and Writings (A0.972652). This anthem is a choral fantasia on the Reformation hymn Aus tiefer Noth. The text is the English translation by Catherine Winkworth (1827-1878) of Martin Luther's versification of Psalm 130, known in the Latin liturgy as the De profundis (Psalm 129). It is found in many English hymnals Out of the Depths. The chorale tune associated with Aus tiefer Noth is attributed to Martin Luther; it appeared in Johann Walther's chorale-book of 1524. Using this five-hundred year old tune, this anthem draws on 15th-century Flemish polyphony and mid-20th century jazz (specifically, parallel motion of block-chords, walking bass, and major-seventh chords) for its tonal character.This work calls for optional organ and SSATB choir, in which the Soprano I part may be sung by children.This psalm is most associated with Lent, penitential worship, funerals, and worship following tragedies and catastrophes. The present setting was composed by James Siddons in January 1989, and is the first in his long series of settings and interpretations of the Psalms for a wide variety of vocal and instrumental combinations and musical styles.

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1373799 Composed by Ronald Owen. Arranged by Ronald Owen. 20th Century,Sacred. 3 pages. Ronald Owen #958272. Published by Ronald Owen (A0.1373799). A monastic prayer from the 15th century set to 20th century music, suitable as choral benediction or general anthem.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 pages. David W. Barber #920028. Published by David W. Barber (A0.1333731). I wrote this piece in 2018 to mark the 50th anniversaryof the Toronto Chamber Choir, a fine early music choir I have sung with since 1998.Using the  opening of the well-known Gregorian chant Gaudeamus omnes (and changingthe text to let us rejoice in music, Gaudeamus is a five- minute musical history tourthrough the various time periods the TCC sings. It begins with plainchant, then two-voiceorganum of the 11th-century Notre Dame school of Leonin and Perotin, followed bythree-voice hocket of a slightly later period. Then a nod to the 15th-century Dufay motetNuper rosarum flores (which the TCC has performed.) Next comes some 16th-centuryTudor music -- Byrd, say -- including some false relations and a typical English cadence.Then comes an allusion to Purcell, specifically the pleasing dissonance of the “voice of theTurtle� from My Beloved Spake. Then comes a little Bach-like fugue (or fughetta) based onthe Gaudeamus motif. Since the TCC rarely performs Classic/Romantic repertoire, wejump immediately to a jazzy ending in compound meter -- imagine Byrd meets Brubeck,based on one of my own earlier pieces for solo piano, but with elements of the Gaudeamusmelody. And all that in five minutes. Phew!

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774721 Composed by Traditional. Arranged by Sandra Milliken. A Cappella,Christmas,Renaissance,Sacred. Octavo. 17 pages. Sandra Milliken #3691909. Published by Sandra Milliken (A0.774721). As I Out Rode This Enderes Night is a companion carol to the well-known and very popular Lully, Lullay, also known as the Coventry Carol. Both carols were part of the Pageant of the Shearmen and Tailors. The pageant was a mystery play regularly performed in the English city of Coventry from the early 15th Century until around the middle of the 16th Century. The Pageant also included a third carol beginning with the line Down from Heaven, from Heaven so High.The mystery plays of medieval Europe were traditionally created and performed by craft guilds based in the larger cities. These mystery plays focused on the representation of stories from the Bible, told in the local vernacular rather than in Latin. They told of subjects such as the Creation, the Nativity, the Passion and the Last Judgment.The Pageant of the Shearmen and Tailors depicted the Christmas story, covering events from the Annunciation through to the Massacre of the Innocents. Lully, Lullay refers to the latter event in which Herod ordered all male infants under the age of two, in Bethlehem, to be killed. As I Out Rode and Down from Heaven referred to the angel’s announcement, to shepherds in the fields near Bethlehem, concerning the birth of the Christ child and the subsequent visit by the shepherds to the manger, where they found the baby with Mary and Joseph.Today, the two shepherds’ songs are often combined into a single carol with the title As I Out Rode This Enderes Night or The Coventry Shepherds Carol.This new SATB-with-descant arrangement (the original was scored for treble, tenor and bass) incorporates an additional three verses, the lyrics of which are an adaptation of the dialogue from the pageant that came between the two songs of the shepherds.

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1366086 By Alicia Domínguez Arcos Sonay. By Alicia Domínguez Arcos. Arranged by Alicia Domínguez Arcos. A Cappella,Classical,Film/TV,Multicultural,Opera,World. 20 pages. Alicia Dominguez #950447. Published by Alicia Dominguez (A0.1366086). Restaurador is a historical opera about the time in which it was restored (in the 19th century it would be called reconquistar, while in the 15th century it was called restoration), taking advantage of the strong internal crises of the Muslim world in the South of Spain. Alfonso de Arcos was part of the restoration of Jimena de la Frontera (Cádiz), the town of Estepona (Málaga), helping many situations in North Africa, Alcazarseguer (Morocco), being mayor of Tarifa and who treasured the idea of situation and who will take Gibraltar, being its first mayor. In his last years he settled in Seville in the Monastery of Santa Maria de las Cuevas in La Cartuja, where he died. In which everything received in this historical period testamentally, his inheritance, was not given to the family, but to all the needy people of Tarifa and Gibraltar, and whoever needed it via the Cartuja monastery itself. This was the case with his entire inheritance for 200 years. Of which the family is very proud.Today Alicia Dominguez Arcos is from the Arcos family, the generational wave of Alfonso de Arcos. And today she is the first of this family branch who by chance was born in the area. Since the familiar roads are found in other Spanish cities.This Restorer for “Ibero-America is sung in choir� with SATBB voices in Spanish and English, with moments and words in both Latin and medieval Castilian. They are fragments of the fourth act of the opera, in which Alfonso de Arcos is already in his last moments, already being mayor of Tarifa, and being the first mayor of Gibraltar, circumstances of the will, situations with the friars in the monastery of the Cartuja as with the trance of his death.Being an important time in the southern area of Spain, specifically in the Campo of the Gibraltar.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.946879 Composed by Narodil se Kristus. Arranged by Carl Stephen Hammer. Christmas,Sacred. Octavo. 8 pages. Carl Hammer #3667969. Published by Carl Hammer (A0.946879). The lyrics for Let Our Gladness Know No End come to us from a 19th century translation of the Czech Christmas carol Narodil se Kristus pán. Although the English translator/lyricist is unknown, one source attributes the translation to Laura Underwood in 1884. The melody derives from a Latin and Czech hymn from before 1500 contained in the Gradual of the Czech Silver Museum in Kutná Hora. This new arrangement treats the lyrics as a joyful call and response (anitphonal) celebration of the birth of Christ. The piano chimes in throughout providing a happy, carillon-like accompaniment. 2018 Holiday Contest Entry Lyrics - Narodil se Kristus pán English Version attr. Laura Underwood 1884, Music - 15th Century Bohemian.

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.835448 Composed by Unknown. Arranged by Stuart Brown. 20th Century,Christmas,Praise & Worship,Sacred. 7 pages. Stuart Brown Music #3431589. Published by Stuart Brown Music (A0.835448). A beautifully elegant setting of the 15th century plainsong hymn 'Gaudete' ('Rejoice'), for four unaccompanied voices. Works also with an improvised accompaniment (as in the audio clip provided). If there is sufficient interest in the string parts, I'd be happy to write them out on request. The harmonies are neo-Elizabethan, with some unexpected but concordant twists and inversions. Suitable for use at Advent and/or Christmas.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1268560 Composed by Donovan D. Klotzbeacher. 20th Century,Christian,Christmas,Contemporary,Renaissance. Octavo. 8 pages. Donovan Klotzbeacher #861082. Published by Donovan Klotzbeacher (A0.1268560). Here's a great modern-sounding SATB choral work for the Christmas season.  The lyrics are based on a 15th century Renaissance text.  Divisi sections will require a choir of sufficient size for effective performance.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1363191 By Timothy Lee Miller. By Timothy Lee Miller. Arranged by Timothy Lee Miller. 19th Century,Christian,Holiday,Traditional. 59 pages. TLM Music Publishing #947658. Published by TLM Music Publishing (A0.1363191). The text is a traditional carol by Rev. Richard Smart written in 15th-century England, here with organ, brass, and percussion. Optional arrangements with just piano or organ accompaniment are available.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1229639 Composed by Presentation School Choir. Arranged by Otniel Simangunsong. Chamber,Christian,Contest,Festival,Religious,Sacred. Octavo. 5 pages. Otniel Simangunsong #825400. Published by Otniel Simangunsong (A0.1229639). Hail Mary, Latin Ave Maria, also called Angelic Salutation, a principal prayer of the Roman Catholic Church, comprising three parts, addressed to the Virgin Mary. The prayer is recited in the Rosary of the Blessed Virgin (see rosary) and is often assigned as penance during the sacrament of reconciliation (confession). The first part, the words of the archangel Gabriel (Luke 1:28), appears in liturgies as early as the 6th century. The second part, the words of Elizabeth, the mother of St. John the Baptist (Luke 1:42), was added to the first part by about 1000 CE, the appositive Jesus being added some two centuries later, possibly by Pope Urban IV (reigned 1261–64). The closing petition came into general use during the 14th or 15th century and received its official formulation in the reformed breviary of Pope Pius V in 1568.