Mixed choir (SATB) - intermediate - Digital Download SKU: S9.Q6924 Composed by Bertold Hummel. This edition: choral score. Chormusik. Downloadable, Choral score. Op. 16. Duration 14 minutes. Schott Music - Digital #Q6924. Published by Schott Music - Digital (S9.Q6924). Latin.Bertold Hummel's a-cappella choral music was mainly written for being used in services. The missa 'Cantabo Domino' was composed in 1958 for the liturgical festival of a Catholic student community in Freiburg im Breisgau. The piece can be performed by an amateur choir without great effort. Of modern harmony, the mass is exemplarily short and concise, with the comprehensibility of the text being to the fore. Hummel deliberately adjusted the melodic phrasing to the Gregorian chants to form a stylistic unity. This 'utility music' in the best sense of the word is ideal for any choir!

Mixed choir - intermediate - Digital Download SKU: S9.Q18957 Motet for mixed choir (SATB) a cappella. Composed by Bertold Hummel. This edition: choral score. Schott Choral Music. Downloadable, choral score. Duration 6 minutes. Schott Music - Digital #Q18957. Published by Schott Music - Digital (S9.Q18957). German • English.When it was possible to celebrate the Catholic Mass in the German language as well, Bertold Hummel wrote his motet Ehre sei Gott for mixed four-part choir. This piece is a 'German gloria' and can be performed liturgically in a Mass. Hummel follows traditional examples: The text, full of contrasts, is redesigned – sentence by sentence – with new musical ideas. In doing so, he reveals his extraordinary ability to write easy-to-sing music of high quality which delights choirs and listeners alike. The six-minute piece was premiered at the Cathedral of Würzburg. The present new edition also contains a singable translation in English.

Four to eight part mixed choir a cappella - intermediate - Digital Download SKU: S9.Q8522 (Didache IX, 2, 3, 4; X, 2, 5). Composed by Bertold Hummel. This edition: choral score. Chormusik. Downloadable, Choral score. Op. 57b. Duration 6 minutes. Schott Music - Digital #Q8522. Published by Schott Music - Digital (S9.Q8522). German • English.Written for church services, Bertold Hummel's motets were first performed by the choirs of the Würzburg Cathedral. This Dankhymnus enjoys remarkable popularity. The text from the first Christian century was set to powerful music by Hummel, some of it in unison, some of it with imitations or homophonic chord progressions leading to hymnically ascending sounds. An effective a-cappella work that studies without any particular problems and can be performed in churches and at concerts.

0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - Digital Download SKU: S9.Q18115 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: score. Downloadable, Score. Op. 5a. Duration 18 minutes. Schott Music - Digital #Q18115. Published by Schott Music - Digital (S9.Q18115). Latin.Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately.

0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - Digital Download SKU: S9.Q19857 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: set of solo parts. Downloadable, Set of solo parts. Op. 5 a. Duration 18 minutes. Schott Music - Digital #Q19857. Published by Schott Music - Digital (S9.Q19857). Latin.Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately.

0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - Digital Download SKU: S9.Q19856 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: organ score. Downloadable, Organ reduction. Op. 5 a. Duration 18 minutes. Schott Music - Digital #Q19856. Published by Schott Music - Digital (S9.Q19856). Latin.Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately.

Mixed choir (SATB) and vibraphone - advanced - Digital Download SKU: S9.Q11695 For mixed choir (SATB) and Vibraphone. Composed by Bertold Hummel. This edition: score. Schott Chamber Choir. Downloadable, Score. Op. 41b. Duration 15 minutes. Schott Music - Digital #Q11695. Published by Schott Music - Digital (S9.Q11695). German.Originating from Asia, the short poetic form of 'haiku' always consists of three lines with 17 syllables. The concentration and conciseness resulting therefrom fascinated Berthold Hummel and inspired him to write these 11 miniatures for a-cappella choir and vibraphone. Without using any atonal techniques, he managed very impressively to make traditional poetry appear in a modern form. With great sensitivity, he gave musical expression to a text full of allusions.