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Vocal Solo,Voice - Level 1 - Digital Download

SKU: A0.719770

Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770).

As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.

*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.

Hymns from Childhood - Set 10 (solo)
Piano seul

$5.99 5.38 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1456161

Composed by Abe Holzmann. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Instructional,Multicultural,World. Score. 9 pages. Keith Terrett #1035313. Published by Keith Terrett (A0.1456161).

Abe Holzmann wrote some very fine marches, but here's one inspired by a book. Herbert Kaufman's 1910 book The Winning Fight inspired this winning march (it's a book about self-mastery and fostering a can-do attitude). Tiis march was published by Leo Feist in New York City in 1911.Arrangement of a March by Abe Holzmann (1874-1939),  writthn in 1911. He also wrote what is probably his best known march Blaze Away''.

Blaze Away! is a 1901 march by the German-American composer Abe Holzmann. It was his greatest success.

Holzmann was inspired by the Battle of Manila Bay during the Spanish–American War, when a command to American sailors to open fire on the Spanish fleet was reputedly met with the response Well boys, let's blaze away by the gunners. Building on the war fever in the United States, the cover of the sheet music featured an image resembling Theodore Roosevelt charging at San Juan Hill. Very popular as a two-step, its success outlasted the war and it became a repertoire piece amongst military bands around the world.

Abraham Holzmann (19 August 1874 – 16 January 1939) was an American composer, famous for his march Blaze-Away! Abraham Holzmann was born in New York City. His parents were Jacob Holzmann, a Hungarian-Jewish immigrant and Isabella Holzmann, a native of Louisiana. The young Holzmann learned music in Germany. A review originally published by the New York Herald on Sunday, 13 January 1901, entitled German Composer who Writes American Cakewalk Music describes [h]is knowledge of bass and counterpoint is thorough, and his standard compositions bear the stamp of harmonic lore, which makes his proclivity for the writing of the popular style of music the more remarkable. Abe married Isabelle Fishblatt around 1908, and he became the manager of the Orchestra Department at Jerome Remick & Company, music publisher in New York. He was an early member (1923) of the American Society of Composers, Authors and Publishers (ASCAP). He earned his livelihood as composer/arranger for Tin Pan Alley publishers, including Leo Feist. He later was advertising manager for the American Federation of Musicians publication, International Musician. He was a member of Freemasonry, the Elks, and Knights of Pythias, all in New York City. Holzmann died in East Orange, New Jersey at age 64. He was survived by his widow, a daughter Natalie Holzmann, three half-brothers, and four sisters. His music was especially revered by ragtime enthusiasts, although he composed marches, waltzes, and other light music. His 1899 composition Smokey Mokes was briefly featured in the 1936 movie San Francisco.

Winning Fight March for Pianoforte
Piano seul

$4.99 4.49 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.948699

Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699).

Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.

ABOUT MARK:
In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators.

Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen.

Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn,

More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued.


COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY:

Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.
----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International)

Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.
----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE

The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.

Flowers for Dorothy
Piano seul

$3.99 3.59 € Piano seul PDF SheetMusicPlus






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