Brass Ensemble - Level 2 - Digital Download SKU: A0.508413 Arranged by Eric Burger Music. Renaissance. Score and parts. 10 pages. Eric Burger Music #3884585. Published by Eric Burger Music (A0.508413). Includes these titles: 1. La fiera vista e'l velenoso sguardo 2. Il mio martir tengo celat al cuore 3. Son questi i crespi crini e questo il viso View the score with playback at: https://youtu.be/OK5zMVLMBIY Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trios are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.

Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #5798361. Published by Woodrow Edition (A0.999423). Carlo Gesualdo, Prince of Venosa, Musician and Murderer! That’s not a news headline (though it would be quite a good one) but the title of a book by composer Peter Warlock which I read avidly after first encountering the Italian composer in a lecture at the University of Liverpool in the 1980s. We were studying the Italian madrigal, which was not really my thing until our lecturer threw Moro Lasso into the mix. Its opening chords seemed so incongruous – unlike anything we had heard – and are as striking today as they must have been in 1611 when first published in Gesualdo’s 6th Book of Madrigals.More or less immediately after that lecture I arranged the piece for the Seras Brass Quintet which I had helped form. In those days the brass quintet repertoire was limited, and certainly didn’t include anything by Gesualdo!The arrangement really benefits from a church-like acoustic where you can make the most of the dramatic built-in silences. The tuba part lies quite high and is very playable on a trombone if need be. Even to modern ears there are some strange sounds and I trust that all the ‘wrong’ notes are Gesualdo’s rather than mine – do let me know if you think otherwise!

Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709).     Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge.    This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing.    Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.

Brass Ensemble - Level 1 - Digital Download SKU: A0.931293 Composed by Ari Pulkkinen. Arranged by Alessandro Macrì. Contemporary. Score and parts. 12 pages. Music Macri Editions #6679229. Published by Music Macri Editions (A0.931293). Ari Pulkkinen (born 15 January 1982) is a Finnish video game composer, musician and sound designer. His Angry Birds theme is perhaps his most famous work.Pulkkinen was born in Helsinki. At the age of 6 he started studying piano and composed his first song at the age of 12. He was interested in the computer music demoscene and started making music with tracker software under the name ArtZ. He won many music competitions and made his first big public album to accompany a freeware game named Starfight VI: Gatekeepers in 1999. Ari has never studied music composition academically.In 2003 he was hired as in-house audio director to game development company Frozenbyte Inc. Where he made the original soundtracks and sound design for video games Shadowgrounds, Shadowgrounds: Survivor and Trine. In his spare time Ari earned diplomas in Professional Audio Design and Producing and Further Education for Producers and Leads of the Finnish Game Industry with Adulta, and Music Technology with Sibelius Academy. After quitting Frozenbyte in 2008 (though he continues to have a professional relationship with them), Ari started his own sound production company AriTunes. Since then he has made original soundtrack and sound design for over twenty projects, including video games such as Angry Birds, Dead Nation, Trine 2, Outland and Super Stardust HD. Ari releases his music through his own label AriTunes.On 2 September 2011 in Video Game Heroes Concert, Angry Birds Theme was played by London Philharmonic Orchestra. This is the first time Ari's music was played by a full live orchestra.On 4 October 2011, Ari won the Best Finnish Game Developer in 2011 Award due to his contribution in the Finnish game industry.

Brass Ensemble - Level 4 - Digital Download SKU: A0.759090 By Madonna. By Peter Brown and Robert Rans. Arranged by Tim Olt. Pop. Score and parts. 26 pages. Olt Music #4278183. Published by Olt Music (A0.759090). Madonna is one of the most successful musicians of all time.  Maybe this tune was somewhat of a prediction.....

Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619).      James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer.  He is said to have created the words and music for more than 600 compositions.  Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer.  Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.”  His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years.      Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect.  Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived.  Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms.  One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport.      This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction.   The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba.  Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint.  Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880.  Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country:  softly and tenderly.  The arrangement ends with a brief recapitulation of the introduction.      There are no really difficult or tricky rhythms in this arrangement.  Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff.  Otherwise, there are no exceptionally high or low notes.  The piece opens in the key of F major then, about halfway through, changes to G major.  Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66.      Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would also like to receive your suggestions, comments, corrections and criticisms.  Contact him directly at lessmith61@bellsouth.net.  For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

Brass Ensemble - Level 1 - Digital Download SKU: A0.1183937 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. Score and parts. 6 pages. Avery Lynn Jordan #783632. Published by Avery Lynn Jordan (A0.1183937). This reduction was made for brass quartet with chords, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.

Brass Ensemble - Level 1 - Digital Download SKU: A0.1183951 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. Score and parts. 7 pages. Avery Lynn Jordan #783647. Published by Avery Lynn Jordan (A0.1183951). This reduction was made for brass quintet and piano with chords, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.

Brass Ensemble - Level 1 - Digital Download SKU: A0.1183938 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. Score and parts. 6 pages. Avery Lynn Jordan #783633. Published by Avery Lynn Jordan (A0.1183938). This reduction was made for brass quartet and piano, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.

Brass Ensemble - Level 1 - Digital Download SKU: A0.1183950 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. Score and parts. 7 pages. Avery Lynn Jordan #783645. Published by Avery Lynn Jordan (A0.1183950). This reduction was made for brass quintet and piano, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.

Brass Ensemble - Level 1 - Digital Download SKU: A0.1183936 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. Score and parts. 6 pages. Avery Lynn Jordan #783630. Published by Avery Lynn Jordan (A0.1183936). This reduction was made for brass quartet, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.

Brass Ensemble - Level 1 - Digital Download SKU: A0.1183940 Composed by Richard Wagner. Arranged by Langanho. Classical,Opera,Romantic Period,Wedding. Score and parts. 6 pages. Avery Lynn Jordan #783635. Published by Avery Lynn Jordan (A0.1183940). This reduction was made for brass quartet and piano with chords, with the intention of being totally practical for musicians of small groups who wish to use it especially at weddings, and not only, can be used for academic or performance purposes, because in it were extracted all the essence of the original work, however, being adapted to be easy to play, serving professional musicians or beginners. The Bridal Chorus by Richard Wagner was composed in 1850 as a prelude to the third act of the opera Lohengrin. It is played when Elsa and Lohengrin enter the bridal chamber to consummate their marriage. The wedding night turns tragic, and Wagner is said to have found it amusing that the piece was used at weddings.