3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB560 Composed by Michael Helman. Christmas. With 3, 4 or 5 octaves handchimes. Score. 8 pages. Chorister's Guild - Digital #CGB560. Published by Chorister's Guild - Digital (C7.CGB560). UPC: 749193013502.3, 4 or 5 octaves * Levels 1 & 2 * This reproducible product provides valuable resources for utilizing handbells and handchimes throughout the worship service. Included are ways to add sparkle and meaning to hymns, calls to worship, processions, scripture readings, prayers, fanfares, and other responses. Much of this initial volume is linked to Lectionary Year B. Scripture and hymn-tune indexes will be helpful in worship planning. The digital version provides PDFs of all music, and both PDFs and TIFFs of congregational parts for easy insertion into worship bulletins. A demo CD recording is included in both versions. Permission is granted for the original purchaser to duplicate as needed for handbell and handchime ringers as well as other instrumentalists.

3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB487 Composed by Linda R. Lamb. Christmas. With 3, 4 or 5 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB487. Published by Chorister's Guild - Digital (C7.CGB487). UPC: 749193012079.A vision quest is a period of spiritual seeking among certain Native American peoples. It is a religious custom in which people climb to remote sites to fast, pray and commune with nature. Individuals may pray to each of the four directions, seeking certain benefits from each. This four-movement original work illustrates a prayer by David Dillon, which he used on his own vision quest. The movements use recurring but evolving themes, reflecting each petition of the prayer. A myriad of percussion instruments enhance the mystical quality of the music. The movements are entitled: I. I pray to the West which gives us rest and reflection; II. I pray to the North which gives us patience and purity; III. I pray to the East which gives us energy and emotions; IV. I pray to the South which gives us discipline and direction. Percussion parts include: Shaker (Maraca or Rattle), 2 Small Stones, Ankle Bells, Chime Tree/Mark Tree, Finger Cymbals, Whip Crack (without spring mechanism).

5 or 6 octaves handbells - Level 5 - Digital Download SKU: C7.CGB494 Composed by Cathy Moklebust. Christmas. With 5 octaves handchimes, Percussion. Score. 32 pages. Chorister's Guild - Digital #CGB494. Published by Chorister's Guild - Digital (C7.CGB494). UPC: 749193011720.A vision quest is a period of spiritual seeking among certain Native American peoples. It is a religious custom in which people climb to remote sites to fast, pray and commune with nature. Individuals may pray to each of the four directions, seeking certain benefits from each. This four-movement original work illustrates a prayer by David Dillon, which he used on his own vision quest. The movements use recurring but evolving themes, reflecting each petition of the prayer. A myriad of percussion instruments enhance the mystical quality of the music. The movements are entitled: I. I pray to the West which gives us rest and reflection; II. I pray to the North which gives us patience and purity; III. I pray to the East which gives us energy and emotions; IV. I pray to the South which gives us discipline and direction. Percussion parts include: Shaker (Maraca or Rattle), 2 Small Stones, Ankle Bells, Chime Tree/Mark Tree, Finger Cymbals, Whip Crack (without spring mechanism).

Handbell - Level 2 - Digital Download SKU: A0.953723 Composed by Traditional English Melody. Arranged by G. R. Adkison. Christian,Sacred. Score. 4 pages. Gary Ray Adkison #14035. Published by Gary Ray Adkison (A0.953723). I Sing the Mighty Power of God is a 51 measure arrangement for 4-5 octave handbell choir that has three contrasting verses based on the original Christian hymn. The first verse is fairly standard, except that some chord structures are used throughout the arrangement that are not the standard chords used in the original hymn. After the first verse (at the normal tempo) the tempo slows considerably, for a majestic effect, and the very lowest 4 octave bells are used for the melody line. At the same time, the chord structure here is provided by treble clef bells, from the bottom of the treble clef, through the highest note of the 5 octave range. This approach alternates with passages that are up to 5-octave unison passages. The early parts of the third verse are heavy on descant lines---sometimes descant chords instead of single-note descants, with a couple of bass runs in this verse, as well. There is a tag at the end---the last musical phrase is repeated with fuller chords at triple forte. There is a very non-standard chord, instead of the normal five-seven chord, right before the last chord. There is a brief shake on the first half of the last melody chord. This is probably about a level 2 degree of difficulty.

By Cameo. By Tomi Jenkins, Larry Blackmon, Charles Singleton, and Nathan Leftenant. Arranged by Raymond James Rolle II. Funk. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music