Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1346713 Composed by Adolphe Adam & Philippe Cappeau. Arranged by Joshua Sanmartin. Advent,Christmas,Holiday,Praise & Worship,Traditional. Score. 9 pages. Ana-Laura Music #923042. Published by Ana-Laura Music (A0.1346713). A distinct arrangement of a well-known Christmas carol, perhaps unmatched by any other arrangement. The melody of the entire piece has been reworked to fit the lyrical content while conveying the same sense of a serene night as does the original.This arrangement uses an alto (voice) for the melody, cello as counterpoint, and piano as accompaniment (continuo).The following arrangement will soon be available:Voice and piano.

Piano and voice - Digital Download SKU: LV.19809 Composed by Joseph Philip Knight. Sleds & sleighs, Ice skating, Snow. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19809). O Swift We Go. A Sleighing Song. The Poetry by J.T. Fields, Esq. The Music Composed by Joseph Philip Knight. Published 1840 by Wm. H. Oakes, 8 1/2 Tremont Row in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Sleds & sleighs, Ice skating, Snow. First line reads O swift we go o'er the fleecy snow, When moon beams sparkle round.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.926989 Composed by Philipp Nicolai. Arranged by Donna Fagerhaug. Sacred. Score. 6 pages. Donna Fagerhaug #6383301. Published by Donna Fagerhaug (A0.926989). A spirited rendition of this well-known hymn incorporates the first phrase as a contrapuntal theme that dances throughout the first two stanzas.

Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1454233 Composed by John Sheeles (1688-1761). Arranged by Konrad Harley (1986-). Baroque. Score. 3 pages. Konrad Harley #1033365. Published by Konrad Harley (A0.1454233). Based on the melody by John Sheeles (1688-1761) in The Musical Miscellany, Vol. IV (London: John Watts, 1730), p. 88. Arranged by Konrad Harley (1986-), 2024. Words by Sappho (c.630 – c.570 BCE), tr. Ambrose Philips (1674–1749).Text: O Venus! Beauty of the Skies,To whom a thousand Temples rise;Gaily false in gentle Smiles,Full of Love-perplexing Wiles;O Goddess! from my Heart removeThe wasting Cares and Pains of Love;The wasting Cares and Pains of Love.Thou once didst leave Almighty Jove,And all the Golden Roofs above:The Car thy wanton Sparrows drew,Hov'ring in Air they lightly flew;As to my Bow'r they wing'd their way,I saw their quiv'ring Pinions play,I saw their quiv'ring Pinions play.Celestial Visitant, once moreThy needful Presence I implore!In Pity, come and ease my Grief,Bring my distemper'd Soul Relief;Favour thy Suppliant's hidden Fires,And give me all my Heart desires,And give me all my Heart desires.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126313 Composed by Philip Le Bas. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 8 pages. Philip Le Bas #727017. Published by Philip Le Bas (A0.1126313). A new Christmas carol by Philip Le Bas for unison voices (with occasional divisi) and piano, setting the words of William Blake's poem A Cradle Song from his collection entitled Songs of Innocence. The very title of Blake's poem calls out for it to be set to music. Indeed the poem is a straightforward lullaby for the first few stanzas, sung softly by a mother over her sleeping baby, as she marvels at the wonder of this beautiful infant and expresses her love for the child. Her own anxieties and weeping for the child remind her of the Christ-child who also wept as a vulnerable baby. But as God incarnate he wept for me, for thee, for all, and brought peace to heaven and earth. (Blake uses the word beguile perhaps to indicate the paradoxical nature of a weeping God bringing redemption to a suffering world by becoming a vulnerable human baby himself.) The composition aims to avoid unnecessary complexity in the vocal parts, so that it can be sung easily particularly by a parish choir. However, it also attempts to capture some of the beauty, drama and mystery of the scene expressed by Blake. The piece begins and ends in stillness, and there are gentle climaxes here and there, reflecting some of the rise and fall of the poem's lyrics. It could be sung by a mixed or single-voice choir, but note should always be taken of the predominantly quiet dynamics of the piece, especially in the first half. https://www.sheetmusicdirect.com/en-US/se/ID_No/1216185/Product.aspx https://plbmusic.blogspot.com A Cradle Song from Songs of Innocence by William Blake (1757-1827) Sweet dreams, form a shade O'er my lovely infant's head! Sweet dreams of pleasant streams By happy, silent, moony beams! Sweet Sleep, with soft down Weave thy brows an infant crown! Sweet Sleep, angel mild, Hover o'er my happy child! Sweet smiles, in the night Hover over my delight! Sweet smiles, mother's smiles, All the livelong night beguiles. Sweet moans, dovelike sighs, Chase not slumber from thy eyes! Sweet moans, sweeter smiles, All the dovelike moans beguiles. Sleep, sleep, happy child! All creation slept and smiled. Sleep, sleep, happy sleep, While o'er thee thy mother weep. Sweet babe, in thy face Holy image I can trace; Sweet babe, once like thee Thy Maker lay, and wept for me: Wept for me, for thee, for all, When He was an infant small. Thou His image ever see, Heavenly face that smiles on thee! Smiles on thee, on me, on all, Who became an infant small; Infant smiles are His own smiles; Heaven and earth to peace beguiles.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.872594 Composed by Philip Orem. Contemporary. Score. 22 pages. Philip Orem #3508483. Published by Philip Orem (A0.872594). My settings of six of Shakespeare's poems from his plays. Each in a distinctive style, from the dreamy How Sweet Moonlight Sleeps, the brooding Full Fathom Five to the easy going O Mistress Mine, these will make a welcome addition to any vocal program.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.

Piano and voice - Digital Download SKU: LV.4676 Composed by Adam Geibel, Philip R. Schuyler. National Emblems, Eagles, Soldiers, Sailors, Veterans, Patriotism, Campaigns & battles. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4676). Around the Campfire. Song & Chorus for G.A.R. Musters & Re-unions. Words by Geo. M. Vickers, 2nd Regt. Penna. Reserves. Music by Adam Geibel, Philip R. Schuyler Camp No. 2 S.O.V. Published 1882 by in . Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include National Emblems, Eagles, Soldiers, Sailors, Veterans, Patriotism, Campaigns & battles. First line reads Come gather round the fire tonight as in the times of yore.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.493520 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Jeff Pepper. Pop,Rock. Score. 8 pages. Tunescribers LLC #108500. Published by Tunescribers LLC (A0.493520). Haunting piano/vocal version of this Radiohead classic. Piano/Vocal, key of E, 60bpm, 8 page PDF.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.890395 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Brock Chart. Rock. Score. 2 pages. My-Melodies Publishing Company #5206087. Published by My-Melodies Publishing Company (A0.890395). Radiohead’s hit' Creep from their 1992 album. This was transcribed and engraved by myself directly from the original recording. It features a notated melody, chord changes, song form, and lyrics in the original key.Perfect for wedding bands, dueling pianists and anyone looking to cover pop songs!