Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1082247 Composed by Anonymous. Arranged by Mark Rippe. Sacred,Standards,Traditional. Score. 7 pages. Mark Rippe #686395. Published by Mark Rippe (A0.1082247). AM00182. Arrangement of traditional American folk tune for low voice (e.g., alto, bass) with piano accompaniment. The same arrangement is available for high voice (e.g., soprano, tenor) (AM00183). Similar arrangements are available for organ (StA OV00134), SATB choir (AM00184), solo piano (AM00184) and various instrumental soloist w/piano accompaniment (AM00176 - AM00180).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.522222 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Holiday. Score. 21 pages. Colin Kirkpatrick Publications #3913261. Published by Colin Kirkpatrick Publications (A0.522222). These folk song arrangements are written in the Welsh language. The vocal range is from Middle C to F on the top line of the staff. They are suitable for mezzo soprano and could also be sung by tenor voice an octave lower. They are among some of the most popular folk songs of Wales and sure to be well received at a vocal recital. They would also make excellent encore pieces. For copyright reasons, English translations are not provided, although some are to be found on various web pages. 1. Y Ddau Farch (The Two Mares) The song tells the story of two horses. The older one tells the younger, “In my day I was as good a horse as you�. But when I became too old to work, I was sent away to the mountains. She vows never to return to her cruel owners. This is an example of a macaronic song in which the lyrics use more than one language.  2. Si Hei Lwli, ’Mabi (Sleep, my Lovely Baby) In this pentatonic lullaby, a mother tells her child that their ship is moving away, the captain is on board, the eastern wind is blowing and the seagull is on its nest. 3. Canu Cwnsela (Wassail Song) The singers ask permission to come in and sing for their dinner. But they seem to have chosen the wrong house because the reply is: “I have no dinner or money to spend, to give you a welcome tonight.� The melody is in the Dorian Mode.  4. Robin Ddiog (Lazy Robin) The song, also in the Aeolian mode is about a robin whose little house is always tidy. “Open the door a little bit, so that I can see the sea and the waves� he asks. When the door is opened, the breeze sweeps away all the leaves from the floor. 5. Migildi Magildi “When the smithy’s door is open, we can see the blacksmith working.� The song describes the sights and sounds of the blacksmith’s workshop.You can hear all the songs in the audio demo, though they are played by an oboe rather than sung.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1473658 Composed by Various. Arranged by Mary K. Sallee. 20th Century,Christian,Patriotic,Sacred,Traditional. Score. 6 pages. Mary K. Sallee #1051374. Published by Mary K. Sallee (A0.1473658). This vocal arrangement of 3 well-known patriotic texts combines the 'march-like' Battle Cry of Freedom from the Civil War with the lyricial melodies of My Country 'Tis of Thee and America in a way that is fresh and expressive for the voice. The vocal line includes some variations of the original melodic line along with different harmonizations that colors the text effectively. The Battle Cry or Hymn to Freedom returns at the end in a reflective way, bringing these songs from different times in our history together with powerful expression.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1280837 By Various. By Antônio do Espírito Santo. Arranged by Sérgio Matias da Cunha. Country,Instructional,Patriotic,Traditional. Score. 3 pages. Sérgio Matias da Cunha #872176. Published by Sérgio Matias da Cunha (A0.1280837). Arranjo claro, objetivo, conciso e acessível apresentando marcações de cifra, dedilhado, letra, células rítmicas envolvendo quartos de tempo, linhas de oitava, sinais de repetição, sinais de expressão, dinâmica, acordes invertidos, tríades e tétrades, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com simplicidade, harmonia, estilo e equilíbrio. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.626334 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Sacred,Spiritual,Standards,Traditional. Score. 3 pages. Exultet Music #5709349. Published by Exultet Music (A0.626334). The beautiful traditional hymn associated with Our Lady of Fatima has been freshly arranged for a Vocal Solo with Piano accompaniment.  Accessible and appropriate for any church or concert setting.  Can be used for various times throughout the liturgical year but especially during the months of October and May.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.629110 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Score. 8 pages. Exultet Music #6260951. Published by Exultet Music (A0.629110). The traditional hymn about the Blessed Virgin Mary under the title of Queen of the Holy Rosary has now been freshly arranged for a Vocal Trio (SAB) with Piano accompaniment. Accessible and appropriate for any church setting. Can be used at various times throughout the liturgical year. An accompaniment track is also available.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.879450 Composed by Dennis Frayne. Arranged by Dennis Frayne. Children,Folk,Standards,Traditional. Score. 1 pages. Presto! It's Music Magic Publishing #6368939. Published by Presto! It's Music Magic Publishing (A0.879450). Cotton-Eyed Joe (Cotton-Eye Joe) is a traditional American country folk song popular at various times throughout the United States and Canada. It is possibly of African-American or Southern origins. This arrangement for early intermediate piano is written in the key of F# Major and includes lyrics and solfege syllables.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1398431 By Various. By Traditional. Arranged by Alyssa Lawson. Patriotic,Praise & Worship,Spiritual,Standards,Traditional. Score. 4 pages. Alyssa Lawson #981706. Published by Alyssa Lawson (A0.1398431). Add this vocal/piano arrangement of Amazing Grace to your vocal repertoire. Easy to read and pleasing to the ear. This arrangement is intended for intermediate players.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.518490 By Stephen DeCesare. By Stephen DeCesare. Contemporary,Praise & Worship,Sacred,Standards,Traditional. Score. 5 pages. Exultet Music #129192. Published by Exultet Music (A0.518490). Gentle and accessible arrangement of Psalm 95. Scored for a Vocal Trio (SAB) with Piano accompaniment. Can be used for various times throughout the liturgical season but especially during Third Sunday of Lent and certain Sundays of Ordinary Time.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.518488 By Stephen DeCesare. By Stephen DeCesare. Contemporary,Praise & Worship,Sacred,Standards,Traditional. Score. 5 pages. Exultet Music #129190. Published by Exultet Music (A0.518488). Gentle and accessible arrangement of Psalm 95. Scored for a Vocal Quartet (SATB) with Piano accompaniment. Can be used for various times throughout the liturgical season but especially during Third Sunday of Lent and certain Sundays of Ordinary Time.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1130560 By Various. By Traditional. Arranged by Bernie Schweickart. A Cappella,Christian,Christmas,Film/TV,Holiday. Score. 1 pages. Dogwooddigs #730836. Published by Dogwooddigs (A0.1130560). Nice Christmas tune using alberti bass in the left hand. Fun To Play!

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1216738 Composed by Arthur Ager. Arranged by Robert Luke Thompson. 20th Century,Christian,Praise & Worship,Religious,Spiritual. Score. 5 pages. Monkspath Music #813277. Published by Monkspath Music (A0.1216738). James Arthur Ager (1867-1947) was a British composer, organist, and music educator. He studied composition at the Royal College of Music in London under Hubert Parry and Frederick Bridge. Ager served as the organist and choirmaster at St. Andrew's Church in Birmingham for over 50 years. Ager also became Professor of Organ & Harmony at the Birmingham and Midland Institute School of Music (the predecessor of the Royal Birmingham Conservatoire) for nearly four decades. Although not as well-known as some of his contemporaries, Ager's music, including a variety of songs, choral, piano, and organ works, is worth exploring for those interested in late 19th and early 20th-century music. Perhaps his most famous composition is The Legend of St. Christopher, a cantata based on the medieval legend. Eventide is a beautiful vocal piece composed in 1916, with lyrics written by Arthur's daughter, Gladys. It is suitable for a wide range of voices (including soprano, mezzo-soprano, tenor, and baritone) and can be a great alternative to traditional hymns like Abide with Me. Often associated with evening and twilight, Eventide is a versatile piece that can be sung on various occasions where a reflective and contemplative atmosphere is desired. It is ideal for Christian worship services, funerals, memorials, candlelight vigils, recitals, or concerts where a reflective, serene, and tranquil atmosphere is desired. A PDF scan of the original publication is available via email request.For further pieces, view the Monkspath Music catalogue and click here!

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1490206 By Cascia Talbert. By Franz Schubert. Arranged by Cascia Talbert. Christian,Classical,Praise & Worship,Religious,Spiritual. Score. 7 pages. Cascia Talbert #1067042. Published by Cascia Talbert (A0.1490206). Ellens dritter Gesang (Ellen's Song III, D. 839, Op. 52, No. 6, 1825), known in English as Ellen's Third Song, was composed by Franz Schubert in 1825. It is part of his Op. 52, a collection of seven songs inspired by Walter Scott's 1810 narrative poem The Lady of the Lake, which was loosely translated into German.This piece is among Schubert's most beloved works. Although it was originally composed as a song, it is frequently performed and recorded under the title Ave Maria. This title references the Latin name of the prayer Hail Mary, which is also the opening phrase and refrain of Ellen's song—a prayer to the Virgin Mary. Performances often feature simplified musical arrangements and various lyrics that deviate from the original poem. Franz Liszt arranged the piece in three versions for piano.Schubert's composition is based on verse XXIX from Canto Three of Scott's poem, translated into German by Adam Storck (1780–1822). It is part of Schubert's Liederzyklus vom Fräulein vom See. In Scott's narrative, Ellen Douglas, the Lady of the Lake (Loch Katrine in the Scottish Highlands), seeks refuge with her exiled father in the Goblin's Cave, avoiding their previous host, Roderick Dhu, who has chosen to rebel against King James. As Roderick Dhu and his warriors ascend the mountain, he hears Ellen, accompanied by the harpist Allan-bane, singing a prayer to the Virgin Mary, pleading for help. Roderick Dhu pauses momentarily before heading into battle.The song is said to have been first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria, and was dedicated to her, earning her the nickname the lady of the lake.The repeated use of Ave Maria in Ellen's song likely inspired the adaptation of Schubert's melody to fit the full text of the traditional Roman Catholic prayer Ave Maria. This adaptation has become so widespread that it often leads to the mistaken belief that Schubert originally composed the melody specifically for the Ave Maria prayer.This arrangement is for low voice and piano.