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Oboe Solo - Level 5 - Digital Download SKU: A0.1092932 By Rainer's Rainbow. By Claude Debussy 1862-1918. Arranged by R G Roth. 20th Century,Baroque,Classical,Instructional,Romantic Period. Individual part. 18 pages. Rainer's Rainbow #697024. Published by Rainer's Rainbow (A0.1092932). Debussy wrote his Children's Corner Suite for Piano in1908. It has been transcribed here to be performed as an unaccompanied an Oboe or Sax solo. It is meant more as a technical study or exercise. Chords are included in case the soloist finds a piano or guitar player to improvise an accompaniment. Alternative Oboe, English Horn, Alto Sax and Tenor Sax parts are included. Learn them all.
Debussy 1908 Children's Corner Doctor Gradus ad Parnassum Oboe or Sax Study
Hautbois (partie séparée)
Rainer's Rainbow
$2.99 2.57 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 2 - Digital Download SKU: A0.1356705 By Hillsong LIVE. By Eric Liljero, Jonas Myrin, and Reuben Morgan. Arranged by Wesley S. SIlva. Praise & Worship. Individual part. 1 pages. Wesley S. Silva #941349. Published by Wesley S. Silva (A0.1356705). Cornerstone is a worship song by Hillsong Worship, a Christian worship group associated with Hillsong Church in Sydney, Australia. The song was released in 2012 as part of the album titled Cornerstone. It quickly gained popularity within the Christian worship community.The lyrics of Cornerstone focus on the foundational aspect of Jesus Christ in the life of a believer. The chorus is a powerful declaration of faith, emphasizing that Christ alone is the cornerstone, the solid foundation on which Christians build their lives. The song draws inspiration from biblical passages, including Ephesians 2:20 and 1 Peter 2:6, which refer to Jesus as the cornerstone.
Cornerstone
Hautbois (partie séparée)
Hillsong LIVE
$4.99 4.29 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
Hautbois (partie séparée)

$3.50 3.01 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 4 - Digital Download SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Oboe 1
Hautbois (partie séparée)

$3.50 3.01 € Hautbois (partie séparée) PDF SheetMusicPlus






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