SKU: A0.1347230

The motet O canenda/Rex regum by Philippe de Vitry is significant as it represents the emergence of the classic isorhythmic motet, which simultaneously sets a pair of texts in its two upper voices. Philippe de Vitry, a 14th-century French composer, is considered a leading figure in the changes that occurred in French music around 1325. His motets, including O canenda/Rex regum, are regarded as strikingly individual, exploiting unique structural ideas. They are part of the early development of the ars nova style of composition, which introduced new rhythmic and notational techniques. 

The structure of Philippe de Vitry's motet O canenda/Rex regum is characterized by the classic isorhythmic motet, which sets a pair of texts simultaneously in its two upper voices. This composition represents the emergence of the ars nova style of late medieval music, introducing new rhythmic and notational techniques. The repeated rhythmic patterns of the tenor do not necessarily accord with melodic ones, and the motet is known for packing symbols and thematic subtleties into each short piece. Philippe de Vitry's motets, including O canenda/Rex regum, are strikingly individual, contributing to the evolution of musical forms and representing innovative trends in 14th-century French music.

The text of motets from this period often contained religious, secular, or courtly love themes. The words rex regum et dominus dominancium from the motet evoke the notion of an earthly king who emulates Christ on his heavenly seat as he assumes his throne. The text likely reflects the religious or secular themes commonly found in motet compositions of that era.

 Philippe de Vitry, a French composer, poet, and music theorist, was born on October 31, 1291, and died on June 9, 1361. Philippe de Vitry's O Canenda/Rex regum was composed around 1320. He was appointed Bishop of Meaux on 3 January 1351 and held this post until his death.

SKU: A0.1356173

The motet O canenda/Rex regum by Philippe de Vitry is significant as it represents the emergence of the classic isorhythmic motet, which simultaneously sets a pair of texts in its two upper voices. Philippe de Vitry, a 14th-century French composer, is considered a leading figure in the changes that occurred in French music around 1325. His motets, including O canenda/Rex regum, are regarded as strikingly individual, exploiting unique structural ideas. They are part of the early development of the ars nova style of composition, which introduced new rhythmic and notational techniques. 

The structure of Philippe de Vitry's motet O canenda/Rex regum is characterized by the classic isorhythmic motet, which sets a pair of texts simultaneously in its two upper voices. This composition represents the emergence of the ars nova style of late medieval music, introducing new rhythmic and notational techniques. The repeated rhythmic patterns of the tenor do not necessarily accord with melodic ones, and the motet is known for packing symbols and thematic subtleties into each short piece. Philippe de Vitry's motets, including O canenda/Rex regum, are strikingly individual, contributing to the evolution of musical forms and representing innovative trends in 14th-century French music.

The text of motets from this period often contained religious, secular, or courtly love themes. The words rex regum et dominus dominancium from the motet evoke the notion of an earthly king who emulates Christ on his heavenly seat as he assumes his throne. The text likely reflects the religious or secular themes commonly found in motet compositions of that era.

 Philippe de Vitry, a French composer, poet, and music theorist, was born on October 31, 1291, and died on June 9, 1361. Philippe de Vitry's O canenda/Rex regum was composed around 1320. He was appointed Bishop of Meaux on January 3 1351, and held this post until his death.

SKU: H1.2216DP

2 Samuel 22:4 - Isaiah 42:8 - Philippians 2:9 - Philippians 2:10 - Philippians 2:11 - Psalms 44:8 - Psalms 95:6 - Revelation 5:9 - Revelation 5:10 - Revelation 5:11 - Revelation 5:12 - Revelation 5:13 - Revelation 5:14 - Revelation 7.

Medley of Christmas tune Includes: O Come, All Ye Faithful and Fairest Lord Jesus. Includes: O Come, All Ye Faithful and Fairest Lord Jesus. .

SKU: H1.MA501DP

Philippines Melody O God of Heaven is a gentle flowing melody from the Philippines. Hal Hopson has added a 'hook' - an original refrain - and arranged this multicultural song for SATB choir.

SKU: A0.1134868

Here is a beginner’s fingerstyle arrangement of the Christmas holiday classic O Little Town Of Bethlehem. This has lyrics by Phillips Brooks set to music composed by Lewis Redner. One verse of lyrics is included with the chord names, standard notation, and tablature. Two pages total.

SKU: A0.920944

This piece provides a beautiful alternative to the traditional melodies of O Little Town of Bethlehem. This original composition can be played as a piano solo, a piano & flute duet, or accompaniment for a vocalist.  Four verses are included, but musicians can choose to play less verses if desired.  The song with all four verses lasts five minutes. Words written by Phillips Brooks (public domain). .

SKU: H1.C5750PDP

By Eddie Espinosa. Isaiah 64:8 - Jeremiah 18:6 - 1 John 1:9 - 1 Peter 1:7 - James 1:2 - John 2:25 - Luke 1:46 - Philippians 4:19 - Psalms 139:1 - Psalms 139:23 - Psalms 34:3 - Psalms 51:12 - Romans 12:1 - Romans 12:2 - Romans 8:2 - Matthew 14:13 - Matt.

Popular praise song by Eddie Espinosa Eddie Espinosa's popular praise song of confession is effectively combined with the time-honored hymn, Search Me, O God, which draws its text from Psalm 139, making it a very personal expression: O Lord, you have searched me and you know me. This SATB setting is also included in Joel Raney's Contemporary Tenebrae Service, We Remember Calvary, a top-seller from last year. The Instrumental packet contains a Conductor's Score and parts for: Flute, Clarinet in B-flat, 2 Violins, opt. Viola, Cello, and Electric Bass.

SKU: HX.366814

SKU: A0.1390609

Madonna il tuo bel viso, 
Che nel gran mar d'Amor m'è duc'e scorta

Hora tien viva mia speranz', hor morta
Hora tien viva mia speranz', hor morta
Et qualhor scorg' in esso un bel sereno

Spiega la vela al vento, 
Senza temer di 
scogli'o di procella: 
Ma se la luce nel 
camin vien meno,
 
Ripiena di spavento, 
Cala la vela alla 
sua navicella, 
All' instabil' 
tua stella, 

Scorre l'onde 
fallace a dritt' e a torto, 
Et tem' e sper' e 
mai non vede 'l porto.
Et tem' e sper' e 
mai non vede 'l porto. 


My Lady your fair face
My captain and companion 
through the great sea of love 

Sometimes it keeps my hope alive 
sometimes it slays it Sometimes it 
keeps my hope alive only then to die. 
And when I spy in it fine fair weather 

Spreads out its sail to catch the wind 
with out fear of rocks and raging storms
But if the light that shows my way grows fainter 

my hope is filled with terror 
lowers the sheets that sped 
the little boat it sails in 
No longer trusting your star 

Running from treach'rous wave 
hither and thither 
and fears and hopes 
but never sees safe harbour 
and fears and hopes 
and never sees safe harbour.

SKU: H1.C5523RDP

By David Ruis. 2 Samuel 22:4 - 1 Chronicles 16:25 - Psalms 18:3 - Psalms 48:1 - Psalms 96:4 - Psalms 145:3 - Revelation 4:11 - Revelation 5:12 - Philippians 2:10 - Psalms 63:1 - Psalms 95:6 - Isaiah 6:1 - Isaiah 6:2 - Isaiah 6:3 - Isaiah 6:4 - Isai.

Popular praise and worship son gby David Ruis This popular praise and worship song translates well into a blended worship anthem with an abundance of unison lines, gentle syncopations and a seamless segue into the hymn O Worship the King. Quickly learned by choirs large or small, it works equally well as an introit or general worship anthem, for SATB choir and keyboard with optional rhythm (parts for Piano, Electric Guitar, Electric Bass and Drum Kit).

SKU: JX.00-16187

English.

Be with Us Now, O Lord is an anthem for communion. It may also be appropriate for Maundy Thursday. Suggested corresponding lectionary readings inculde Psalm 31, Matthew 26: 26-229, Mark 14: 22-26, Luke 22: 14-23, 1 Corinthians 11: 23-26 and Philippians 2: 5-11. One basic homiletical theme is gathering as one body in Christ to remember His sacrifice through the sacrament of Holy Communion.

SKU: A0.1041616

O MORNING STAR is a hymn from the time of the Protestant Reformation. It is arranged for two INTERMEDIATE SKILL LEVEL violins with counterpoint based on the harmony of J.S. Bach. Philipp Nicolai was a Lutheran pastor whose chorales inspired those of Bach. this is an interesting and impressive piece, perfect for violin students' repertoire.

SKU: A0.1162781

This Chorale Prelude follows the tradition followed by organ composers across the centuries of basing compositions around chorale or hymn tunes which would be well known to audiences and in particular church congregations.

“Wachet auf, ruft uns die Stimme� (Wake O wake with tidings thrilling) is a Lutheran hymn written by Philipp Nicolai in 1598. Mendelssohn, Reger and in particular J.S.Bach are amongst the composers who have based compositions on this melody. It is particularly suitable for use in the season of Advent.

SKU: JX.00-4234

English. Philippians 4:1-9; Genesis 1:1-19; Psalm 98; Matthew 26:26-30; Psalm 128.

Let the voices of the nations unite to sing God's praise in this uplifiting general anthem! A soaring melody and trumpet descant combine with an optional communion verse for World Communion. Easy to teach, inspiring to sing, your congregation will clamor to sing along! Optional Trumpet and Congregational Refrain included.