Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.674886

Composed by Edmund L. Gruber. Arranged by Open Cloud. Classical,Romantic Period. Score. 5 pages. Open Cloud #6573623. Published by Open Cloud (A0.674886).

This product is a digital sheet music in PDF format. The music was composed by Edmund L. Gruber,for Voice and Piano, published by More Sheet Music Press.

Piano Solo - Digital Download

SKU: A0.958735

Composed by Francisco Yoni y Edmundo Arias. Arranged by Juan Carlos Cortés A. Christmas,Concert,Latin,Standards,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6117911. Published by Juan Carlos Cortés Aguirre (A0.958735).

Transcripción para Piano Solo por:

JUAN CARLOS CORTÉS A.

Basado en la grabación fonográfica original de: EDMUNDO ARIAS Y SU ORQUESTA, acompañando a la Argentina Lita Nelson en el porro: ALGO SE ME VA. Lita Nelson (MANUELITA FERNANDEZ NELSON), cantante argentina y quien se radicó en Colombia en el año de 1958, dando inicio a su carrera musical.- Edmundo Dante Arias Valencia (Tuluá, Valle del Cauca, 5 de diciembre de 1925 - Medellín, 28 de enero de 1993), hijo del compositor antioqueño Joaquín Arias, fue un multi-instrumentista y compositor de música colombiana --destacado en el género de la cumbia--, creador de piezas musicales, difundidas principalmente a través de su grupo musical, la Orquesta de Edmundo Arias. De 67 años de edad, falleció en el Hospital Universitario San Vicente de Paúl de la ciudad de Medellín, a causa de una uremia sobreviniente a un procedimiento de vesícula biliar.

Francisco Yoni (Francisco Fortunato Silva) el autor de SON COSAS M�AS, vino a Medellín en la década del 50, a fines de ella, y se acreditó como periodista. Mantuvo un gran programa tanguero en la Voz de Antioquia y dentro de él una sección que bautizó El Tango Poemizado. Se trataba de versos suyos sobre un conocido tango. Esa sección gustó mucho y circula un LP con doce temas de Yoni en esa tónica.

Algo Se Me Va

Porro Son por: Francisco Yoni y Edmundo Arias

INTRODUCCIÓN:

Cuando tú me besas algo se me va,
Se me va la fuerza de la voluntad,
Cuando tú me besas algo se me va,
Se me va la fuerza de la voluntad.

Me tiemblan las piernas, quedo sin razón,
Es inexplicable toda esta emoción,
Me da un cosquilleo y lo siento aquí,
Me da un cosquilleo y lo siento acá.

Ay papi, no beses así,
Tengo, suficiente ya,
Basta, basta de una vez,
Ay mira, me voy a caer.

Mami, yo soy muy feliz,
Mira, besándote así,
Mami, yo soy muy feliz,
Mira, besándote así.

Papi, no beses así,
Tengo, suficiente ya,
Basta, basta de una vez,
Ay mira, me voy a caer.

INTERLUDIO:

Cuando tú me besas algo se me va,
Se me va la fuerza de la voluntad,
Cuando tú me besas algo se me va,
Se me va la fuerza de la voluntad.

Me tiemblan las piernas, quedo sin razón,
Es inexplicable toda esta emoción,
Me da un cosquilleo y lo siento aquí,
Me da un cosquilleo y lo siento acá.

Ay papi, no beses así,
Tengo, suficiente ya,
Basta, basta de una vez,
Ay mira, me voy a caer.

Mami, yo soy muy feliz,
Mira, besándote así,
Mami, yo soy muy feliz,
Mira, besándote así.

Papi, no beses así,
Tengo, suficiente ya,
Basta, basta de una vez,
Ay mira, me voy a caer.

CODA.

String Orchestra - Level 5 - Digital Download

SKU: A0.942953

Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953).

Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

Flute and piano - intermediate to advanced - Digital Download

SKU: S9.Q53377

Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 34. 27 pages. Schott Music - Digital #Q53377. Published by Schott Music - Digital (S9.Q53377).

English • German.

As a pupil of Antonin Reicha at the Paris Conservatoire Eugène Walckiers, originally from the French part of Flanders, joined the ranks of illustrious French composers such as Hector Berlioz, Charles Gounod and César Franck. He studied the flute with Jean-Louis Tulou and was one of the few celebrated flute virtuosos of the time whose reputation has survived to this day, thanks to their compositions for and including the flute. He himself played regularly in a legendary quartet with the best flautists of his day: Jean Firmin Brossa, Johannes Donjon and Paul Taffanel. This Fantaisie sur des Motifs de l’Opera “Guillaume Tell� was published in the year following the first performance of the opera both by Schott in Mainz and, with insignificant discrepancies, by Troupenas in Paris (Plate number 374), the original publisher of Rossini’s last four operas. Plate no. 3289 / published in 1830.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.553894

Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. 35 pages. RayThompsonMusic #6050327. Published by RayThompsonMusic (A0.553894).

This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.

Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.

Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop.

The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.

Noisemakers rattle throughout the first of its three movements.

The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio.

In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.

The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.

My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.
It is in 3 mvts and is arranged for wind quintet, and toy percussion.

It can be peformed as a stand alone  wind quintet without percussion as all of the important cues (the trumpet and cuckoo) are written in to the instrumnt parts.
i have distributed the original strings around the woodwind, and composed an original classical horn part.

Sometimes known as The Children’s Symphony

Also available as a wind dectet/bass arrangement.