Bass Trombone,Trombone Solo - Level 5 - Digital Download SKU: A0.1449238 By George B Chave. By George B Chave. Arranged by George B Chave. 21st Century,Classical,Contemporary. Individual part. 4 pages. BrassMagicMusic.com #1029034. Published by BrassMagicMusic.com (A0.1449238). This short study for bass trombone was commissioned by the Fort Worth Trombone Summit, David Begnoche, Director.  It contrasts staccato passages mimicking notes bouncing off reflective surfaces, with lyrical passages.  Eventually these two ideas merge together.  Written for the advanced player.

Piano Solo - Digital Download SKU: A0.1178488 Composed by Julián De La Chica. Classical,Contemporary,Film/TV. Score. 25 pages. Vagabundo Music Publishing #778453. Published by Vagabundo Music Publishing (A0.1178488). The current pianistic postminimalism draws heavily from Ambient music, this is how it tries to build surfaces. We hear it in popular figures such as Max Richter, Hania Arani, Olafur Arnalds or Nils Frahm. In the Silencios Fatuos (2021) by Colombian composer Julián De La Chica, this search seems to find threads that weave with the phosphorescent and radioactive shadows left by the twentieth century, and to which we return when listening to the flashes of sonorities that refer us to Ryuichi Sakamoto or David Sylvian. In previous productions, such as the  Preludes Op. 8, and his Voyeuristic Images Op. 10, De La Chica's pianism shows a constant exploration and research. The composer-pianist urges within the parameters of the new simplicity, challenging himself in a kind of minimal eroticism. In Silencios fatuos the artist gradually sheds his skins, confronting the very fatuity of postminimalism. And in this way, he seems to sprout abstaining from any violent rebellion, in a kind of superfluity, allowing the passage of time, building surfaces with curved lines that twist on themselves without noise, without groans, contemplating the absurd with an unsettling serenity.— Susan Campos-Fonseca, PhDMusicologist & composer

Piano Solo - Level 3 - Digital Download SKU: A0.915022 By Surfaces. By Colin Padalecki and Forrest Frank. Arranged by Anthony Williams. Contemporary. Score. 5 pages. Anthony Williams #5358925. Published by Anthony Williams (A0.915022). A fun, intermediate solo piano version of Surfaces' hit song Sunday Best. A great modern pop song to add to an intermediate pianists repertoire!

By Surfaces. By Colin Padalecki and Forrest Frank. Arranged by Matt Dorland. Contemporary. Score. 4 pages. Matt Dorland Music #6022397. Published by Matt Dorland Music

Concert Band - Digital Download SKU: AX.00-PC-0016224_TB1 Tuba. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_TB1). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.

String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed by D. M. Gardner. Concert. Score and parts. 25 pages. D. M. Gardner Music #481035. Published by D. M. Gardner Music (A0.799652). This very popular piece has enjoyed performances across the country. Entre Nous was originally premiered in Omaha, Nebraska with the University of Nebraska Chamber Orchestra. Soon, Entre Nous made it's way to places such as Florida, Texas, and most recently, Iowa, where this newest revision was premiered. Entre Nous has faired well in competition and recital and is sure to be a great addition the repertoire of any chamber orchestra.Entre Nous (between me and thee) is a conversation between a man and his God. It is a single movement, ternary composition, mirroring the Holy Trinity. Beginning in a solemn g minor, it quickly moves forward with an endless flow of eighth note counterpoint, emerging enchantingly into the flowing melancholy melody of the B section. The second A surfaces in a minor with a sudden new energy and direction, slipping into a deeply contemplative, ethereally enchanting ending.Entre Nous is also a very unique and interesting piece, perhaps the reason for its popularity. Structurally, it turns upside-down a number of times, each line becoming the melody at some point. A very linear piece, melodic interweaving and predominance give Entre Nous a characteristic that can be best described as enchanting. Much of the melody being perceived is actually a combination of several lines of music at once, often in contrast to another melody or two beneath.Premiere: University of Nebraska at Omaha - Chamber Orchestra - April 30, 1997Difficulty: Moderate - A great piece for middle school or youth orchestras. Great for competition. Entre Nous has been performed for several competitions and a graduate audition at Florida State.Number of Pages: 25 total printed pagesApprox. 7 minutes and 34 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com