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Full Orchestra - Level 4 - Digital Download SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 pages. Thomas Oboe Lee #431491. Published by Thomas Oboe Lee (A0.869302). Instrumentation: 2222-2221-timp-perc-hp-strings Program note. When I told Gil Rose that I had written symphonies for the cities of Paris and Rome, he said Why don’t you do London as your next symphony? I told him, But I’ve never been to London. He said, Well, now you have an excuse to go there. That never happened; going to London, that is. But I was very intrigued about writing a London symphony. So, I decided to go ahead, and instead of London as a travelogue symphony, something I did for Paris and Rome, I came up with an alternative idea. Why not compose a London Symphony in homage to three of my favorite English composers: Benjamin Britten, Ralph Vaughan Williams and Edward Elgar? Symphony No. 9 … My Imaginary London is in three movements with multiple sections within each. 1. Prelude: Benjamin Britten (1913-1976) Moderato Scherzo I Trio I Reprise I Allegretto 2. Interlude: Ralph Vaughan Williams (1872-1958) Lento Scherzo II Trio II: Adagio Reprise II Allegro con fuoco 3. Postlude: Edward Elgar (1857-1934) Largo This work is dedicated to my wife and muse, Kristin Beckwith.Enjoy!!!Vido link: https://youtu.be/q0qmqVz9IhwAudio link: https://thomasoboelee.bandcamp.com/album/symphony-no-9-my-imaginary-london-2014
Symphony No. 9 ... My Imaginary London (2014)
Orchestre

$9.99 8.42 € Orchestre PDF SheetMusicPlus

SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8606-E Composed by Joshua Fishbein. 12 pages. E. C. Schirmer Music Company - Digital #8606-E. Published by E. C. Schirmer Music Company - Digital (MQ.8606-E). English.The composer has crafted a very literal musical interpretation of this text by Benjamin Britten. For instance, the word “minor†is set in pulsating minor triads. Also, the initials “E. B.†are sung on the pitches E and B. This composition shares similarities with music one might hear performed by a cappella groups on college campuses, such as humming and singing on neutral vowels like “Oh†and “Ah.†Elements of this piece also resemble 20th Century English choral music by William Walton and Ralph Vaughan Williams, in addition to Britten himself. Examples include abruptly distant harmonic changes, shocking cross-relations, and slow triplets that match the rhythm of the English language. Overall, A Prep-School Boy is very much in the spirit of the composer that it honors. Duration: 5:00.
A Prep-School Boy (Downloadable)
Chorale SATB

$2.65 2.23 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SA) - Level 4 - Digital Download SKU: A0.856147 Composed by Trad. Arranged by Liz Garnett. A Cappella,Contemporary,Folk. Octavo. 4 pages. Liz Garnett #3417457. Published by Liz Garnett (A0.856147). I have loved this folk song since I sang Benjamin Britten's arrangement of it for solo voice and piano in my teens. This four-part a cappella arrangement has a lilt that those who know Britten's version will find familiar, but ranges more widely harmonically, moving into a variety of different keys as it passes the melody from lead to bass and finally to tenor.It increasingly explores both diatonic dissonance and chromatic harmonies as the emotional narrative becomes more troubled, evoking the poignancy of the lyric in both the shape of the lines and the way they rub up against each other.Vocal ranges:Tenor: E flat 4 - F5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F4It is notated on two staves, treble and bass alta (i.e. bass clef sounding up an octave)
O Waly Waly
Chorale 2 parties

$2.99 2.52 € Chorale 2 parties PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
In Memoriam - Score Only
Orchestre de chambre

$7.99 6.74 € Orchestre de chambre PDF SheetMusicPlus


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