By The Beatles. Arranged by Gary Powell Nash. Pop, Rock. Score, Set of Parts. 21 pages. Published by Gary Powell Nash (H0.124687-922260). - Score,Set of Parts - Pop,Rock - Gary Powell Nash

By The Jackson 5. Arranged by Gary Powell Nash. Score, Set of Parts. 30 pages. Published by Gary Powell Nash (H0.142299-3134). - Score,Set of Parts - - Gary Powell Nash

By The Beatles. Arranged by Gary Powell Nash. Score, Set of Parts. 22 pages. Published by Gary Powell Nash (H0.127415-943309). - Score,Set of Parts - - Gary Powell Nash

Composed by Gary Powell Nash. 21st Century, Latin. Score, Set of Parts. 25 pages. Published by Gary Powell Nash (S0.163147). - Score,Set of Parts - 21st Century,Latin - Gary Powell Nash

By Deniece Williams. Arranged by Gary Powell Nash. Score, Set of Parts. 25 pages. Published by Gary Powell Nash (H0.236421-471700). - Score,Set of Parts - - Gary Powell Nash

Composed by Gary Powell Nash. Contemporary Classical. Score, Set of Parts. 69 pages. Published by Gary Powell Nash (S0.283097). - Score,Set of Parts - Contemporary Classical - Gary Powell Nash

Composed by Gary Powell Nash. 20th Century. Set of Parts, Score. 80 pages. Published by Gary Powell Nash (S0.11776). - Set of Parts,Score - 20th Century - Gary Powell Nash

Composed by Gary Powell Nash. 21st Century. Set of Parts, Score. 32 pages. Published by Gary Powell Nash (S0.7927). - Set of Parts,Score - 21st Century - Gary Powell Nash

Composed by Gary Powell Nash. Contemporary Classical. Score, Set of Parts. 24 pages. Published by Gary Powell Nash (S0.61303). - Score,Set of Parts - Contemporary Classical - Gary Powell Nash

Composed by Gary Powell Nash. Contemporary Classical. Score, Set of Parts. 15 pages. Published by Gary Powell Nash (S0.61411). - Score,Set of Parts - Contemporary Classical - Gary Powell Nash

By Marvin Gaye. Arranged by Gary Powell Nash. Score, Set of Parts. 21 pages. Published by Gary Powell Nash (H0.227139-344795). - Score,Set of Parts - - Gary Powell Nash

Composed by Gary Powell Nash. 20th Century. Set of Parts, Score. 23 pages. Published by Gary Powell Nash (S0.7929). - Set of Parts,Score - 20th Century - Gary Powell Nash

Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.881224 Composed by Gary Powell Nash. 20th Century. Score and parts. 25 pages. Gary Powell Nash #2011729. Published by Gary Powell Nash (A0.881224). Deformation and Tranquility (1987) for B-flat clarinet and piano is Gary Powell Nash’s first musical work composed during his formal composition studies and it is one of his few compositions conceived before 1990 that continues to be consistently programmed on a regular basis. The title stems from what Nash describes as a deformed way of treating themes and motives, a contrasting tranquil section, a solo cadenza that immediately follows the tranquil section and a return of the deformed music. Deformation and Tranquility features many jazz-like harmonies, melodies and rhythms, with the rhythms consisting of fast, highly syncopated 16th note passages.

Piano Solo - Level 5 - Digital Download SKU: A0.881230 Composed by Gary Powell Nash. Contemporary. Score. 31 pages. Gary Powell Nash #36467. Published by Gary Powell Nash (A0.881230). Three Ivory Magnolia Fantasies (2003) for piano solo is a three movement work largely inspired by Dr. Gary Powell Nash’s experiences in Mississippi as Associate Professor of Music at Mississippi Valley State University. Movement one, titled Buddy’s Path is a result of the two main premises of the movement which include blues riffs of Buddy Guy and Beethoven’s Pathetique Sonata. Buddy’s Path begins with a slow introduction and transitions to faster music. After section 2, the slow intro music returns and once again transitions to section 1 material, alluding to the formal structure from Movement 1 of the Pathetique Sonata. Movement two, titled Dedication, a slow movement is also ternary, with A, B, cadenza and A’. It begins with cadenza-like passages, using 32 note rhythms and then moves to slower paced music, with longer note values, although actually marked at a slightly faster tempo. The B section continues the slow paced music and progresses to a Chopin-like cadenza, which closes the B section. The A’ section returns to the slower paced music with longer note values. Movement three, titled Fast Blues on the Wall is based on a blues tune titled On the Wall, an upbeat and fast tempo tune demonstrating the barrelhouse blues tradition. Using a ternary design, the A and A’ sections of Fast Blues on the Wall feature a doubled twelve bar blues-like progression where the corresponding phrases in a standard twelve bar blues progression are doubled in regards to measure length.

Small Ensemble Drum Set,Horn,Trombone,Trumpet,Vibraphone - Level 5 - Digital Download SKU: A0.881262 Composed by Gary Powell Nash. Contemporary. Score and parts. 133 pages. Gary Powell Nash #6137361. Published by Gary Powell Nash (A0.881262). Brass Magnolia Suite (1999) for trumpet, horn, bass trombone and percussion was largely inspired by Gary Powell Nash’s residency in Mississippi, the Magnolia State from 1996-2003.  Being that Mississippi, particularly the northwest part of the state known to most as the Mississippi Delta, is very rich in musical traditions, Nash chose to use some of these same traditions as the basis and major premise for his composition.  For the most part, Brass Magnolia Suite is based on Mississippi Delta blues tunes and bird songs of those indigenous to the region.  Such birds include the mockingbird, wood thrush, common crackle and the meadowlark.  For Nash’s utilizations of these bird songs, as well as blues tunes, he took rhythms and melodic contours of each and manufactured melodies and motives of his own.         While Brass Magnolia Suite is not meant to be programmatic, the five movements, which are arranged in a traditional fast-slow-fast-slow-fast format, all depict either a particular experience for Nash or a natural occurrence in Mississippi.  The first movement, Fanfare, is based on the mockingbird’s song.  The second movement, Homage to the Armadillos, incorporates the song of the wood thrush.  The third movement, Catfishery, is supported by the tune Catfish Blues and the common grackle’s song.  The fourth movement, Song of the Meadowlark, is exactly what it suggests and the fifth movement, The Gospel, is based on the gospel blues tune John, the Revelator.