Bass Trombone,Trombone Solo - Level 5 - Digital Download SKU: A0.1449238 By George B Chave. By George B Chave. Arranged by George B Chave. 21st Century,Classical,Contemporary. Individual part. 4 pages. BrassMagicMusic.com #1029034. Published by BrassMagicMusic.com (A0.1449238). This short study for bass trombone was commissioned by the Fort Worth Trombone Summit, David Begnoche, Director.  It contrasts staccato passages mimicking notes bouncing off reflective surfaces, with lyrical passages.  Eventually these two ideas merge together.  Written for the advanced player.

Piano Solo - Digital Download SKU: A0.1178488 Composed by Julián De La Chica. Classical,Contemporary,Film/TV. Score. 25 pages. Vagabundo Music Publishing #778453. Published by Vagabundo Music Publishing (A0.1178488). The current pianistic postminimalism draws heavily from Ambient music, this is how it tries to build surfaces. We hear it in popular figures such as Max Richter, Hania Arani, Olafur Arnalds or Nils Frahm. In the Silencios Fatuos (2021) by Colombian composer Julián De La Chica, this search seems to find threads that weave with the phosphorescent and radioactive shadows left by the twentieth century, and to which we return when listening to the flashes of sonorities that refer us to Ryuichi Sakamoto or David Sylvian. In previous productions, such as the  Preludes Op. 8, and his Voyeuristic Images Op. 10, De La Chica's pianism shows a constant exploration and research. The composer-pianist urges within the parameters of the new simplicity, challenging himself in a kind of minimal eroticism. In Silencios fatuos the artist gradually sheds his skins, confronting the very fatuity of postminimalism. And in this way, he seems to sprout abstaining from any violent rebellion, in a kind of superfluity, allowing the passage of time, building surfaces with curved lines that twist on themselves without noise, without groans, contemplating the absurd with an unsettling serenity.— Susan Campos-Fonseca, PhDMusicologist & composer

Piano Solo - Level 3 - Digital Download SKU: A0.915022 By Surfaces. By Colin Padalecki and Forrest Frank. Arranged by Anthony Williams. Contemporary. Score. 5 pages. Anthony Williams #5358925. Published by Anthony Williams (A0.915022). A fun, intermediate solo piano version of Surfaces' hit song Sunday Best. A great modern pop song to add to an intermediate pianists repertoire!

4(3.pic, 4.pic, afl).2.ca.3(2.Ebcl, 3.bcl).2.cbsn-4.4.3.1-timp.3perc(2sm s.d., 2 sys cym (sm, med, lg), anvil, 2tub bells, crots, b.d., siz cym, calves, maracas, tam-tam, crash cym, tri, 4 templblk(med-high)-hp-str(12.10.8.6.5) - Digital Download SKU: S9.Q46173 Opera in three acts based on the play by William Shakespeare. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q46173. Published by Schott Music - Digital (S9.Q46173). English.King Leontes’ jealous rage results in the death of his loyal wife Hermione days after she has given birth. Leontes orders for the baby to be killed, but many years later, truth surfaces as a crocus at the first sign of thaw. Ryan Wigglesworth’s first opera is a luminous, persuasive retelling of William Shakespeare’s The Winter’s Tale. His natural sense for dramatic narrative brings clarity to this tragedy-turned-romance, its brooding opening act unfolding gradually into a light-hearted scherzo. Written as the culmination of Wigglesworth’s tenure as Artist in Residence with English National Opera, The Winter’s Tale is not to be missed.

Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries                                                                      by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles.  It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation.   The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics  Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested.   Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.

Easy Piano,Piano and Keyboard - Digital Download SKU: HX.478090 By Surfaces. This edition: scorch. Children,Pop. Score. 2 pages. Published by Hal Leonard - Digital (HX.478090).

Concert Band - Digital Download SKU: AX.00-PC-0016224_B1 Bassoon. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_B1). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.