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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download

SKU: A0.522243

Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Christmas,Holiday,Love,Wedding. Score and parts. 11 pages. Colin Kirkpatrick Publications #4835037. Published by Colin Kirkpatrick Publications (A0.522243).

The Water Is Wide (also known as O Waly, Waly) is an old folk song of Scottish origin and like so many other folk songs exists in many variants. The lyrics partly date back to the 1600s but the song remains ever-popular today. This attractive arrangement is for E flat alto saxophone, B flat tenor saxophone and piano and is intended for intermediate players. The arrangement would be useful for student or professional recitals, end-of-semester concerts or would make a popular encore number for a concert. It would make a popular addition to any events with a Scottish flavor or romantic themes. The imagery of the lyrics describes the challenges of love and has been reflected in the lyrical tenor sax part of this arrangement. The folk song is the same one that the British composer Benjamin Britten arranged for voice and piano. This new arrangement is sure to go down well with audiences.





The Water Is Wide (for alto sax, tenor sax and piano)
Saxophone Tenor et Piano

$12.99 12.3 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Soprano Flute - Level 4 - Digital Download

SKU: A0.1499262

Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262).

Foreword:
Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.

Performance Notes:
I Moderato,  slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. 

II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.

III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.

James Albert Yeager (b.1946)
James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.

Sonatina for Flute and Piano

$30.00 28.4 € PDF SheetMusicPlus

Solo Guitar - Digital Download

SKU: A0.742409

Composed by John Dowland. Arranged by Arte Nova Music Lab. Concert,Renaissance,Standards. Individual part. 2 pages. Arte Nova Music Lab #3009351. Published by Arte Nova Music Lab (A0.742409).

John Dowland[1] (1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as Come, heavy sleep (the basis of Benjamin Britten's 1963 composition for guitar solo, Nocturnal after John Dowland), Come again, Flow my tears, I saw my Lady weepe and In darkness let me dwell, but his instrumental music has undergone a major revival, and with the 20th century'searly music revival, has been a continuing source of repertoire for lutenists and classical guitarists. Taken from https://en.wikipedia.org/wiki/John_Dowland

Tarlenton's Riserrectione - Guitar
Guitare

$5.00 4.73 € Guitare PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download

SKU: A0.805580

Composed by Frank Bridge. Arranged by Marcus Martin. 20th Century,Concert,Standards. Score and parts. 5 pages. Cornelius Edition (uk) #6133903. Published by Cornelius Edition (uk) (A0.805580).

Frank Bridge, 1879 - 1941, was an English composer, viola player, and conductor particularly known for his chamber music and songs. A student of Charles Villiers Stanford, he, in turn, became the teacher of Benjamin Britten. Although he composed in many genres, he was particularly successful in his smaller forms, such as this Spring Song which is taken from a collection of four small pieces for either violin or cello composed in 1912.  In this arrangement, the original piano part is replaced by a cellist and the resulting duo is an attractive piece suitable for chamber music recitals or busking!

 

Spring Song by Frank Bridge arranged for violin & cello
Violon, Violoncelle (duo)

$3.50 3.31 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download

SKU: A0.1024240

Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240).

Geometria is a serial composition*.

Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances.

There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12.

Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players.

*Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived.

Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.





Geometria
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$5.99 5.67 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus


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