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Vibraphone (cymbal, gong, Tamtam) and piano - difficult - Digital Download SKU: S9.Q11783 For vibraphone (cymbal, gong, tamtam) and piano. Composed by Bertold Hummel. This edition: score and part. Downloadable, score and part. Op. 82b. Duration 7 minutes. Schott Music - Digital #Q11783. Published by Schott Music - Digital (S9.Q11783). In the Meditation a passacaglia is built on the base of twelve different clusters in the piano; the series begins in the third bar after a short introduction, is completely repeated three times, and counterpointed by the ever transforming vibraphone melody. Framing the movement the introduction is repeated at the end.The character of the second movement Ostinato is moulded by an ascending four-note motive contrasted by a damper-pedalled eight-tone sequence developing into a short melody. Through numerous interactions of this musical idea the composer unfolds an amusing Rondo which also integrates Jazz rhythms.Daniela KoreimannTranslation: Jean Henssler.
Duettino

$16.99 14.9 € PDF SheetMusicPlus

Percussion (one player: vibraphone, marimba, cymbals, tom-tom, etc.). Advanced soprano saxophone and percussion - difficult - Digital Download SKU: S9.Q54669 Composed by Bertold Hummel. This edition: performance score. Cymbal sound - multiphonic. Downloadable, Performance score. Volume op. 88a. Duration 8 minutes. Advance Music GmbH - Digital #Q54669. Published by Advance Music GmbH - Digital (S9.Q54669). The overall form of this work in one movement is in seven sections. A slow introduction begins with multiphonics of the saxophone and sounds of cymbals played with a double-bass bow. Vibraphone and marimbaphone provide the chordal foundation for a fanfare-like invocation by the saxophone. The atmosphere of the following Allegro is dominated by an ostinato series of notes taken from the chords of the introduction and played by the marimbaphone; over this, starting from a four-note series, the saxophone develops jazz-influenced figures. The constructional elements are worked into a cadenza-like section, followed by an arioso passage, leading over lightly-pulsating sounds to a final climax with a B-A-C-H (B flat - A - C - B) quotation in the saxophone. Once again, it continues with a cadenza-like section. Slap in the saxophone and stopped notes in the vibraphone and marimbaphone introduce new ideas and sonorities for discussion, the constructional elements are played off against each other in a loose sequence. At the end of this second cadenza, the B-A-C-H (B flat - A - C - B) quotation re-appears in the saxophone. A varied reprise of the first Allegro section leads to a concluding passage, taking up the atmosphere of the introduction, combined however with clear references to the four-note series of the Allegro. The interval of a third is heard and remains hovering in the air to the very end, closing the work in pianissimo.
Due a due

$16.99 14.9 € PDF SheetMusicPlus


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