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Full Orchestra - Level 5 - Digital Download SKU: A0.1182869 By Thomas Fernando. By Thomas Fernando. Film/TV. Score and parts. 23 pages. Thomas Fernando #782617. Published by Thomas Fernando (A0.1182869). Introducing the mesmerizing and enchanting original score to Beware the Jabberwocky, composed by Thomas Fernando. The score is written for a full orchestra, featuring two solo violins and a solo viola, which add depth and richness to the already captivating music. All cues from the film have been notated fully, in their original orchestration.Directed by Sasha Gorman, a graduate of the Victorian College of the Arts, Beware the Jabberwocky weaves the language of bodily movement and dance. The film follows a Knight as she sets out to ensnare and slay her rival, the terrifying Jabberwocky. As the knight comes face to face with her foe, the two engage in an epic battle that will leave viewers on the edge of their seats. But as the duel between the Knight and the Jabberwocky intensifies, something unexpected begins to emerge between them: despite their differences, a deep and powerful connection takes hold, blurring the lines between love and rivalry. This emotive and compelling score underscores the epic fantasy battle between the knight and the Jabberwocky, drawing the viewer into the film's world and heightening the narrative's emotional impact.
Beware the Jabberwocky - Score Only
Orchestre
Thomas Fernando
$9.99 8.39 € Orchestre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♭ to a D♮  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♭ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre

$10.99 9.24 € Orchestre PDF SheetMusicPlus

Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Long 馬水龍. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》,管弦樂與男聲大合唱     2003年11月間一個美好的機緣,參與文化總會中部辦公室路寒袖先生所推展的「玉山學」,造訪了台灣精神聖地,體驗群嶽之冠「玉山」的雄偉與寬容。誠如作家路寒袖先生所言:「無論登頂與否,既入山中,即為山所包容」。的確,登山不僅是觀賞美景讚嘆山的壯麗與險峻,而更重要的在空靈的山中隱藏禪機,讓我們學習到真正的謙卑。當作曲者親臨時刻,心中卻一片茫然而無語,瞬間,想起詩人李魁賢先生一首詩作「無形的神殿」言:   我高高在上   不在乎看得遠   遠方茫茫   什麼也看不見   我堅持冷   靜我內部岩層的    世界,我獨立   在喧囂的紅塵外   熱氣騰騰的人   來我這裡無形的神殿   回到世間還是熱氣騰騰    什麼也沒體會   作曲者經詩人李魁賢先生的同意,借用詩名「無形的神殿」作為本曲之標題,譜寫作曲者親臨拜訪「玉山」,心中的悸動與感受。本曲創作素材中,亦引用幾首鄒族與布農族原住民之歌,在男生大合唱與管弦樂交織中,分為(一)夜話排雲(二)日出(三)祭神等三大部份,以連樂章形式呈現。 ※(1)本曲為邱再興文教基金會委託創作之作品,完成於2005~2006年,2007年12月中旬分別於台中國立台灣交響樂團演奏廳、高雄市文化中心至德堂及台北國家音樂廳,指揮家邱君強指揮國立台灣交響樂團及台北愛樂合唱團聯合舉行世界首演。 (2)鄒族與布農族之歌旋律,資料來自於雲門舞集及浩恩出版社(高山的禮讚)所出版之CD,並由我的作曲學生蔡欣微聽寫整理提供,在此一併表示感謝之意。 The Invisible Temple - for male chorus and orchestra    In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.
《無形的神殿》管弦樂與男聲大合唱 The Invisible Temple - for male chorus and orchestr

$44.99 37.81 € PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♭ to a D♮  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♭ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre Cordes

$3.99 3.35 € Orchestre Cordes PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1165389 Composed by Michael Giacchino. Arranged by CHURT. Classical,Film/TV. Score and parts. 13 pages. CHURT #765714. Published by CHURT (A0.1165389). The world of superheros takes a dark turn and blurres the lines of what is good and what is evil. Michael Giacchino's perfectly misterious music from the Marvel Studios' Special Presentation Werewolf By Night brings all of it to life in Mane Theme.Originaly composed for solo piano and now re-arranged for string quartet by CHURT.#Marvel #Marvelstudios #Moviemusic #Soundtrack.
Werewolf By Night: Mane Theme
Quatuor cordes: 2 violons, alto, violoncelle
Night brings all of it to life in Mane Theme Originaly composed for solo piano and now re-arranged for string quartet by CHURT
$16.99 14.28 € Quatuor cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.961877 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Score. 38 pages. J. Aaron Lee #567586. Published by J. Aaron Lee (A0.961877). From the Japanese “bukimi no tani” (first used by Dr. Mori in 1970), “uncanny valley” refers to the concept that imperfect humanoid objects will evoke uncanny or uneasy feelings in a viewer. Similarly, I believe that there can be an uneasy disconnect in concert venues when listening to pre-recorded sound, especially as it begins to approximate the sounds of real, on-stage performers. Simulacrum explores this concept by intermingling both a live and pre-recorded piano into a singular texture. Blurring and obscuring the lines between what is human and what is digital, this work actively tasks the listener with reconciling the two aspects into a unified listening experience. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
Simulacrum - for piano and soundtrack
Piano seul

$19.99 16.8 € Piano seul PDF SheetMusicPlus

Small Ensemble,Strings Bass Guitar,Drums,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1033326 Composed by Manuel Sebastian Trejo. Arranged by Manuel Sebastian Trejo. Folk,World. Score and parts. 4 pages. Publicacion de Sebastian Trejo #6341955. Published by Publicacion de Sebastian Trejo (A0.1033326). El presente Pdf contiene la partitura original de mi autoria. Un arreglo que sirve para ambientar escenas para una propaganda publicitaria. O para videos referidos a la naturaleza. Se vende todo compuesto listo para ejecutar e interpretar a gusto del instrumentista. This Pdf contains the original score of my authorship. An arrangement that serves to set scenes for an advertising blurb. Or for videos related to nature. It is sold all composed ready to execute and interpret to the taste of the instrumentalist.
Pensando/Thinking

$5.00 4.2 € PDF SheetMusicPlus


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