Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.977474 Composed by Adavion Wayne. Arranged by Adavion Wayne. Broadway,Musical/Show,Pop. Score. 6 pages. The WayneCreative Group, LLC #4316631. Published by The WayneCreative Group, LLC (A0.977474). ABOUT THE SONGRANGE: F3 - A4From the musical Feels, Thrills, & Trainwrecks, Ready To Be Loved showcases the unique and fluid songwriting style of Adavion Wayne, a fresh sound to the musical theater landscape. This song speaks to our desire to find the person that completes us in every way, but in our search we find that the person we are looking for is closer than we think! Beautifully interpreted by Stephen Hudson, Houston native and New York City resident, this song captures the listener with memorable melodies and compelling lyrics. The musical Feels, Thrills, & Trainwrecks was premiered in Houston, TX in 2019.ABOUT THE COMPOSERAdavion Wayne is a Louisiana native and currently resides in Houston, Texas. He has been a songwriter for more than 15 years with titles that span the Classical, Musical Theater, and Gospel/Christian music genres. He is a former public school music educator and currently is a music instructor at the Humphrey's School of Musical Theater, the professional training academy of Theater Under The Stars, one of the most renowned musical theater companies in the country.

Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.746012 Composed by Words and Music by Betsy Lee Bailey. Christmas,Contemporary,Sacred. 7 pages. Betsy Lee Bailey #3387683. Published by Betsy Lee Bailey (A0.746012). Ring Glad Christmas Bells for Low Voice and Piano is a joyful solo for any Christmas musical setting.  The original sacred text proclaims the joyous news that Jesus the Savior is born today!  Fun for the singer!  Fun for the listener!  Accessible for young and older voices alike, trained or untrained.  This piece is appropriate for Church services as well as Christmas Concerts.

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.746011 Composed by Betsy Lee Bailey. Christmas,Contemporary,Sacred. 6 pages. Betsy Lee Bailey #3387681. Published by Betsy Lee Bailey (A0.746011). Ring Glad Christmas Bells for High Voice and Piano is a joyful solo for any Christmas musical setting.  The original sacred text proclaims the joyous news that Jesus the Savior is born today!  Fun for the singer!  Fun for the listener!  Accessible for young and older voices alike, trained or untrained.  This piece is appropriate for Church services as well as Christmas Concerts.

Guitar - Level 2 - Digital Download SKU: A0.1469514 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Tabitha Beaven. A Cappella,Pop. Chords/Lyrics. 4 pages. Tabitha Beaven #1047554. Published by Tabitha Beaven (A0.1469514). Part of a 'Pop Song Layer Up' series - these arrangements are designed to be quick, easy wins for choir or singing group warm-ups and fun filler songs. Essentially a 'long form' round, it takes three elements of Meghan Trainor's 'Dear Future Husband' and layers them up. As with singing any round, it provides great brain training and stretch for singers to concentrate and focus on their part and not be swayed by the multiple rhythms and notes moving around their part. The arrangement provides a structure but is designed to be explored and experimented with to see what works, ideal to build confidence for both group leader and singers trying something new together. A key chart showing four different keys has been provided with note range and starting notes should an alternative key be more suitable for your vocal group. Suggest using off-beat finger clicks or a metronome beat to keep time.  Backing tracks may be available in future.  Suggested structure to try:Start with a group on Voice 1 (alternatively this can be the full group before split into different groups)At the repeat sign Voice 1 moves to Voice 2 and a second group start on Voice 1At the repeat sign, Voice 1 moves to Voice 2, Voice 2 moves to Voice 3 and a third group starts as Voice 1If the third group to come in sings all three parts, it will mean 5 repeats in totalAgree a sign with group and when reaching the end of the last repeat - move to the Coda to finish offMost importantly, it's something to have a little bit of fun with and freshen up warm-ups exercises.

Brass instruments - Digital Download SKU: S9.Q46742 Das Trainingsprogramm für alle Blechbläser. Ergänzungsband zur Brass Master Class-Methode (ED 8335). This edition: Sheet music. Training - Endurance - horns. Downloadable. Schott Music - Digital #Q46742. Published by Schott Music - Digital (S9.Q46742). German.For many years, Malte Burba's Brass Master Class (ED 8335) has been a standard work for the technical and musical training of brass players. In his new volume, Burba presents a multi-level programme of basic exercises: By specifically developing body awareness and body control, the musician is enabled to identify and solve the causes of problems with sound, endurance and intonation. Each level starts with physical exercises which are then transferred to the instrument and finally solidified by specific exercises.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2  It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind.  No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4  The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.

Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.

Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2  It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind.  No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4  The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.

Piano Solo - Level 1 - Digital Download SKU: A0.924232 Composed by Cynthia Moyes. Instructional. Score. 23 pages. Cynthia Moyes #3222365. Published by Cynthia Moyes (A0.924232). Gold 1 – Teaches transposition and scales.Gold 1 is the third level in the Finger Olympiad warm up and recognition series. Students in the Gold 1 level are comfortable with two hand playing and with the instrument in general. Continuing in the style of Bronze and Silver, note reading is not required. Focus on finger coordination, musicianship, and solid practice habits will be further enforced, and transposition in the keys C, G, D, A, E, and B learned. Scales in the same six keys will also be learned. The Finger Olympiad series is based on solid, modern, scientific learning strategies, avoiding some of the most common frustrations students encounter.  Instead focus is on attitudes, achievements and recognition. Finger Olympiad trains and focuses on specific skills for developing complete musicianship. Because of the focus on musical fundamentals, this workbook can be used for either independent study, or in a teacher-student setting as a supplement to any other method. Gold 1 is the third complete warm up book in the Finger Olympiad warm-up and recognition series. Gold 2 follows, training the remaining keys. This 2 book progression is comfortably paced for most students. However, adults or other students wishing to transpose to all keys in one book should use Gold Complete. Digital download includes a warm-up book, flash cards, and recognition certificate. As the name indicates, a Gold medal may be ordered to recognize the completion of this level. For more practice tips, follow Finger Olympiad on facebook.

Full Orchestra - Level 4 - Digital Download SKU: A0.814793 Composed by Richard E Brown. Contemporary,Instructional,Standards. Score and parts. 155 pages. Dacker Music #4594845. Published by Dacker Music (A0.814793). Expansions for Orchestra is intended for community or school orchestras and is designed to serve as an interesting--if stylistically unfamiliar--concert work which also provides training in the performance of atonal contemporary music. It introduces cluster harmony and some of the non-standard notation, techniques, and aleatoric effects used in contemporary music without placing undue strain on the abilities of non-professional players. It is conceived as a work that will be interesting--even fun--to play and listen to while providing valuable experience in preparation for more difficult works from the contemporary repertoire. The title derives from the way the work takes a very small amount of material and expands this into a full composition.

Mixed choir (SABar) - intermediate - Digital Download SKU: S9.Q6911 Composed by Paul Hindemith. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q6911. Published by Schott Music - Digital (S9.Q6911). German.Singing, especially singing in small groups, is a valuable and even the most natural musical activity - that is what Paul Hindemith (1895-1963) firmly believed: 'Everybody has got a voice ... A choir is the least demanding and at the same time best educational tool.' And that is why singing had always been part of his teaching activities, be it while trying and practising musical-theoretical tasks, be it while rehearsing old and modern choral settings. No wonder that the composer had dealt with choral music all his life, addressing himself to all different kinds of vocal ensembles: to mixed choirs, male-voice and children's choirs, professional choirs and trained singers. He developed his a-cappella style during his training with Arnold Mendelssohn and Bernhard Sekles at the Hoch Conservatoire in Frankfurt. As a consequence, the sketch books from his student days also contain three-part vocal settings on cantus firmi. The sacred choral works presented here (1. Christus, der ist mein Leben, 2. Erhalt uns, Herr, bei deinem Wort, 3. Nun komm, der Heiden Heiland, 4. Gott des Himmels) are not only interesting as compositional studies, but also as sonorous and catchy choral music which can be easily performed by any good church choir.

Choral Choir (SATB) - Digital Download SKU: A0.771853 Composed by Nicholas de Burgundy. Arranged by Gregory Hamilton. Classical. Octavo. 3 pages. Dr. Gregory Hamilton #3245769. Published by Dr. Gregory Hamilton (A0.771853). Kyrie Nicholas de BurgundyNicholes de BurgundyIn the baptismal records of the Cathredale St. Lazare, Autin (Burgundy) there is mention of a Nicholes de Burgundy born probably early April 1571.Little is know of his early life, or where he received his training. He possibly received his musical tutoring from a former master of the choristersat St. Lazare, as by the evidence of his few surviving works, he was trainedin the Palestrina school. His slim ouvre survives in but one manuscript, theMss.Autin.Res. 127.a, presently in the Bibliteque Nationale. There are two surviving masses (untitled) and six motets, one incomplete.This Kyrie is taken from the second of the mass settings, and employs as cantus firmus the chant later to be know as the Missa da Angelus (a nineteenth century moniker). This arrangement approximates theperformance style of Alternatim, used in a number of different waysthroughout Europe at the time. It provides today, an ideal way of forming afruitful liturgical dialogue between the Congregation, Choir and Cantor.Ed. note; some of the texural underlay is conjectural and unclear in the mss.

Violin Solo - Level 5 - Digital Download SKU: A0.974444 Composed by Alisa Rose. Concert,Contemporary,Instructional. 37 pages. Alisa Rose #6016177. Published by Alisa Rose (A0.974444). For intermediate to advanced players and suitable for concert programming. This cross-genre collection of virtuosic works for solo violin studies pizzicato and percussive techniques as well as tango and fiddle styles.  Composer and violinist Alisa Rose is a modern musician with a versatile voice which is strengthened by the diversity of her musical background. A San Francisco Conservatory-trained violinist and chamber musician (B.M. with Camilla Wicks, M.M. in Chamber Music as a student of Bettina Mussumeli), Alisa complemented her formal violin training with extensive studies of improvisation, composing, and the rich American fiddle traditions. Her expressive voice and stylistic fluidity has been featured in ensembles that encompassed her love of both roots music and classical chamber music, including the modern-folk ensemble Real Vocal String Quartet (U.S. Department of State Cultural Ambassadors), classical crossover stars Quartet San Francisco (Grammy-nominated), bluegrass band 49 Special (Rockygrass Band Contest Winners), and in her current contemporary roots duo, Scroggins & Rose (Freshgrass Album Fund Awardees).  As a composer, Alisa Rose blends American folk techniques with classical concert forms. This style can be heard on her album of cross-genre virtuoso works for solo violin entitled Fiddle Caprices and Pizzicato Pieces as well as many of her compositions for Real Vocal String Quartet including So it Goes and Slacker Ridge.  

Violin - intermediate - Digital Download SKU: S9.Q3089 Bogentechnik und Koordinationsetüden. This edition: Sheet music. Conditioning training - music lesson - violin - fiddle playing. Downloadable. Op. 2. Schott Music - Digital #Q3089. Published by Schott Music - Digital (S9.Q3089). German.Violintechnik intensiv ist ein dreibändiges Kompendium zu allen technischen Aspekten des Geigenspiels und wendet sich an Orchestermusiker, Studenten, jugendliche Spieler und Laienmusiker und gibt vielfältige Anregungen für den Violinunterricht. Der Lehrgang hat folgenden Aufbau: Band 1 Konditionstraining (ED 8681); Band 2 Bogentechnik und Koordinationsetüden (ED 8682); Band 3 Fit in 20 Minuten, Einspielübungen (ED 8683). Inhalt von Band 2: Die Beherrschung der Strichtechnik (Détaché, Saltellato, Spiccato, Saitenübergänge, etc.) setzt ein fundiertes Wissen über die vielfältigen Wechselwirkungen von Bogentempo, Kraft und Kontaktstelle voraus. Im 2. Band bietet Josef Märkl daher eine Fülle von Material zum Thema Bogentechnik und Koordinationsübungen. Besonderen Wert legt er auf zahlreiche Beispiele aus der Konzert- und Kammermusikliteratur.

Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 2 - Digital Download SKU: A0.992327 Composed by Reinhard Noeske. Instructional,Standards. Score and parts. 32 pages. Musikverlag Reinhard Noeske #3483467. Published by Musikverlag Reinhard Noeske (A0.992327). Die vorliegenden „50 Studien für Solo-Blasinstrumente sind keine Instrumentalschule, sondern dienen der Festigung des im Unterricht Gelernten und dem täglichen Training. Sie sind sowohl an Anfänger als auch an Fortgeschrittene gerichtet, die anhand der recht kurzen Stücke die erlernte Technik, Artikulation, Phrasierung, Dynamik etc. verfeinern möchten.Auf Griffbezeichnungen wurde deshalb verzichtet, um die Studien nicht einseitig bestimmten Instrumenten zuzuordnen und andere dabei auszuklammern. Vielmehr ist genügend Raum vorhanden, um nur bei Bedarf Fingersätze bzw. Griffe bzw. Zugpositionen einzutragen, die durch Unterricht noch nicht gefestigt sind.Dabei kommt die Kürze der Studien den Ãœbenden entgegen: Während Vortragsliteratur oftmals schon wegen des zeitlichen Umfangs Kräfte raubendes Durchhalten erfordert und dabei oftmals rasches Ermüden des Ansatzes nach sich zieht, werden in diesem Kompendium in jeweils knapper Zeit und bei überschaubaren Taktanzahlen alle grundlegenden Techniken trainiert. Großen Wert legt der Autor auf reichlich einfaches Material für den Anfangsbereich, um eine solide Basis für die Ausführung der weiteren und immer schwieriger werdenden Kompositionen zu gewährleisten.Die „50 Studien für Solo-Blasinstrumente sind für verschiedene Instrumentenstimmungen erschienen, damit gemeinsam unisono geübt werden kann. Somit eignen sich die Stücke zum chorischen Musizieren und als Orchesterstudien. Trotz der Kürze der Stücke können manche zum (Solo-)Vortrag und auch zu Vortragswettbewerben eingesetzt werden – gerade wegen der Bandbreite der in den Kompositionen behandelten Spieltechniken.