Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Concert Band - Level 3 - Digital Download SKU: A0.931883 Composed by S.R. Thomas. Standards. Score and parts. 43 pages. S.R.T. Music #5887261. Published by S.R.T. Music (A0.931883). Horizons March is a composition for an emerging ensemble performing at an intermediate or greater instrumental level. This march is written in the traditional American March style with a modulation to the dominate of the key in the final strain (Concert Eb to Ab). This should be interesting and playable music for emerging to more advanced wind/percussion ensembles.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1457458 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #1036483. Published by Matthew Nunes Music (A0.1457458). Named and written in honor of a New York summer resort. This Brass Quintet arrangement was made using “The President’s Own” United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Manhattan Beach was composed in 1893, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 3, No. 49.Section titles (such as “First Strain” and “Trio”) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Piano and voice - Digital Download SKU: LV.13287 Composed by George W. Hewitt. Portraits--George Washington, Liberty--symbols, Monuments & Memorials, Washington Monument--Washington, D.C., Eagles, Clouds, Lightening, Capitols. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13287). Song of the Union. Includes new arrangement and Original Mountain Strain of the Author.--For the Voice alone [May be sung to the Scottish Air Scots Wha Ha'e, wi Wallace bled]. By A Pennsylvanian. Written by John M. Crosland. Pa.; Music by Geo. W. Hewitt. N.J. Published 1860 by n.p. in Pennsylvania. Composition of original song rounded binary; arrangement strophic with refrain (text of refrain variable) with piano and voice instrumentation. Subject headings for this piece include Portraits--George Washington, Liberty--symbols, Monuments & Memorials, Washington Monument--Washington, D.C., Eagles, Clouds, Lightening, Capitols. First line reads Sons of the free, awake! arise!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Concert Band - Level 3 - Digital Download SKU: A0.931885 Composed by S.R. Thomas. Standards. Score and parts. 24 pages. S.R.T. Music #6206175. Published by S.R.T. Music (A0.931885). Bayside March is a composition for an emerging ensemble performing at an intermediate or greater instrumental level. This march is written in the traditional American March style with a modulation to the dominate of the key in the final strain (Concert Eb to Ab). This should be interesting and playable music for emerging wind/percussion ensembles.

Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.750317 Composed by Eddie Lewis. Folk. Score and parts. 17 pages. Tiger Music #4790595. Published by Tiger Music (A0.750317). Hopewell Endurance Fourth Movement from Hopewell Suite for Trumpet Ensemble by Eddie Lewis  Hopewell Suite is a trumpet ensemble composition for four trumpets and two flugelhorns. It was composed in 2016 using inspirations Eddie Lewis collected while he was in South Africa for the jazz festival in Grahamstown, in the Eastern Cape.  Hopewell is the name of the farm where Eddie and his wife stayed most of the time while they were in South Africa. The farm is owned by their brother-in-law.  Hopewell Endurance is the fourth movement of the suite. The Eastern Cape, where Hopewell Farm is located in South Africa, is a borderline semi-arid area that can suffer from periodic drought. This is not only difficult for the animals, but can also sometimes be a strain for the people. Exploring the land on the farm, there are signs of past droughts. And yet, the farm continues to thrive, no matter the times.  If you are interested in purchasing the full suite with all seven movements, you can do so at: Sheet Music Plus: https://goo.gl/ry175L (affiliate link).

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1386977 Composed by John Philip Sousa. Arranged by Matthew Nunes. Classical,Historic,March,Multicultural,Patriotic,World. 24 pages. Matthew Nunes Music #970859. Published by Matthew Nunes Music (A0.1386977). Flags of Freedom is built around the songs of five nations at war with Germany during World War I: Belgium, Italy, France, Great Britain, and America.This Brass Quintet arrangement was made using “The President’s Own� United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Flags of Freedom was composed in 1918, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 84.Section titles (such as “First Strain� and “Trio�) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1453216 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 17 pages. Matthew Nunes Music #1032444. Published by Matthew Nunes Music (A0.1453216). Written for the Sousa Band’s second year at the Steel Pier in Atlantic City, New Jersey, and probably inspired by what would later be known as the Miss America Pageant. This Brass Quintet arrangement was made using “The President’s Own” United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Atlantic City Pageant was composed in 1927, and the referenced edition was made Public Domain in 2020. The piece is catalogued as Volume 6, No. 107.Section titles (such as “First Strain” and “Trio”) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Choral (SATB Choir) SKU: HL.145568 Composed by Richard Nichols. Fred Bock Publications. Anthem, Christ the King, Easter, General Worship, Pentecost, Sacred. Octavo. 12 pages. Fred Bock Music Company #BG2615. Published by Fred Bock Music Company (HL.145568). UPC: 888680066192. 6.75x10.5 inches.How great is this? A new hymn, with a dynamic text and lofty strain, written in a regal style that salutes the church's incredible legacy of hymnody. Text writer Chris Anderson and composer Richard Nichols have teamed together many times, always with excellent results. Written in celebration of a new organ at the Catalina United Methodist Church, Tuscon, AZ, the hymntune is called “Catalina.” With optional brass and percussion, and opportunities to include the congregation, this anthem is themed for general use. It is a hymn of praise that celebrates God's grace, and can include Easter, Pentecost, Christ the King or any service of praise. Easy.

Piano Solo - Level 4 - Digital Download SKU: A0.1154716 By Ken Barker. By M-Hans Leo Hassler and W-Paul Gerhardt. Arranged by John Purifoy. Christian,Easter,Religious,Sacred. Score. 3 pages. Ken Barker #754990. Published by Ken Barker (A0.1154716). The descending line of the opening strain is also used as a motif throughout, and should be set apart from the melody through dynamics and subtle tempo shifts. This stirring setting from John Purifoy provides ample opportunity for musical expression and sensitivity.

Piano Solo - Level 3 - Digital Download SKU: A0.941054 Composed by Joshua Allen. 20th Century,Contemporary,Instructional. Score. 5 pages. Joshua Allen Music #5289675. Published by Joshua Allen Music (A0.941054). Marcia Semplice (Simple March) is the sixth title in a collection of solo piano pieces called SIMPLE SONGS.  Marcia Semplice is moderato in tempo and features a typical bass line with a simple march melody in Bb Major.  Following the typical two-strain march form of the first half, the Trio features triplet figures in the right hand and a prominent bass melody with octaves in the left hand.  The work is approximately 2:30 in length and is suitable for pianists and the intermediate level and above.SIMPLE SONGS is a collection of original compositions for solo piano simple in construction, varied in form and content, and vastly enjoyable to perform and hear. Each title is available separately and as a collection.

Piano Solo - Level 4 - Digital Download SKU: A0.840461 Composed by Grant Arnold. Classical,Concert,Contemporary,Standards. Score. 11 pages. Grant Arnold #6612193. Published by Grant Arnold (A0.840461). My first piano sonata was written between July and September 2021. It was during the time when the Delta strain of COVID-19 played havoc with the world (and still does), hence I decided to include it in the sonata title.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1422087 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 26 pages. Matthew Nunes Music #1003432. Published by Matthew Nunes Music (A0.1422087). Dedicated to Thomas E. Mitten and his employees, whose trolleys were vital to Willow Grove Park. The trio includes Onward Christian Soldiers by Arthur Sullivan, which was a favorite of Mitten. This march was also published under the title Power and Glory.This Brass Quintet arrangement was made using “The President’s Own� United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. March of the Mitten Men was composed in 1923, and the referenced edition was made Public Domain in 2020. The piece is catalogued as Volume 6, No. 97.Section titles (such as “First Strain� and “Trio�) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Piano and voice - Digital Download SKU: LV.11710 Composed by Orramel Whittlesey. Castles & palaces, Lighthouses, Storms, Lightening, Rowboats, Clipper ships, Comfort. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11710). Harp of the Wild Wind. Composed by Orramel Whittlesey, Salem, Conn. Words by Miss Mary Bradford. Published 1851 by in n.p. Composition of abacaba with piano and voice instrumentation. Subject headings for this piece include Castles & palaces, Lighthouses, Storms, Lightening, Rowboats, Clipper ships, Comfort. First line reads Sweet harp of the wild wind Thy soft and mellow strain.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.