String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1101142 Composed by Joseph Hayden. Arranged by Sandy McIntire. Chamber,Christian,Classical,Instructional,Religious. 11 pages. Sandy McIntire #704577. Published by Sandy McIntire (A0.1101142). GLORIOUS THINGS OF THEE ARE SPOKEN is a hymn by John Newton, later set to the tune of Joseph Haydn's Gott erhalte Franz den Kaiser (referred to in hymnals as Austria). It makes a rousing processional, prelude or postlude for worship services and other gatherings. This arrangement is an INTERMEDIATE STRING TRIO (two violins and cello). Other similar arrangements for string ensemble include All My Heart Again Rejoices, Come, Ye Faithful, Raise the Strain, and O Store Gud (How Great Thou Art), all available at this web site.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1396788 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 26 pages. Matthew Nunes Music #980130. Published by Matthew Nunes Music (A0.1396788). Dedicated to the officers and men of the 311th Cavalry. This Brass Quintet arrangement was made using “The President’s Own� United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Sabre and Spurs was composed in 1918, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 85.Section titles (such as “First Strain� and “Trio�) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged� with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim� accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “ß� with “ss� in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.� and “dim.� markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Concert Band - Level 3 - Digital Download SKU: A0.931883 Composed by S.R. Thomas. Standards. Score and parts. 43 pages. S.R.T. Music #5887261. Published by S.R.T. Music (A0.931883). Horizons March is a composition for an emerging ensemble performing at an intermediate or greater instrumental level. This march is written in the traditional American March style with a modulation to the dominate of the key in the final strain (Concert Eb to Ab). This should be interesting and playable music for emerging to more advanced wind/percussion ensembles.

Full Orchestra - Level 2 - Digital Download SKU: A0.1232375 By Brendan James Elliget. By Traditional Mexican Melody. Arranged by Brendan James Elliget. Patriotic. Score and Parts. 44 pages. BJE Music #828065. Published by BJE Music (A0.1232375). Mexican Hat Dance – OrchestraThe Jarabe Tapatío is a Mexican folk dance, often called the national dance of Mexico, and better known internationally as the “Mexican Hat Dance�.This bright arrangement is for the Orchestra - It has extra optional parts for Concert Band including Alto Saxophones, Tenor Saxophone, Baritone Saxophone, Euphonium TC and BC, and a chorded Piano Accompaniment part. It could be played by either group or a combined ensemble. Percussion parts include Xylophone, Timpani, and Drum Set.The last strain is played 3 times with increasing tempo each time!The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 1:30 mins.

Piano Solo - Level 4 - Digital Download SKU: A0.1154716 By Ken Barker. By M-Hans Leo Hassler and W-Paul Gerhardt. Arranged by John Purifoy. Christian,Easter,Religious,Sacred. Score. 3 pages. Ken Barker #754990. Published by Ken Barker (A0.1154716). The descending line of the opening strain is also used as a motif throughout, and should be set apart from the melody through dynamics and subtle tempo shifts. This stirring setting from John Purifoy provides ample opportunity for musical expression and sensitivity.

Piano Solo - Level 3 - Digital Download SKU: A0.941054 Composed by Joshua Allen. 20th Century,Contemporary,Instructional. Score. 5 pages. Joshua Allen Music #5289675. Published by Joshua Allen Music (A0.941054). Marcia Semplice (Simple March) is the sixth title in a collection of solo piano pieces called SIMPLE SONGS.  Marcia Semplice is moderato in tempo and features a typical bass line with a simple march melody in Bb Major.  Following the typical two-strain march form of the first half, the Trio features triplet figures in the right hand and a prominent bass melody with octaves in the left hand.  The work is approximately 2:30 in length and is suitable for pianists and the intermediate level and above.SIMPLE SONGS is a collection of original compositions for solo piano simple in construction, varied in form and content, and vastly enjoyable to perform and hear. Each title is available separately and as a collection.

Piano Solo - Level 4 - Digital Download SKU: A0.862451 Composed by Michael Bomier. 20th Century. Score. 5 pages. Michael Butkus-Bomier #2008077. Published by Michael Butkus-Bomier (A0.862451). A rag inthe key of C, a bit unusual for the ragtime idiom, which often uses several flats. An opening theme, which recurs as the 4th section, uses chromatic scales and harmony, in the classic Missouri style. The 2nd section is a new theme in the subdominant, with a minor strain for contrast. The 3rd section is yet more new music, but this time it is back to chromaticism in the parallel minor of the subdominant, F minor. Then back to the main theme, and out with a rousing closing chorus in the dominant, G. Pedal on the strong beats, and Don't Play it Too Fast, as Maestro Joplin always admonished! Approx duration at tempo indicated is 4 mins 15 secs.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1368507 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 28 pages. Matthew Nunes Music #952854. Published by Matthew Nunes Music (A0.1368507). Written for the cancelled York Flower Festival in York, Pennsylvania (which recalls its English namesake with the symbolic white rose), Sousa incorporated themes from local composer C. C. Frick’s opera Nittaunis. This Brass Quintet arrangement was made using “The President’s Own� United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The White Rose was composed in 1917, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 79.Section titles (such as “First Strain� and “Trio�) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell

Brass Quintet - Grade 2.5 - Digital Download SKU: DX.145512 Composed by Various. Arranged by Dana F. Everson. Sacred instrumental music. Sheet Music. Traditional. Score and parts. 12 pages. David E. Smith - Digital Sheet Music #145512. Published by David E. Smith - Digital Sheet Music (DX.145512). A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. A piece in Alle Breve, is simply stated in block chords with an active bass line. The first strain, is repeated, and follows traditional march scoring. The second section is a bit slower and again in block chord structure, but this time with a first trumpet obbligato. With a regaining of tempo and style the piece becomes stronger until a grandiose ending.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1407507 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #990171. Published by Matthew Nunes Music (A0.1407507). “Dedicated to Mrs. Theodore Roosevelt, In memory of the brave who gave their lives, That Liberty shall not perish�. The Golden Star is a symbol of sacrifice for many families, and Sousa appropriately incorporates Taps.This Brass Quintet arrangement was made using “The President’s Own� United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Golden Star was composed in 1919, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 90.Section titles (such as “First Strain� and “Trio�) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1386977 Composed by John Philip Sousa. Arranged by Matthew Nunes. Classical,Historic,March,Multicultural,Patriotic,World. 24 pages. Matthew Nunes Music #970859. Published by Matthew Nunes Music (A0.1386977). Flags of Freedom is built around the songs of five nations at war with Germany during World War I: Belgium, Italy, France, Great Britain, and America.This Brass Quintet arrangement was made using “The President’s Own� United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Flags of Freedom was composed in 1918, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 84.Section titles (such as “First Strain� and “Trio�) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1445179 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #1025048. Published by Matthew Nunes Music (A0.1445179). Written for a fundraising effort to restore “Old Ironsides”, the 1797 USS Constitution, who played a pivotal role in the War of 1812. The ship is the oldest in the world still afloat. One should note that the Marine Band’s edition was scored by Master Gunnery Seargent Donald Patterson, who added material to the existing manuscript for the collection. This Brass Quintet arrangement was made using “The President’s Own” United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Old Ironsides was composed in 1926, and the referenced edition was made Public Domain in 2020. The piece is catalogued as Volume 6, No. 104.Section titles (such as “First Strain” and “Trio”) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Brass Ensemble - Level 3 - Digital Download SKU: A0.750818 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 30 pages. BJE Music #3667489. Published by BJE Music (A0.750818). This is a straightforward arrangement for Brass Band of this traditional carol suitable for singing.It has separate music for Verses 1 to 5 but for Verses 6 to 12: a bar is repeated the appropriate number of times within the repeated strain for these verses. 1st time played once, 2nd time played twice etc. up to the 7th time played 7 times.The whole arrangement fits on one page for each instrumental part. There is also an arrangement for Concert Band...Listen the MP3 - repeats played as it is sung!