Piano Solo - Digital Download SKU: A0.862646 Composed by Scott Joplin. Arranged by Michael Bomier. 20th Century,Ragtime,Standards. Score. 5 pages. Michael Butkus-Bomier #3555119. Published by Michael Butkus-Bomier (A0.862646). The Gladiolus Rag has such sweet harmony, with its major 7ths in the treble throughout. The classic rag-gy figure in the final strain, with its rocking motion between the top tone and the chord beneath in the RH lends additional poiniancy to the music. All-original notes here, but with some respelled chords, No Fb major to Bbb major, for example, and clear syncopation throughout. It is paginated to lay across a music desk with four sheets showing at once. So, print it single-sided for ease of reading, practise and performance. MBB.

Piano Solo - Level 2 - Digital Download SKU: A0.803326 Composed by Scott Joplin. Arranged by Paul Taylor. Ragtime. Score. 8 pages. Paul Taylor #5372803. Published by Paul Taylor (A0.803326). The main theme and one additional section (strain) is included here for the intermediate pianist. The tune is presented in the key of G, but also appears in the key of A as an option. Some fingerings are presented, and every effort is made to keep this Rag as true to the original as possible.

Concert Band - Level 4 - Digital Download SKU: A0.1178787 Composed by Michael Jeffrey Indrawan. March. Score and Parts. 109 pages. Man Model Music #778751. Published by Man Model Music (A0.1178787). This march is dedicated to the Midwest FurFest – look out for a hint of the Belle of Chicago in the second strain!Works well for concert or contest outside the MFF – there's something waiting for horns and euphoniums.

Brass Ensemble - Level 5 - Digital Download SKU: A0.941539 Composed by J. P. Sousa. Arranged by Harry Salotti. 20th Century,Concert,Folk,Holiday,Patriotic. Score and parts. 15 pages. Harry Salotti #6418889. Published by Harry Salotti (A0.941539). Jack Tar Arranged for Tuba/Euphonium Quartet (requires two Tubas in Eb or F and Bb or C ) is a fresh change from the standard Stars and Stripes by J. P. Sousa.  This 6/8 march allows all four players to get a turn with the melodies of this lively piece.  Sousa takes a sharp turn and presents the Sailor's Hornpipe melody before the final strain.  Look inside at the score and listen to Jack Tar.  

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1458194 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 28 pages. Matthew Nunes Music #1037171. Published by Matthew Nunes Music (A0.1458194). Nearly lost, this march honors the Volunteers of the U.S. Army Ambulance Corps. It relies upon melodies from the musical Good-Bye Bill, written by USAACs William B. Kernell and Richard Fechheimer. Quite a difficult one to arrange, as the melodies and original band version were not by Sousa.This Brass Quintet arrangement was made using “The President’s Own” United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. USAAC March was composed in 1918, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 87.Section titles (such as “First Strain” and “Trio”) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Concert Band - Level 3 - Digital Download SKU: A0.967744 Composed by Lawrence H. Underwood. Contemporary,Folk. Score and parts. 68 pages. Lawrence H Underwood #6199155. Published by Lawrence H Underwood (A0.967744). When Billie Came Bounding Over is a traditional march for symphonic band written in 6/8 time and a minor key. The lower voices are featured carrying the melody during the second strain of the piece, giving them a chance to step into the spotlight. Orchestral bells and chimes provide interesting counter-lines that, along with the addition of non-traditional march percussion like woodblock and triangle and hummable melodies will make this march as much fun to perform as it is for the audience to hear! This piece is of medium difficulty (approximately Grade 3).

Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1401987 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 30 pages. Matthew Nunes Music #985185. Published by Matthew Nunes Music (A0.1401987). A curious march, where the commissioner requested “sounds characteristic of a shipyard�, including sirens, an electric rivet machine, and anvils.  This Brass Quintet arrangement was made using “The President’s Own� United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Volunteers was composed in 1918, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 88.Section titles (such as “First Strain� and “Trio�) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND179 Composed by John Philip Sousa. Arranged by Lee Shook. High School Cadets is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 33 pages. PDF Band Music #PDF-BAND179. Published by PDF Band Music (B0.PDF-BAND179). 8.5 x 11 inches.This sparkling arrangement of the Sousa classic march High School Cadets will excite and energize students. This march differs from most of Sousa's marches in that there is no introduction to the trio, no break strain and no stinger. The trio features a melody with swing style style rhythms. Sousa used this rhythmic treatment in a number of subsequent marches.

Concert Band - Grade 1 - Digital Download SKU: B0.PDF-BAND227 Composed by Lee Shook. March Jubiloso is a compelling choice for Grade 1 level band students. Multicultural. Score and Parts. 61 pages. PDF Band Music #PDF-BAND227. Published by PDF Band Music (B0.PDF-BAND227). 8.5 x 11 inches.March Jubiloso is a light-hearted original march written for young band. Contrasting thematic material includes a lively first strain orchestrated for solo flute/picc. and whistling brass section. The Trio features the clarinet section and concludes with a rousing refrain complete with all the bells and whistles you'd expect to hear in a classic march.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1362360 Composed by Sir Arthur Seymour Sullivan. Arranged by Todd Marchand. Christian,Easter,Sacred. 21 pages. Con Spirito Music #946819. Published by Con Spirito Music (A0.1362360). Perhaps most often associated with Christopher Wordsworth’s Easter hymn text, “Alleluia, Alleluia! Hearts to Heaven and Voices Raise,� and his All Saints Day text, “Hark! The Sound of Holy Voices,� Arthur S. Sullivan's tune LUX EOI may be used with any hymn in 8.7.8.7 D meter.Best known for his Victorian-era collaborations with dramatist and librettist W.S. Gilbert on comic operas including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado, Sullivan (1842-1900) displayed prodigious musical talent early in life, writing his �rst anthem at age eight, joining the Chapel Royal as a chorister at age 12, and earning a scholarship to the Royal Academy of Music at age 14. He later studied at the Leipzig Conservatory, and while still in his teens began building a reputation as a promising young composer. Among Sullivan’s works are 24 operas, 11 full orchestral works, 10 choral works and oratorios, and more than 70 hymns and anthems, including the hymn tunes ST. GERTRUDE (“Onward, Christian Soldiers�), FORTUNATUS (“Welcome, Happy Morning�), ST. KEVIN (“Come, Ye Faithful, Raise the Strain�), and the tune that is the basis for this arrangement.Following an opening fanfare by brass which is answered by organ, the verses proceed as follows: organ accompaniment verse (may be repeated as needed), brass accompaniment verse, penultimate verse (organ accompaniment with countermelody by trumpets), interlude, and �nal verse (organ with brass punctuations and conclusion).©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Concert Band - Level 3 - Digital Download SKU: A0.1258972 By Brendan James Elliget. By Thomas Moore (1779–1852). Arranged by Brendan James Elliget MAGA 537. Folk. Score and Parts. 42 pages. BJE Music #852230. Published by BJE Music (A0.1258972). The Minstrel Boy is an Irish song written by Thomas Moore (1779–1852) and published as part of his Irish Melodies. Moore himself came to be nicknamed The Minstrel Boy.This is an extended arrangement for the Concert Band. There are parts for Horns in F and Eb, Euphonium in BC, and TC. There is a descant for Piccolo, Flute, Solo Clarinet, and Trumpet in the last strain.Grade = 3 Duration = 3 minsThe MP3 was recorded with NotePerformer 4.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1456921 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 24 pages. Matthew Nunes Music #1036004. Published by Matthew Nunes Music (A0.1456921). This march features some of Sousa's most difficult runs - trumpets beware! The Final Strain's woodwind obbligato has been divided between both parts, and performers may want to ease off the tempo here to help with clarity. This Brass Quintet arrangement was made using “The President’s Own” United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Triumph of Time was composed in 1885, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 2, No. 27.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1216206 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Ruben Federizon. Broadway,Musical/Show. Octavo. 13 pages. A Major Music Publishing #812782. Published by A Major Music Publishing (A0.1216206). A unique choral arrangement of Jerome Kern's popular song wherein the piano shines equally with the choir.  It does not follow the traditional practice of having the piano play the introduction; rather the choir sings the introduction a-cappella and the piano proceeds playing the refrain melody of the song song while the choir accompanies the piano.  The choir then follows with the usual verse/refrain form of a standard song, with the piano closing the song with a gentle reminder of the strain of the verse.  Check out the YouTube audio/video of the music score:  https://youtu.be/Hv9u9jz-N8g.