Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996625 Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #5307647. Published by M J Richardson (A0.996625). This collection of seven songs is inspired by Spanish folk and flamenco music. Each song is representative of a different style or genre, including dances, romances, work, and religious and songs. Spain has a long history of folk music dating back to the Middle Ages; a tradition that is still very much alive today. The music has been influenced by many different cultures over the centuries and has been the inspiration for musicians across the world.Songs1.Sevillanas are a type of folk song and associated dance for couples, originating in the nineteenth century. Today they are still very popular, particularly at fiestas and  other social events.2.Cabaliño is a Galician work song about a young horse, arranged in the style of a flamenco tango.3. La Petenera is  a combination of two songs in very different styles - a flamenco Petenera from Andalucía and a Mexican son huasteco, a genre that is noteworthy for its flamboyant and virtuoso violin parts.4. Saetas are religious songs that are performed at Easter (Semana Santa).5.There are many hundreds of versions of the old folk tale Gerineldo, telling the story of love between a Queen and her page boy. This Spanish/Jewish version is over 500 years old, from the time when the Moors ruled over much of the Iberian Peninsula.6.Villancico Asturiano is a traditional Christmas carol from Asturias, combined with a setting of a Christmas poem written in the seventeenth century by Robert Herrick for King Charles II of England.7.The lyrics from La Tarara are drawn from the poem of the same name by the Spanish poet Federico Lorca, who based his poem on a traditional children´s playground song. La Tarara is a mystical woman who dances around the countryside.  The music in this version is in the style of a Tanguillo – a type of flamenco dance from Cadiz.

C Instrument - Level 4 - Digital Download SKU: A0.500096 Composed by Daniel Pringle, Leah Cooney, and Shelly Peiken. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113292. Published by John Fries (A0.500096). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   This Masquerade is a song written by American singer and musician Leon Russell. The song was then covered on Helen Reddy's 1972 album, I Am Woman. It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single Please Mr. Postman. Three years later, This Masquerade was recorded by American singer and guitarist George Benson, who released it on his 1976 album, Breezin'. Benson's version, featuring Jorge Dalto on piano, was released as a single and became the first big hit of his career.

C Instrument - Level 4 - Digital Download SKU: A0.1178361 Composed by John Barry. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #778324. Published by John Fries (A0.1178361). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   This Masquerade is a song written by American singer and musician Leon Russell. It was originally recorded in 1972 by Russell for his album Carney and as a B-side for the album's hit single Tight Rope. The song was then covered on Helen Reddy's 1972 album, I Am Woman. It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single Please Mr. Postman. Three years later, This Masquerade was recorded by American singer and guitarist George Benson,.

C Instrument - Level 4 - Digital Download SKU: A0.1178358 Composed by John Jacob Loeb and Paul Francis Webster. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #778321. Published by John Fries (A0.1178358). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  This Masquerade is a song written by American singer and musician Leon Russell.  It was originally recorded in 1972 by Russell for his album Carney and as a B-side for the album's hit single Tight Rope.  The song was then covered on Helen Reddy's 1972 album, I Am Woman.  It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single Please Mr. Postman.  Three years later, This Masquerade was recorded by American singer and guitarist George Benson.

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.730222 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. 7 pages. James Nathaniel Holland #62201. Published by James Nathaniel Holland (A0.730222). A Long Time Ago (or Menkaure) Aria for Tenor (Range: E3 to Bb4) from the American, contemporary opera Menkaure Duration: 3:15 Music and Libretto by James Nathaniel Holland BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman,Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. In this aria, inthe third world country of Joondor, Trista and her guide Consaladas have come to a dead end in their search for the statue of Menkaure. That is, until a mysterious figure appears from the shadows, Hamlak the Prophet. Sung here as a character piece but can be a powerful aria for a dramatic, stentorian voice. Available orchestrated with parts too.

Full Orchestra - Digital Download SKU: A0.506903 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 53 pages. Published by Kevin Riley (A0.506903). Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour and Christopher Plummer. Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he wishes himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour), but comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and resolves to stop him. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.

Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1032203 Composed by Antonio Palma. Pop,Rock. Score. 13 pages. Antonio Palma #4766557. Published by Antonio Palma (A0.1032203). I wrote this song for my first granddaughter who was born June 3, 2018, thinking of her when she reaches the age of 18 years.  A Filipino custom in which we celebrate the age of a woman becoming a full grown Lady.  I hope this will inspire other parents to sing and dance during their daughter's 18th birthday.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.891202 Composed by Laurie Betts Hughes. Contemporary. Octavo. 11 pages. Dandelion Music Press #3104027. Published by Dandelion Music Press (A0.891202). If you are looking to highlight your women's group and feature soloists from within the ensemble, this women's-choir-friendly piece is a harmonically interesting and pianistically supported way to explore those textures.The composer writes: I often find it difficult to find music for grown women: much treble repertoire is written for children's ranges and feature children's themes, and the remainder seems to be about romantic relationships.  When searching for a text that speaks to the nature of a woman, I found Emily Dickinson's little-known For largest Woman's Heart I knew.  It seemed to pair naturally with Heart! We will forget him! and provide context rooted in personal strength.While Dickinson was a prolific private poet, fewer than a dozen of her nearly 1,800 poems were published during her lifetime, usually altered significantly to fit the conventional poetic rules of the time.  A complete, and mostly unaltered, scholarly collection of her poetry first became available five full years after Aaron Copland's musical settings of her poetry.  Laurie Betts Hughes explores what Copland never had the chance to: Emily Dickinson's poem as the poet had conceived it, unedited, and with the punctuation she intended.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Easy Piano - Level 2 - Digital Download SKU: A0.1191065 By The Song Factory, Feat: Anastasia Kareva. By Julie Carter. Arranged by Julie Carter. Contemporary,Pop. Score. 5 pages. Songs of Humanity #790583. Published by Songs of Humanity (A0.1191065). A song in soliloquy form about a woman who feels unloved. The yearning for simple pleasures of being embraced and made to feel special, contrast vividly with her current empty existence. Ultimately, most of us want to feel wanted and loved. The song is written very much in the 1980s Madonna style where lyrics reach a spot like no other.

Piano and voice - Digital Download SKU: LV.22571 Composed by Henry Clay Work. Crowds, Woman, Anger, Brooms & brushes, Watering cans, Bayonets, Satire, Civil War--Union, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22571). We'll Go Down Ourselves. Song and Chorus. Words and Music By Henry C. Work. Published 1862 by Root & Cady, 95 Clark Street in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Crowds, Woman, Anger, Brooms & brushes, Watering cans, Bayonets, Satire, Civil War--Union, Patriotism. First line reads What shall we do, as years go by, and peace remains a stranger.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.